I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.

I've put out a lot of stuff that just confused and alienated people: a huge chunk of songs that were verbal and musical challenges to myself, thoughts I was keeping myself busy with, nothing I had any intention of anybody grasping onto.

A placebo-controlled, double-blind, randomised trial of boys with autism found that two to three servings of cruciferous vegetables a day improves social interaction, abnormal behaviour and verbal communication - within a matter of weeks.

When I work, I'm thinking in terms of purely visual effects and relations, and any verbal equivalent is something that comes afterwards. But it's inconceivable to me that I could experience things and not have them enter into my painting.

Verbal slip-ups often occur because we say things without knowledge of the subtle implications they carry. Understanding these implications requires social awareness - the ability to pick up on the emotions and experiences of other people.

I was not big on playing house. I preferred make-believe that revolved around adventure, featuring pirates and knights. I was also domineering, impatient, relentlessly verbal, and, as an only child, often baffled by the mores of other kids.

I think a guitar solo is how my emotion is most freely released, because verbal articulation isn't my strongest communication strength. My wife thinks that I should do interviews by listening to the questions and playing the answer on guitar.

Women were very, very good at 'Pong'. It was part of the dating scene. The number of people who told me they met their wife or husband playing 'Pong' was huge. They were shoulder to shoulder, talking and playing. It was body contact and verbal contact.

For years I thought my assignment or the Church's assignment was to articulate the Gospel and nothing more. Now I believe that if we don't support the verbal expression of the Gospel with physical demonstration of compassion, we are not imitating Jesus.

I had a mother I could only seem to please with verbal accomplishments of some sort or another. She read constantly, so I read constantly. If I used words that might have seemed surprising at a young age, she would recognize that and it would please her.

When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.

The Gunnar Challenge offers new workouts every day, a meal plan and daily 'verbal vitamins,' which are a motivational video or workout tip. The thing that really makes the program work is the forum, where Challengers can communicate with each other and with me.

In particularly acute cases of depression, it is recognized that no verbal or therapeutic intervention will reach the patient. The only effective remedy is to do things, even though the patient will, at that time, believe that any act is pointless and meaningless.

It's pretty easy in theatre. The comedy's either physical or verbal, and you're looking at the whole frame at once. But TV executives want close-ups. I keep telling them to look at Preston Sturges' movies. He'll do a whole scene without a cut in it, and it's a riot.

I don't think anybody in my family meant there to be any pressure for me to write. But our parents were incredibly verbal and wrote for a living. The house was full of books, and we all grew up steeped in language. I mean, our mother recited poetry at the dinner table.

My desire to curtail undue freedom of speech extends only to such public areas as restaurants, airports, streets, hotel lobbies, parks, and department stores. Verbal exchanges between consenting adults in private are as of little interest to me as they probably are to them.

Marginalized Americans should not be defined by the verbal and physical violence that looms over our heads. We have a right to exist, to live as we choose and to be free to pursue our happiness without the fear of others demonizing us or harming us just because of who we are.

The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.

Lies can be verbal or nonverbal, kindhearted or self-serving, devious or bald-faced; they can be lies of omission or lies of commission; they can be lies that undermine national security or lies that make a child feel better. And each type might involve a unique neural pathway.

Contrary to the negative stereotype that folks who swear have poor vocabularies, a fluency in taboo language correlates with overall verbal fluency. The more words you know, the more you know... and the more colorfully you can express yourself, with nuance, metaphor, and emotion.

The liberal-run institution of journalism does not allow probing of real problems facing black people. That is prohibited. It might lead to actual solutions. It might provoke black people to wake up every day looking for solutions rather than excuses and meaningless verbal offenses.

The messages that my work might contain, the verbal aspects, the use of words, certainly I never mean for it to be more than - shall we say? - fifty percent of the total, and sometimes my active interest is much less than that. It is the formal aspect of my painting which fascinates me most.

We tend to think of racism as this interpersonal verbal or physical abuse, when in truth, that is only one way that racism manifests itself. The reality of contemporary racism is that it while it is ubiquitous, it is often invisible, subsequently making it more difficult to name and identify.

Technology is a compulsive and addictive way to live. Verbal communication cannot be lost because of a lack of skill. The ability to listen and learn is key to mastering the art of communication. If you don't use your verbal skills and networking, it will disappear rapidly. Use technology wisely.

My relationship with my dad was complex, especially when I came out. The years of verbal abuse, all of it drink-fuelled, were difficult. Later, though, he came to see me on stage in 'La Cage aux Folles' - one of his favourite shows - and loved it. Theatre won him over and he accepted me in the end.

Often, I think bullying - especially in its adult, verbal forms - is the sort of thing you don't realize till the end of the day, and it's a horrible feeling to realize something wasn't just a bland statement but was actually cruel. But then, we're all capable of things that are breathtakingly cruel.

How do you deal with a criminal that will not listen to what you have to say and who continues his policy of violence? Some say you continue to talk and let him tire himself out. But nearly 40 years after the institution of apartheid, is there anyone who still believes that verbal persuasion will work?

I remember politicians in Northern Ireland were sometimes called 'verbal incendiarists,' as they didn't actually do anything but they said certain things. So when you hear certain politicians using nasty language, that colours our lives. It makes some other people think it's OK to racially abuse people.

Even after he was gone, I still loved my father. I looked Norwegian, like him, with a long face, strong jaw, thin mouth, and flashing eyes. And, like him, I was verbal, easygoing, and low-key on the surface, and, deep down, proud, socially paranoid, full of self-loathing, and prone to rage at injustice.

Often I think bullying - especially in its adult, verbal forms - is the sort of thing you don't realize till the end of the day, and it's a horrible feeling to realize something wasn't just a bland statement, but was actually cruel. But then we're all capable of - of things that are breathtakingly cruel.

I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.

Every woman who has left and gone into private practice has done fabulously. So the question is why aren't more women drawn to this field? It's helpful to enjoy the art of advocacy - verbal combat or verbal jousting. I find it telling that so many woman might be horrified, and you know, wouldn't want to do it.

When my wife and I met, I couldn't talk to her - and my defense mechanism is sarcasm. I belittle someone with verbal pokes and prods. I did it to her out of complete awe. When friends introduced us, I said 'Hi' - and turned my back. Later, I called my mom and best friend and said, 'I think I just met my wife.'

Vast volumes of mixed media surround us, from music to games and videos. Yet almost all of our online actions still begin and end with writing: text messages, status updates, typed search queries, comments and responses, screens packed with verbal exchanges and, underpinning it all, countless billions of words.

'Constitutional' is just a real pip of a word. Positively rolls off the tongue. In fact, it's downright fun to say. 'Con-stit-too-shun-al.' It's the verbal equivalent of skipping down the street with an ice cream cone in your hand. It's like a semantic bag of Lays potato chips. You simply can't just say it once.

Throughout my career I have developed a thick skin against verbal abuse, justifying it as just 'part of the game' but the time has come for Twitter, Instagram and Facebook to consider regulating their channels, taking responsibility for protecting the mental health of users regardless of age, race, sex or income.

I give a facial expression in a moment of silence for audiences to react to what I just said and kind of let that marinate with the audience for a little bit. I enjoy the physical part of the comedy as much as the verbal content. People tend to gravitate to not only what they're hearing but also what they're seeing.

Reviewers try to square the antics of a writer's life with the antics in the fiction. Even satirical verbal play is too often read and admired as autobiographical expression. And thanks to the democratic exposures of the web, it's easier than ever to document private experiences and divulge the most intimate secrets.

Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.

For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.

Shallow emotions. An incapacity to feel genuine love. A need for stimulation. Frequent verbal outbursts. Poor behavioural controls. These are just some of the things that social media are encouraging in all of us. They're also a pretty comprehensive diagnostic checklist for sociopathy - in fact, that's where I got the list.

Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.

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