Quotes of All Topics . Occasions . Authors
You cannot find one single verse in the New Testament that calls for violence against non-believers. Jesus said to love your enemies. Muhammad said to butcher your enemies.
Juilliard is wonderful in that they don't pick just one way of working. They give you a palette. There is method acting. There is a lot of attention to Shakespeare and verse.
There was a verse that said if you are lukewarm rather than hot or cold, God will spit you out of his mouth on Judgment Day. And I felt like, I mean, I don't know. I'm lukewarm.
There was a lot of other people that had their own song or their name in a verse in high school. I was just like, 'To stamp my high school career, I gotta get my name in a song.'
In her verse, she says: 'It's me and Karol G, and we let the rats talk.' I died, I revived, I died and revived again until I understood Nicki Minaj had said my name in her verse.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it.
Kendrick is phenomenal. I've never tried and practiced a song that was as hard as when I practiced Kendrick's verse on 'Control.' He's a genius. I think that people do recognize it.
If there's a track that's rhyme friendly, the verse will basically write itself. If the track is less rhyme friendly, you have to put forth a little more effort to get the song out.
I don't believe in writer's block. I'll get stuck, but being stuck, I'll still write a verse. If you know where you're going, you can always start from there and work your way back.
We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's no more than 15, 20 minutes. We don't have a pen and paper. We bounce off each other.
Our demo tape we got signed on was composed of three songs, 'Wham Rap,' half of 'Club Tropicana' and a verse and the chorus of 'Careless Whisper' and we thought that was good enough.
I never edit the songs that come out. And they tend to come out as a whole. The closest thing I have ever done to editing them is just cutting out a verse, but never rewriting lyrics.
Whenever I talk about Christ out loud, or I tweet a verse or say something in reference about Christ, a lot of people lash out and aren't very excited to hear about my love for Christ.
Metrics are not a device for restraining the mad, any more than 'open form' or free verse is a prairie where a man can do all kinds of manly things in a state of wholesome unrestrictedness.
The real Stephen Colbert is a practicing Catholic. He teaches Sunday school. He can recite chapter and verse of chapter and verse - from both the King James Bible and 'The Lord of the Rings.'
All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.
The Almeida's artistic director, Rupert Goold, brought me Mike Bartlett's 'King Charles III' with the slightly apologetic warning that it was in blank verse, but, of course, that appealed to me.
Verse comedy is interesting to me because of the challenge of writing in rhymed couplets, which is not a form that's usually amenable to English, yet to me it gives great possibility for comedy.
To achieve the very pinnacle of good taste, the neoclassicists wrote their plays entirely in alexandrine verse, a rarefied meter that is uniquely tailored to the French language and fits no other.
In contrast to our sinking taste, there has been a revival of interest in verse drama in England, Scotland, and elsewhere. The movement has been slow but sure and, above all, modest in its demands.
I always like to think that I make movies that are like Nirvana songs. They have a slow verse, and then they pop into high gear, and then they go back into slow, and then they pop into high gear again.
When we did 'Back In The Game' on the Wu-Tang 'Iron Flag' album, I did a verse about gambling. I didn't want to be 'back in the game' or 'back on the block' - that's typical. I made it all metaphorical.
It takes us long for a reason, but the end result is: we all completely believe in, not just every verse, every chorus, every bar is scrutinized, and that's the result of what you'll hear on this record.
You need a balance at all times. If the verse is a bit messy, you need it to be less messy right after. It needs to vary. 'Shake It Off' is a good example, where the math behind the drama is pretty clear.
I was working like a dog as a housekeeper, barista, nanny, cook, so I could save enough money to really sit with my instruments. Whenever I had 20 minutes, I would practice a new chord or write a new verse.
The main problem with writing in verse is, if your fourth line doesn't come out right, you've got to throw four lines away and figure out a whole new way to attack the problem. So the mortality rate is terrific.
I adored being at the RSC and working on the verse and getting the iambic pentameter right. You just skim across the surface, and the speech is over before you know it. You can just ride along on the music of it.
There's a verse in the Bible: 'Those who are barren have more children than those who give birth.' There are young people all over the world who come to me for advice and love. I have all the children I can handle.
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
A lot of fans have been requesting that in-your-face song, a sense of feeling empowered. And 'Good Woman' is that: a relatable song celebrating the good woman. I'm also really proud of the third verse, which I wrote.
The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.
I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
I feel that, every day, God molds me into someone that He wants me to be. So if that means just, like, talking to teammates and helping them out, or, like, every so often I'll post a Bible verse on Twitter or Instagram.
My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
At four lines, with the quatrain, we reach the basic stanza form familiar from a whole range of English poetic practice. This is the length of the ballad stanza, the verse of a hymn, and innumerable other kinds of verse.
Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.
When you translate poetry in particular, you're obliged to look at how the writer with whom you're working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence.
Tra-la-las and doo-be-do's became a Neil Sedaka trademark. I was the king of the tra-la-las and doo-be-do's in the '50s and '60s. But then when I re-recorded 'Breaking Up,' I started with a verse instead of the doo-be-do's!
I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
We learned a verse of this and that and we were having fun with the songs. Tommy would make up stories to go along with them and I would yell at him, 'Hey, stupid, that's not right,' and he was like a silly kid trying to impress.
Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
When we started reading books to Raffi, I included some Russian ones. A friend had handed down a beautiful book of Daniil Kharms poems for children; they were not nonsense verse, but they were pretty close, and Raffi enjoyed them.
Nearly all children have a feeling for rhythm in words, for the delicate pattern of nursery rhymes. Many adults have lost this feeling and, if they read verse at all, demand a far cruder music than that which they once appreciated.
The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme.
I have always used a great variety of verse forms, especially in my poetry for children. I believe that poetry begins in childhood and that a poet who can remember his own childhood exactly can, and should, communicate to children.
I always ask any of the artists that open up if they know 'Family Tradition', since that's my last song in the set, and if they do, I normally ask them to come on out and take a verse and have fun. When that song is done, I am gone.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
I read and walked for miles at night along the beach, writing bad blank verse and searching endlessly for someone wonderful who would step out of the darkness and change my life. It never crossed my mind that that person could be me.
'Kiss Land' wasn't about what people wanted to hear on the radio. It was the state of mind I was in - introverted, like David Cronenberg's 'Naked Lunch.' You didn't know if you were hearing a chorus or a verse. It was just my thoughts.