Quotes of All Topics . Occasions . Authors
After the collapse of the Soviet Union, the United States and China are more likely to view each other as competitors if not adversaries. But the die has not been cast. The best possible outcome is a new understanding that when they cannot cooperate, they will coexist and allow all countries in the Pacific to grow and thrive.
Through my studies, I became increasingly disillusioned with the international aid system. I think we systematically deny poor people the chance to engage as equals in the global economic order. At best, we give them handouts or tiny loans and hope they will suffer a bit less from extreme poverty. We don't view them as equals.
We don't classify all doctors as incompetent because of the infrequent instances of medical malpractice. We don't use the example of one bad teacher in our children's school to draw a negative conclusion of the entire teaching profession. We should apply that same rational standard when it comes to how we view law enforcement.
Oculus really started popularizing a new approach using cellphone screen technology, a wide field of view, and super-low-latency sensor tracking. It's not crappy stuff that doesn't work and makes everybody sick. When you experience Oculus technology, it's like getting religion on contact. People that try it walk out a believer.
A romantic or classical view of the French approach would have been to say, 'It's a French company; let no one attack it. Let's block any merger. But the reality is Alcatel-Lucent is not a French company; it's a global company. Its main markets are China and the U.S. Its ownership is foreign; most of its managers aren't French.
It is accurate that the Walt Disney Company and ESPN are committed to diversity and inclusion. These are long-standing values that drive fundamental fairness while providing us with the widest possible pool of talent to create the smartest and most creative staff. We do not view this as a political stance but as a human stance.
You can look at any industry and sector and then figure out how high is your glass ceiling. Do you want to diversify or do you want to penetrate the ceiling? Because the ones who break the glass ceiling are going to be big-time winners, but it will be a longer-term view on things and requires a lot more courage, a lot more guts.
People don't know how to place me in their consciousness. They think, 'Oh, you must be here to make me look good. That's what gay guys are, right? You're an accessory for my straight life.' Just because your limited view is that everyone's there to serve you and that you're the only person in the world. It doesn't work that way.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.
I don't do formal debates, because formal debates where you have two people up on a stage in equal status, and each of them is given 20 minutes to give their point of view, and then 10 minutes for a rebuttal, or whatever, that creates the illusion that you really do have here two equal points of view of equal scientific standing.
Iranians and Arabs aren't considered diversity because we still don't have minority status in America. There was a group of Middle Eastern actors trying to get SAG to recognize us as part of the diversity they should look out for, because we do represent a different point of view. When OscarsSoWhite happened, I felt part of that.
It wasn't until sixth grade, at P.S. 168, when my teacher took us on a field trip to her house that I realized we were poor. I have no idea what my teacher's intentions were - whether she was trying to inspire us or if she actually thought visiting her Manhattan brownstone with her view of Central Park qualified as a school trip.
Social media forces girls to bear witness to painful realities of relationship that were previously hidden from view. It is a new kind of TMI, or 'too much information': publicly posted photographs of an outing or party you did not attend, or a personal web page like Formspring, can send a girl into paroxysms of anxiety and grief.
The Bible is filled with stories about angels, but many of us have had our view of angels confused by popular misconceptions about them, the principal of which is that angels do not actually exist anymore than fairies do, or wood nymphs or water sprites. But they do exist, and the Bible attests to their existence innumerable times.
The challenge in writing a show that's about people and their flaws is that it can easily tip over - okay, I'll sometimes watch something, and there will be characters that are written in a way that I'll know that the writer just hates human beings. They're expressing this misanthropic point of view with these detestable characters.
We frame things in an off-kilter way because it's unsettling. In the 'Mr. Robot' world, that's the norm, and it's the norm for the point of view that we're looking for, which is Elliot's. With our compositions and our visual language and camera movements, it's important to always evoke that unsettling feeling underneath every scene.
Only a few bloggers have the audience and credibility to effectively break stories, pressure the traditional media, incubate new ideas, or raise real money. These influential bloggers are usually sharp, opinionated, and focused on the world 'offline.' They refuse to view events through the solipsistic blinders of their own websites.
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
My view is that those challenges will be easier to meet, those risks will be less if we vote to leave because we will have control of the economic levers; we will have control over money we send to the European Union. We will have control over our own laws, and as a result, we will be able to deal with whatever the world throws at us.
Many Americans do not want persons who openly engage in homosexual conduct as partners in their business, as scoutmasters for their children, as teachers in their children's schools, or as boarders in their home. They view this as protecting themselves and their families from a lifestyle that they believe to be immoral and destructive.
Bottom line is, I didn't return to Apple to make a fortune. I've been very lucky in my life and already have one. When I was 25, my net worth was $100 million or so. I decided then that I wasn't going to let it ruin my life. There's no way you could ever spend it all, and I don't view wealth as something that validates my intelligence.
My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
I personally always took the view that, if you look at the case of should a Christian hotel owner have the right to exclude a gay couple from a hotel, I took the view that if it's a question of somebody who's doing a B&B in their own home, that individual should have the right to decide who does and who doesn't come into their own home.
Boxing is the more dangerous activity from the rugby player's and the general public's point of view, but to me rugby is far more dangerous so I would prefer my sons to box. I love my children too much and do not want to watch them getting hurt. This is in no way intended as a criticism of rugby, which I consider to be a fantastic sport.
I just always believe that we should not reward people with citizenship whose first act in this country was a violation of the law. And I continue to hold that view. But let me say, I think there is plenty of room here for compassion. And there's plenty of room here for crafting a solution that will deal with this issue in the long term.
From my point of view, it is not the coach who becomes world champion, it is a team. Not just the players who played, but the whole squad, and also the team behind the team. Because if you want to achieve success, the whole team has to work perfectly, like a machine, and all the pieces of the puzzle need to fit together into one picture.
Secretary Clinton used several different servers and administrators of those servers during her four years at the State Department and used numerous mobile devices to view and send e-mail on that personal domain. As new servers and equipment were employed, older servers were taken out of service, stored, and decommissioned in various ways.
I view myself more as a traditionalist than a conservative. But I like the traditions, so I tend to try to keep them alive. But I'm open to any kind of political thought - I don't care - I have people that I don't agree with, and I have good friends I don't agree with, but for me personally, I'm more comfortable with the traditional stuff.
I felt from the start that America was not likely to relinquish lightly positions established at the cost of such sacrifices, and I pressed the view that a high degree of preparation and willingness to make sacrifices would be necessary on our side, but everybody here always persists in facile optimism until the very worst actually happens.
'To Kill a Mockingbird' is really two stories. One is a coming-of-age tale told from the point of view of Scout Finch, a girl of about nine, and her slightly older brother, Jem. The second story concerns their father, attorney Atticus Finch, who has been appointed to defend a black man, Tom Robinson, falsely accused of raping a white woman.
This is a fundamental view of the world. It says that when you build a thing you cannot merely build that thing in isolation, but must repair the world around it, and within it, so that the larger world at that one place becomes more coherent, and more whole; and the thing which you make takes its place in the web of nature, as you make it.
Eschatological fears are an ancient human concern. The Romans expected the world to end in 634 B.C. owing to a prophecy involving twelve eagles, while the early Christians anticipated the Final Judgment in their own lifetimes. Pope Sylvester II thought A.D. 1000 would be the last year, a view updated for the modern age by the Millennium bug.
I'm a gamer, and I became obsessed with 'Resident Evil.' I played the first two games back to back. It took me, like, 10 days. I disappeared from view. Stayed in my apartment. Didn't return anyone's calls. After 10 days, I emerged with 10 days' worth of stubble and kind of bloodshot eyes going, 'I love this! We have to turn it into a movie.'
There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
I am very, very proud I am also Turkish and both of my parents are from Turkey. I was born in Germany and grew up there. By playing football, I learned my different cultures, and that is an advantage if you grow up as a person. You get a different view on certain things. I am very, very thankful I was able to pick the best from many cultures.
I'm actually a very lazy person. Most of the time, I'm happy to sit around and stare. Or watch bad TV soaps. It's quite rare for me to get inspired by anything, but it could be something small. A view of the Serpentine. A snatch of music. Or a little shred of conversation overheard on a bus, such as, 'You also will marry someone of my choice.'
This is what we call smart power. Using every possible tool and partner to advance peace and security. Leaving no one on the sidelines. Showing respect even for one's enemies. Trying to understand, in so far as psychologically possible, empathize with their perspective and point of view. Helping to define the problems, determine the solutions.
When I wrote for Jordan Knight, I was 17 or 18, they were pretty much the only songs I was writing. By the time people like Christina or Usher came around, I was able to know that I was writing for different points of view and people that might not want to say certain things. So you have to be considerate of whichever artist you're writing for.
We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
When I work with artists, I give them a general guideline of what my vision is. Then they're going to speak their minds on how they view it, too. The song that defines 'Neon Future' the best is the title track. I wrote that with Luke Steele of Empire of the Sun. It's through his words. We had an amazing songwriting session together, connecting.
I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.
I was raised fundamentalist Christian, and now I'm not that. It was not an act of rebellion or anything. For me, it was about being in a line of work where I was meeting so many different people and feeling like they all had legitimate points of view that I needed to consider and occasionally these were at odds with ideas that I was raised with.
The Pavlovian view of women voters - 'plug the words in, and they will respond' - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands.
As Paretsky detailed in her short memoir Writing in an Age of Silence (2007), early optimism buoyed by the civil rights movement of the 1960s and early 1970s has, in her view, all but crumbled in the face of a bombardment of sadism and misogyny, the withholding of civil liberties, and the nation's move from proud speech into near-deafening silence.
There is a lot of talk in conservative circles about judicial modesty and deferring to the political branches. That view of judging often overlooks the important role that courts have in protecting people's rights. But if there was ever a time to defer, it is when Congress is protecting voting rights in the exact way the Constitution directs it to.