Quotes of All Topics . Occasions . Authors
Television, particularly as it becomes more and more serialised, comedies no longer have to tie the stories up neatly within 20-plus minutes. 'Arrested Development' had evolving storylines, as did both versions of 'The Office.' We're seeing that more and more. That allows it to be really, whatever the tone, almost literary.
For the third generation Unreal Engine, we are building two versions of every model in our game. We are building a source model with several million polygons, between 2 and 6 million polygons. We use that model for all the lighting detail on the mesh. Then we go to the in-game version, which is usually about 10,000 polygons.
I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
My background is in largely in theatre and acting. I grew up in a town with a well-respected Shakespeare Festival, and I fell in with some kids whose parents worked there. We staged all-kid versions of 'Hamlet', 'Cymbeline', a few others. All the while, I was making short films; monster movies, slapstick comedies, claymation.
Considering the importance of resentment in our lives, and the damage it does, it receives scant attention from psychiatrists and psychologists. Resentment is a great rationalizer: it presents us with selected versions of our own past, so that we do not recognize our own mistakes and avoid the necessity to make painful choices.
I just thought making machines intelligent was the coolest thing you could do. I had a summer internship in AI in high school, writing neural networks at National University of Singapore - early versions of deep learning algorithms. I thought it was amazing you could write software that would learn by itself and make predictions.
If I say I've got two versions of Word - that old one from 1982 that's perfect, with zero defects; or the new one that's got all this cool new stuff, but there might be a few bugs in it - people always want the new one. But I wouldn't want them to operate a plane I was on with software that happened to be the latest greatest release!
'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.
Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.
You can't believe everything you read in a newspaper or everything that's coming out of the president's mouth. And you can't believe when someone posts a picture from their personal life, because most of the time, it's staged - we're showing each other these idealized versions of ourselves so that we seem better and other people will feel worse.
I've had that recurring dream since I was a child, and a lot of people have different versions of that same dream, where you're running away from something, and it's going kind of slowly, but it's catching up with you, and it will not stop, and you cannot get away from it. Those dreams are manifested in different ways, but most people have them.
Microsoft's Windows 3.1, released in 1992, was the first truly successful edition of Windows and juiced the Redmond juggernaut. Apple's Macintosh System 7.5, released in 1994, was another in a string of versions that lacked key architectural features that the Mac didn't have until Steve Jobs returned and brought with him the code that became OS X.
The federal Religious Freedom Restoration Act passed unanimously in the House, won 97 votes in the Senate, and was signed into law by President Bill Clinton. Twenty states have passed their own versions of this law, and 11 additional ones have religious-liberty protections that state courts have interpreted to provide a similar level of protection.
