Quotes of All Topics . Occasions . Authors
But with 9/11, we found that people tended to come back to the networks and the people who had been our core viewers in the past came back and they have stayed with us.
In our show you have to pay attention and know what happened before. I think it's very intelligent entertainment. It makes demands of viewers that a lot of shows don't.
There's nothing worse than putting two similar shows back-to-back. Viewers don't want to watch one show and then sit through another half-hour of almost the same thing.
Readers and viewers will differ about what's totally standalone, what's totally serially dependent, and what's merely enriched by reading/viewing in a particular order.
At any debate, you want viewers to have learned something they didn't know before - whether it's about the candidates' temperament, policies, or preparedness for office.
In the future, I think movies are going to be more of data sets that viewers have a hand in controlling - where the narrative originates and what happens to the content.
When I'm on television, I think that I appeal to the everyday guy, 'cause that's who I am. The guys who go to the football games on the weekends are my viewers, for sure.
I believe our editorial decisions reflected our constant desire to make sure that we fully cover and analyze any issue and give our viewers all the information they need.
We've seen other Internet people go to TV, and it's bad because they take two months off to make a pilot, and their viewers have forgotten about them when they come back.
Network television has been attempting to lure viewers for years with its low-interest programming only to have those viewers discover later that their brains are bankrupt.
I love morning television because it's the most vulnerable time of day, when you are at your rawest, and if I have the ability to make viewers smile, that's a gift from God.
After 'Dor,' viewers showed the confidence that I could play serious roles too and so I was offered roles in films like 'Eight By Ten' and 'Wanted' and many other big movies.
When I entered TV, I realised that it's not just all about art, but it has a business dimension as well. You need to take care of yourself. I also learned who my viewers are.
Online content is the new game in the field of entertainment. Web series, short films, independent movies. This new medium has been a boon to both the makers and its viewers.
Generally, I love being part of a project that imparts a positive message, is somehow educational or enlightening, helps to bridge differences, or inspires viewers in some way.
I'm homemade. I upload my videos in my living room; I edit everything, and I upload on my laptop. And my viewers love that about me, and they get inspired and do it themselves.
We're journalists, so our default position is we're not writing editorial. We're trying to bring information to readers, viewers, so that they can make up their own conclusions.
There is a deeper connection with streamers and viewers than any other celebrity or influencer - I'm live 12 hours a day; that's half my day I'm sharing with millions of people.
I wanted to do a wildlife series. I kept remembering those days in Algonquin Park, drifting along in the bottom of a canoe, and I wanted to transfer that feeling to the viewers.
I had this unusual mix of curiosity, the ability to write in ways people understood, and when I appeared, viewers seemed to trust me to get them through some cataclysmic changes.
My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
But, in real life, I'm not a sex symbol. I'm popular with female viewers, but television is fantasy land. People watching don't see the real person; they see a romanticised image.
And you know, we did it as an independent film, and we weren't expecting it to be on television, and Lifetime ended up buying it. And the viewers responded intensely to that film.
I've been acting all along. I understand that I haven't been in people's viewers, but acting has never not been a part of my life, just more time in between and less high-profile.
When people see 'bisexual,' they still confuse it with promiscuity, which is so wrong. So I was so pumped to be the first bisexual on Riverdale and just normalize that for viewers.
You get the information, and it's not your job to judge it or not judge it. You adapt, and you do it. That's what we do as actors. We're just as surprised as the viewers, sometimes.
Nothing demonstrates a celebrity's basic drive for attention more powerfully than a willingness to check one's dignity at the door, week after week, in front of millions of viewers.
The goal of Participant is to tell stories that serve as catalysts for social change. With our television channel, we can bring those stories into the homes of our viewers every day.
I love watching other beauty girls on YouTube, so I get a lot of ideas through their videos. I also get plenty of requests from viewers, which is great. I can never run out of ideas!
Interviews, and hence interviewers, are there to help shed light, and to let viewers judge for themselves. We are not judges, juries, commentators or torturers - nor friends, either.
RT completes the picture of the events in the U.S. and around the globe, giving viewers access to a range of stories, voices, and opinions and a real opportunity to speak their minds.
Steve Irwin did wonderful conservation work but I was uncomfortable about some of his stunts. Even if animals aren't aware that you are not treating them with respect, the viewers are.
TV can keep you honest because the viewers really do listen. People who have succeeded in this have shown the audience how hard they work and that their reporting is really worthwhile.
We often come across certain directors who mention some of their own flops as their favourites. They will blame the viewers for not realising its merits. I think that is plain hypocrisy.
But I will say this: In my humble opinion, knowing nothing about it, I do believe that they have remote viewers working on where Osama Bin Laden is. I absolutely, 100%, convinced of that.
I have long felt that it is readers and viewers of conservative media who could benefit from a more balanced discussion of what is at stake in our policy and the actions of our government.
I've been playing with this idea in my mind that the hero's journey that we're all taught as screenwriters may resonate more specifically for male protagonists and maybe even male viewers.
In the United States, viewers don't get to see a lot of things we can show in other countries. We didn't get to show our naked Twister game from Wild On Jamaica, but we definitely filmed it.
I've had a fantastic time at 'Coronation Street,' and I'm chuffed at the reaction to Becky. It's been this lovely redemption story, and I think that's what the viewers have enjoyed about it.
Every Pixar movie has its own rules that viewers have to accept, understand, and enjoy understanding. The voices of the toys in the 'Toy Story' films, for example, are never audible to humans.
Old-school viewers remain adamant that 'The Real World' has deteriorated, as if the original enterprise were some pristine experiment that got sullied as the conditions in the lab got sloppier.
The success of 'Rome' was in making the history accessible and giving viewers everyman characters through which they can connect to historical figures. It stops the story from being too remote.
The truth is that many of the writers of 'The Simpsons' are deeply in love with numbers, and their ultimate desire is to drip-feed morsels of mathematics into the subconscious minds of viewers.
A film like 'Shirdi Sai' caters to the family audiences, while 'Rajanna' evokes patriotic sense in viewers. 'Damarukam,' on the other hand, is a full-length commercial film made for the masses.
I'm making movies about people as flawed as myself and the viewers. So if you just have a reptilian brain and live your life simply by reacting to things, my movies aren't going to work for you.
Ultimately, criticism that 'The Real World' has devolved into a lesser enterprise comes from the viewers who came of age alongside it, not the teens of the moment that MTV has always existed for.
When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
In my new book, 'Binge,' I share essays about everything I've never told my viewers - touching on the best and worst days of my life, some hilarious, some embarrassing, but all extremely personal.
You want to put out good vibes for the viewers, even if so many stories that have to be told and that need to be told have a lot of darkness in them, because the world has a lot of darkness in it.
Since anti-racist individuals did not control mass media, the media became the primary tool that would be used and is still used to convince black viewers, and everyone else, of black inferiority.