Quotes of All Topics . Occasions . Authors
It gives me vertigo to watch TV dramas.
I'm trying to adapt - they say you have to adapt to vertigo.
I am increasingly afflicted by vertigo where words mean nothing
Vertigo is the conflict between the fear of falling and the desire to fall.
I feel like Vertigo is a place to have an adult discussion for adult readers.
I'm working on a new creator-owned series for Vertigo called 'The Discipline.'
From the vertigo, I found out how far I can push myself physically and also mentally.
Vertigo's always been a label that experiments with new stuff and forms of subversion.
I always loved when James Stewart did roles that were not so dialogue-based, like 'Vertigo.'
For a while, my favorite movie was 'Vertigo.' Everything in that movie was captivating to me.
I have been battling vertigo for a long time. It's something that I deal with on a daily basis.
The first big long-form work I did in comics was 'Scalped' for Vertigo, which ran for 60 issues.
I shall state silences more competently than ever a better man spangled the butterflies of vertigo.
Herr Altenburg, I can't; I have vertigo.' And Marek looked at him: 'All right - I'll get the chemist to fix me something.
I was a child when I first saw 'Vertigo,' and it was very disturbing because I didn't really understand what was going on.
Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010.
Since childhood, I've been a fan of mysteries - 'Nancy Drew' lovers unite! - but 'Vertigo' struck me as an entirely new take on the genre.
But I have vertigo... I lose my equilibrium easily. I can lean out to look at something and just keep leaning and not realize I'm about to fall.
Some films that I love, I love them also because of the music. 'Vertigo,' for example, is a movie where the music is doing 70 percent of the job.
I went to college in New York. I interned at Vertigo, and then I interned at Marvel working for Chris Claremont. Just to age myself, this was in 2000.
I suffer from vertigo. It's paralyzing in extreme situations. The most scared I've been as an adult was trying to conquer that fear by going climbing in Wales.
He doesn't know which is worse, a past he can't regain or a present that will destroy him if he looks at it too clearly. Then there's the future. Sheer vertigo.
I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.
Vertigo, it was thought at the time, could only be caused by a disease of the cerebellum. He observed this kind of patient for years and saw absolutely no symptoms of brain disease.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
I tried so hard with movies like Vertigo and Middle of the Night and others. I felt those would show me that it's only a matter of time before I'd find the right one to reach out and touch people.
Basically, I really love work that puts the reader into a kind of vertigo, into a real doubt, and a beautiful way to convey that, a really perfect metaphor for that, is to make the reader also experience doubt.
I have a condition called Menieres disease which is a problem with fluid retention in the inner ear. It has four symptoms: ringing in the ear, pressure in the ear, fluctuating hearing loss, and attacks of vertigo.
Thinking constantly about world domination can give you a little vertigo. The way I usually get through my day is by limiting my horizon to serving the next few customers or increasing revenues in the next few months.
I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
Polanski's 'Chinatown' is a film that I have purposefully and consciously imitated, but 'Vertigo' is one that has got into my bloodstream. Every time I reappraise things that I've done, the influence is there, time and time again.
In a VR setting, you tilt your head up, and you really have the vertigo and the sense that it goes up to infinity, and it's like you're in New York City or Dubai, and you're looking up at a giant skyscraper. You have a sense of awe.
I will say that Vertigo is an area of great interest to me. It is even less well tapped than other parts of DC, and could potentially offer amazing stories for our future television video game, digital and consumer products businesses.
Even such an obvious idea as to observe an animal with vertigo or to rotate an animal did not occur to him, in spite of the fact that he conducted numerous vertigo experiments with human subjects and made frequent use of animal experiments.
My one criticism of Vertigo Crime to date is that it's been a boys' club, reveling in violence that, while entertainingly lurid, lacks depth. Of course, the comics world is deliberately double-dimensional - and shouldn't apologize for being so.
The vertigo is a difficult thing: it just comes and goes whenever it pleases. I wasn't expecting it. I've had it before, and there have been years between stretches, and unfortunately it happened at the U.S. Open, and that knocked me off my feet.
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.
The DCU Constantine has to be the guy we know and love, with his same failings - otherwise what's the point of using him? But as I'm writing him, he's younger and has perhaps been through a bit less than the battered, aging old sod we meet in Vertigo.
I wanted to be a film composer because I heard scores that could stand alone, from 'Vertigo' to 'Star Wars' to 'La Dolce Vita,' because this music has so much history. They're weighed with the history of music. They come from somewhere, they have a past.
The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
If you read the whole Vertigo 'Animal Man' series of 89 issues or whatever, each writer has a completely different take on his origin. If you try to put them all together, they contradict one another. I had to pick and choose to make up a new origin that makes sense to new readers.
I think Hitchcock had a thing about hills: think of the house on the hill in 'Psycho.' Then, in 'Vertigo,' Scottie is forever traversing the city, going downhill all the time as he goes deeper and deeper into himself. It's as if Hitchcock is using San Francisco as a psychological map.