Quotes of All Topics . Occasions . Authors
The contrast of ISIL's videos - which proclaim a fully-functioning and prosperous state - with those of RBSS, which captured the dysfunction and violence of everyday life, is shocking. In a sense, it's a war of ideas, a war of propaganda, a war being waged with cameras and computers, not just guns.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
No matter what I do, I can't help but feel that I'm under a microscope. Some of it is completely silly, and some of it is meant to be hurtful. For example, a website accumulated all of my music videos to point out perceived Illuminati images. I loved that one. Of course, it was all ridiculous but funny.
I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.
'Rhye' clearly plays with notions of sexual identity, and it has made a concerted effort to keep its own identity mysterious. Its love songs are gender-neutral, the members have declined to appear in their own videos, and you'd be hard-pressed to find a photo of the duo that doesn't cast them in shadows.
I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.
The show is called 'Todrick,' and the show follows my life and the friends that I've gathered over the past few years making YouTube videos. Every week, we're taking a brand new concept - a brand new original song, brand new hair, makeup, choreography, and making a video come to life on our shoestring budget.
On YouTube, there's a right-wing extremism funnel. You start by watching a college student ranting about how dumb feminism is. It's wrong, but it's not especially sinister. And then, three suggested videos later, you're hearing about why we need a white ethno-state to save the race from a third-world invasion.
To shuck oysters, you'll need an oyster knife, a handy tool with a sturdy handle and a short, rigid blade which you can pick up for about ten bucks in a kitchenware shop or fish market. A quick trip online will yield any number of videos and slide shows with step-by-step instructions on how to shuck an oyster.
I occasionally rapped along to some homegrown Korean rap. And then a friend introduced me to Wu-Tang and played me 'Enter the 36th Chambers.' It was very shocking. And then I started to look for different albums. This was pre-Internet, so it's hard to find the music, and it was even harder to find music videos.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
My guiltiest pleasure? 'Untamed & Uncut'. Videos of people being attacked by animals. Yeah. I don't know why. I just love seeing guys who say, 'I'm gonna stick my hand in that crocodile's mouth and see what happens.' And then it snaps down on them. There you go - that's what you get! It's a wild animal, my friend.
I've done four videos for older people under my new brand, Prime Time, and the missing link was yoga. I'm aiming it for older people - people who have never worked out or who are recovering from a surgery and have to start slow. It's easy, you can't get hurt, it's very doable, and I've done it in ten-minute segments.
Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.
I was a daughterless mother. I had nowhere to put the things a mother places on her daughter. The nail polish I used to paint our toenails hardened. Our favorite videos gathered dust. Her small apron was in a box in the attic. Her shoes - the sparkly ones, the leopard rain boots, the ballet slippers - stood in a corner.
I mean, we've built a lot of products that we think are good, and will help people share photos and share videos and write messages to each other. But it's really all about how people are spreading Facebook around the world in all these different countries. And that's what's so amazing about the scale that it's at today.
As smartphones have allowed us to have our computers, emails, social media feeds, and a full surveillance system in our pockets at all times, stories of the law enforcement's unease with that have been popping up in the press. And of course, the ones that become viral videos aren't exactly flattering for law enforcement.
As my YouTube following grew, I was soon earning as much from advertising revenue as from waiting tables, so I quit my job. My boss thought I was crazy, which just made me more determined. In 2012, four years and 200 videos later, my channel was so successful that Google offered me $1 million to create 20 hours of content.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
I can't even remember anything before Albee. There is this bursting love you feel, but it's so intense and so all-consuming. I've become one of those psychopath mothers who loves looking at my kid and being with my kid, and then, when he takes a nap, I'm just looking at videos and pictures of him on my phone. I'm obnoxious.
Technically, my first acting job was in one of my videos for a song called 'Retrospect For Life,' which Lauryn Hill directed and featured an actress by the name of N'bushe Wright, who played my girlfriend who was about to be pregnant. I remember being so nervous about it, but now I feel like I can conquer the world with it.
At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'
There is a saying that if you get something for free, you should know that you're the product. It was never more true than in the case of Facebook and Gmail and YouTube. You get free social-media services, and you get free funny cat videos. In exchange, you give up the most valuable asset you have, which is your personal data.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
I've always been a fan of instructional videos. The bass-player ones are insane. The music on them is fascinating. It's not something you hear on CDs or would really ever play in bands. You listen to it and are like, 'What is happening?' It's this blizzard of notes in weird time signatures, and they're trying to teach you that.
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
One of my relatives had been asking me on how he could break into AI. For him to learn AI - deep-learning, technically - a lot of facts exist on the Internet, but it is difficult for someone to go and read the right combination of research papers and find blog posts and YouTube videos and figure out themselves on how to learn deep-learning.
We face two overlapping challenges. The first concerns real-time court-ordered interception of what we call 'data in motion,' such as phone calls, e-mail, and live chat sessions. The second challenge concerns court-ordered access to data stored on our devices, such as e-mail, text messages, photos, and videos - or what we call 'data at rest.'
Lives are saved when those potential killers are confronted by a police officer, a strong police presence and actual, honest-to-goodness, up-close 'What are you guys doing on this corner at 1 o'clock in the morning' policing. We need to be careful it doesn't drift away from us in the age of viral videos, or there will be profound consequences.
I love seeing the videos of people who go and talk to these neo-Nazis because they're like, 'I'm just here to have a conversation and understand.' Having a conversation about it and talking about your emotions without judgement. You have to be able to be completely open, because they're not going to be, but you could turn a new leaf in their life.
I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.
When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.
