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In truth, in the fairy-tale version of bailing out Lehman, the next domino, A.I.G., would have fallen even harder. If the politics of bailing out Lehman were bad, the politics of bailing out A.I.G. would have been worse. And the systemic risk that a failure of A.I.G. posed was orders of magnitude greater than Lehman's collapse.

The mistake isn't releasing something bad. The mistake is to launch it and get PR people involved. You don't want people to start amping up expectations for an early version of your product. The best entrepreneurship happens in low-stakes environments where no one is paying attention, like Mark Zuckerberg's dorm room at Harvard.

'Point Omega' starts in an art gallery, where an unnamed man is watching, day after day, a 24-hour version of 'Psycho,' an installation that was created by the Scottish artist, Douglas Gordon. In it, the events and the minutiae of Hitchcock's film are painfully slowly reproduced; the watcher is obsessed with the detail revealed.

If I could distil the relevance of Bruce Springsteen's music to Australia it would be this: don't let what has happened to the American economy happen here. Don't let Australia become a down-under version of New Jersey, where the people and the communities whose skills are no longer in demand get thrown on the scrap heap of life.

I was working for a Swedish TV show - I'm Swedish - who basically did kind of spectacular stories. It was almost like CBS '60 Minutes,' but a Swedish version where we actually did travel quite a lot. After a while, I realized that travel is the most fun part of this, so why not do it for a longer time and just go off and explore?

Across the Atlantic, commercial therapy of all kinds provides so many more comfortable outlets for people when they are under pressure. The English tradition is to get a grip, whereas the American version is to get in touch with your feelings, to say: 'I'm a good person. Isn't it terrible when bad things happen to people like me?'

There is something uniquely depressing about the fact that the National Portrait Gallery's version of the Barack Obama 'Hope' poster previously belonged to a pair of lobbyists. Depressing because Mr. Obama's Washington was not supposed to be the lobbyists' Washington, the place we learned to despise during the last administration.

For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.

I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.

After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'

The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.

In L.A., a lot of comics live here, but we don't get to spend that much time together because we've got to drive 45 minutes home, or do another set. So in San Francisco we can hang out, go for dinner - the community aspect of it is really lovely, as well as seeing people's shows that you don't normally get to see a longer version of.

If you're trying to learn how to act from a class, you're analyzing the teachers' movements and their intricacies, and it becomes like a pantomime of you wanting to be them, and that's wrong. Literature is an easier way to study acting, because then you can take any kind of spin. It's your own imagination, and your own version of it.

People tend to think of the web as a way to get information or perhaps as a place to carry out ecommerce. But really, the web is about accessing applications. Think of each website as an application, and every single click, every single interaction with that site, is an opportunity to be on the very latest version of that application.

Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.

See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.

I spend so much time with the brightest and most talented and well-rounded people. I've had the privilege of having long and very intellectual conversations with people, and sometimes I just sit there and listen. It's like a better version of a class. Even though I'm not sitting at a desk and in school, I'm still learning all the time.

I once won a Grammy for an Australian version of 'Turn the Page' that another artist did; I can't remember his name. There've been covers down through the years around the world, but I did like Metallica's, because I kind of related to Metallica when they first came out, because Jimmy Hetfield really reminded me of me in 1965, you know?

I probably looked pretty conventionally successful as a 24-year-old getting paid $125,000 a year, plus bonus, wearing suits, and living in a Manhattan apartment. But I hated my job, I didn't admire the people I was working with, and I felt that I was becoming a smaller, less imaginative, less risk-taking, less likable version of myself.

I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.

I think what we find fascinating and interesting is when people take our music and turn it into emotionally something else. And weirdly, Lorde's version of 'Everybody Wants to Rule the World,' the production really goes with the lyric more than our version does, because our version, albeit the lyric is dark, the music is quite uplifting.

The Bible never tells us what Jesus looked like, and in the earliest surviving paintings of him, he is sometimes depicted as short-haired, sometimes as beardless, with no authoritative version winning out over the others. Yet around 400 A.D., all of the other competing images were replaced by the long-haired, bearded Jesus we know today.

I think it's a very dangerous game to play when you assume that just because someone's an entertainer, they're automatically a role model. Entertainers are there to entertain. They aren't there to teach your children the lessons that you haven't bothered to teach them at home yourself. They're just doing their own version of entertaining.

My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.

One of my friends started a company in 1997, seven years before Facebook, called SocialNet. And they had all these ideas, and you could be, like, a cat, and I'd be a dog on the Internet, and we'd have this virtual reality, and we would just not be ourselves. That didn't work because reality always works better than any fake version of it.

I believe that one version of the good in life can be defined by the moments I sometimes had playing tennis as a sixteen-year-old. You'd be out on the court and for an hour, two hours, sometimes an entire roasting hot day, and every single thing you hit would go in. Hit that ball as hard as you wanted, wherever you wanted, and it went in.

I'm getting a lot of stick because my character in 'Young Dracula' wanted to be vampire, so now that I am a vampire, everyone's like, 'You finally did it!' But it's cool and I loved doing 'Young Dracula.' That show's finished and I don't know why it ended, so it was brilliant to go into 'Being Human,' which is like the adult version of it.

Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and casting is about 80% of directing - they will eventually replace or exceed the imaginary image.

For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.

Clearly, there are many places where diesel is king or gas-turbine is king, or IC engines will win, but there are many places in the world where, as we've seen, they just won't do the job. The modern version of the Stirling engine has some very, very attractive characteristics, and we're trying to optimize it for some of those applications.

When I was first diagnosed, I went out, as a book person, and got some books on cancer and looked up my version of the disease. It said that I had about a 5 percent chance of survival. I said, 'Gosh, well, it's been a good run.' What I didn't realize is that in the two years since those books were published, things had shifted dramatically.

The NBA makes you become a bigger version of what you already were. If you were somebody who was not so nice and you came into a lot of money and fame, then you're probably going to abuse that in the wrong way. But if you come into those things and you were doing the right things, then chances are you're going to do more of the right things.

Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.

There are so many voices on YouTube, and there are incredible creators that are popular for a reason. And although it's great to be inspired by them, nobody is going to subscribe to a second-rate version of them. It's really important to put your best foot forward and be your best self because you will always be the number one version of you.

If you look at Gothic detailing right down to the bottom of a column or the capital of a column, it's a small version of the whole building; that's why, like dating the backbones of a dinosaur, a good historian can look at a detail of a Gothic building and tell you exactly what the rest of the building was, and infer the whole from the parts.

Everyone finds their own version of Charles Dickens. The child-victim, the irrepressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and the lover of America. The giver of parties, the magician, the traveler.

I joke that I've always had this sort of insatiable 'big sis' complex - which is odd given that I am the baby of the family with no sisters! It's the reason I have such a powerful desire to connect with girls and encourage them. So, it's a natural fit for me to have a job that's like the editorial version of an older sister to a million girls.

The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.

I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.

I mistakably paid respect and condolences to the wrong Beastie Boy member King Ad-Rock when it should have been MCA. In light of this, I am redoing the song 'Hip Hop Speaks From Heaven' and I am pulling the original version off of my digital release. Historical accuracy is extremely important to me, so I accept all responsibility for this error.

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