Quotes of All Topics . Occasions . Authors
It's going very different for citizens of Chicago to know that they have an advocate in the mayor's office - getting rid of the 'us versus them,' the lack of investment in our neighborhoods, the feeling that the only thing that matters is if you're a campaign donor.
I think a lot of personnel decisions come down to who's the best player today, like if we had to throw 'em in a game today versus what could their upside be 18 months from now. A lot of times, those are two different answers. That's the difficulty of player personnel.
Competitiveness is really what it costs you per man-hour to get you what you want. In other words, there's an education level that plays into the mix and so if it's inexpensive to buy an hour of real good education in places like China versus the U.S., that factors in.
The air of the English is down-to-earth. They care about details; there's a tradition, but there's also a counter-culture: the younger generation versus the older generation and so on. But then that's well blended into a happy balance and crystallised into common sense.
Many of us came away from our youth thinking that the story of the Revolution was that the Americans were patriots fighting the oppressive British. It was kind of good versus evil, liberty versus tyranny. When you get into it, you find that it was much more complicated.
'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.
No offense to Boston, but I was glad to get out of there. I think it's just because I'm from Philly. Honestly, the blue collar side of each are pretty similar in ways, but something about the makeup of your brain, Philly versus Boston. It's a lot different, in weird ways.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
There's probably a little more creative freedom in cable versus network, a little less of a committee looking over everyone's shoulder, but it depends on the network; it depends on the show; it depends on who the head writer or show runner is and what track record they have.
I try not to get too rattled about things that aren't that important - there's a different outburst for when the kids are reaching for a knife in the kitchen versus the reaction I have when they just won't stop talking. And my wife and I have mellowed out as we've gone along.
The old adage about giving a man a fish versus teaching him how to fish has been updated by a reader: Give a man a fish and he will ask for tartar sauce and French fries! Moreover, some politician who wants his vote will declare all these things to be among his 'basic rights.'
I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term.
A great team versus another great team, your performance is going to go down. But my job is to improve my consistency where, when I dominate against the lesser teams, go and do well and do the same amount of work when I'm going against the Alabamas and the LSUs, and it will come.
Growing up, it was uncool to admit that your family had any money. And then, instantly, money was cool. In Reagan's parlance, it was about freedom of the individual, which was freedom to be greedy... individual versus society. There was a weird seduction in that, which I still feel.
Nonviolence as a lifestyle and perpetual strategy will allow us to be on the offense instead of continually on the defense. We will be able to move the ball down the field with team decisions and playmaking versus constantly thinking about how the opposing forces are moving the ball.
The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
Bipolar disorder is so swept under the rug as a nation and, I think especially, by black people. It's not our culture to go get therapy. 'Give them medicine for what?' We put people in court, put them in court again, versus really paying attention to what it is they are going through.
What does it mean when I wear something that makes me look like a Disney Princess? Versus something that's like 'ooh, maybe Kiki Layne can be a sex symbol.' Because these are things that, sometimes dark skin actors with natural hair, we don't get put into those types of conversations.
We get divided generationally and in other ways - libertarians versus more traditional social conservatives, for example - and we've got to provide some flexibility there. But we don't need to have quite so many litmus tests. We need to have our big picture focused on economic issues.
The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.
I think people really don't understand what a producer does versus what a director does. I mean, the producer is often the person that is on the movie the longest - it's their material that they are then bringing the director onto to bring it to the screen. Are we overlooked? Absolutely.
First of all, this whole idea of this one percent versus the 99 percent, it's a false statistic. There's nobody that is wealthy saying, let's go get the people that aren't. First of all, there's no versus. He's creating a false class warfare in a country where there is no class structure.
Sports formed me. I was always decently skilled but lacked size, so I had to resort to using my skill versus my power. I strategically play golf because that's all I can do. It's the same on the basketball court. I try to get open and shoot it. Or I use the open space on the soccer field.
One of the things I noticed while I lived in New York City was how different the kids and teens were that grew up there versus, you know, my suburban upbringing. They have this innate resilience and toughness to them, and they're incredibly self-sufficient, usually from a pretty young age.
I think, so often, people go quick to that nepotism: 'I should be OK; my cousin's a producer. I can get into the movie.' How about audition, earn the part, and feel confident in knowing that the director felt you were the right person for the job versus hiring you because you know somebody?
People think that, somehow, size makes you uncoordinated or incompetent. There is a lot of size discrimination out there, and I see the difference in the way people treated me when I was 360 pounds versus how they treat me when I'm 290 - from the industry to day-to-day people on the street.
If you know what you're doing, you can make a meal happen with any kitchen knife. But using a top-quality knife versus a low-quality one is the difference between driving a Jaguar and a VW Jetta across the country. They'll both get you there. But the Jaguar will give you a much smoother ride.
I was home-schooled, was always very close with my mom, and was very straight-laced and square. I was never the rebellious one, and I never threw hissy fits. I was the type of person that would show a Powerpoint presentation about why I should do something versus crying and screaming over it.
For all the manufactured 'Republican versus Democrat' drama that dominates today's cable news and political rhetoric, the most striking feature of our present-day democracy is not partisan divide - it's a corrupt system that protects incumbents from the consequences that real democracy brings.
To compare writing an article for 'Sports Illustrated' to doing a piece for 'Real Sports', the article, it was all me. You know, I'm out there by myself with my pad and pencil. 'Real Sports,' I've got a producer, an assistant producer, and cameramen. It's an individual game versus a team game.
Sometimes it's like that. I go, 'You know what? I'm going to just change scales. I'm going to even change instruments. And I'm going to go into the chromatics of the Spanish language,' and I do. You know, the poem is totally different. It's like a lunar voice versus a day voice, a solar voice.
Americans must outgrow the unbecoming arrogance that leads us to assert that America somehow owns a monopoly on goodness and truth - a belief that leads some to view the world as but a stage on which to play out the great historical drama: the United States of America versus the Powers of Evil.
I made a series for ITV, just after I retired from Tests in 2009, called 'Flintoff Versus the World.' The idea was that I would attempt a series of extreme sports - rodeo riding, jumping out of aeroplanes, paragliding, cliff diving. I thought, 'Yeah, it looks fun. It's six weeks having a laugh.'
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
They get the faceless bureaucrats in Brussels and Strasbourg who have ruled and told the Brits how to live and making promises for them that their lives would get better and talking about a future based on globalism versus family and individual and local community. That's what Brexit was all about.
The thing about being at home versus being out in the world working is, it's a whole different vibe. When I'm home with my kids and partner, I will cook - even though she's a very good cook. She's learned over the years. We started with basics, you know, how to saute onions, how to saute mushrooms.
In terms of sustainability and what we eat and what its footprint is on the environment and the consequences of eating one thing versus another, obviously it makes a lot of sense to be eating insects. They're incredibly plentiful. They've got a very short turnover rate. You could be eating termites.
During my childhood and teenage years, everything I knew was at war. My mother and father were at war. My sister and I were at war. I was at war with my atypical nature, desperately trying to fit in and be normal. Even my genes were at war - the cool Swiss-German side versus the hot-headed Corsican.
You've never seen me debate anybody. On anything. Ever. My investment of time, as an educator, in my judgment, is best served teaching people how to think about the world around them. Teach them how to pose a question. How to judge whether one thing is true versus another. What the laws of physics say.
Whenever some kind of mass shooting or any other kind of violent activity takes place, we kind of hold our breath until we are sure that no Muslim was involved, because we know that these incidents will be treated differently if a Muslim is involved versus if somebody of another background is involved.
Boxing should focus on pitting champion versus champion - those are the fights that everyone wants to see. The sports also needs to work on developing new heroes and personalities. I'd like to see more vignettes on fighters, focusing on their lives, goals and stories. Boxers need to be larger than life.
There is a woman named Wendy Wood, who did a study when she was at Duke, and she followed around college students to try to figure out how much of their day was decision-making versus how much was habit. And what she found was that about 45 percent of all the behaviors that someone did in a day was habit.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
The fight still isn't people of colour versus white. It's the people versus the system built to keep us down. That's the first line of the Constitution. And the system is manmade but is made of no man. Everyone, regardless of class, creed, culture and ethnicity can fight the system and help to break it down.
The NHS was hard to deliver, so was the minimum wage. It's time now - we need to have a proper conversation about how much is the individual cost, how much is the burden that we're all going to share together, and how much are we going to put on older adults now versus a future system like national insurance.
People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.
Even though you wouldn't want to line a D-lineman and running back up across from each other to block, when you get help initially from the guard, and then the defensive tackle gets picked up by the running back, it's not as bad as a lot of people would think versus if you're just putting that matchup on paper.
I honestly go back and forth in my head about using advanced and innovative technologies for creating my characters. There's something more 'real' and charming when the characters aren't perfect. It's the difference between anything that's built by a computer and machine versus the same thing being made by hand.
I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.