In Las Vegas, a day before the Latin Grammys, I was walking backward and hit a light and fell down. The worst part is that I was singing with Becky G and Mau y Ricky - they all rushed over to help me. It was very dramatic.

But I'll never forget my trip to Las Vegas. I'm a huge rollercoaster fan and we did the one at the Stratosphere, which curls around the hotel, and there's one that dips out from the roof then comes back in. That was intense.

You know, when you start thinking about residencies in Las Vegas, you have J.Lo, Britney, Mariah, those types of stars. So to be performing next door or across the street from them, I'm just thrilled beyond my wildest dreams.

The great thing about working with NPR - and, really, there's like a million of 'em - is all the cool stuff I get to do for the public. Meet the president. Hang out at the National Finals Rodeo in Vegas. Drink a $10,000 martini.

I think that Vegas is one of the wildest places I've ever been to. You can look to your left and there's a drag queen getting married by Elvis, to the right there is some old bird sticking quarters into a slot machine for hours.

The only good thing I could say about Dr. Vegas was that it was fun working with Amy Adams. I like to feel I picked somebody great as my leading lady and was borne out. Oh, and I learned how to snap on a medical glove very easily.

I have a thing about underwear. I have to wear thongs. Since I was a showgirl in Las Vegas, and I was wearing G-strings all the time, I got this thing where I cannot stand to have on regular underwear. It drives me out of my mind.

I was in Las Vegas, and there was a exhibit of King Tut's tomb, and it was an audio tour. At the very end of that, I just thought it would be a really cool structure for a novel, but I just didn't have a story to go along with it.

A couple of months ago I hauled my white ass on stage alongside Chaka Khan and Stevie Wonder for Divas Las Vegas, singing in front of a celebrity audience. If I can hold my own there, I can hold my own at Top of the Pops, trust me.

I had worked in politics with Johnson and Nixon before becoming a historian and biographer. I kept discovering these dirtier, murkier threads in American politics that led back to Vegas' gambling interests and criminal connections.

As my wife says, I'll never fully retire, but it'll start to slow down. I'll continue to do the local gigs or go to Las Vegas. But I won't be going out to Ohio to play an Indian casino anymore. Those will probably go by the wayside.

TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.

Las vegas shouldn't exist. The incongruity hits you from the moment you first glimpse it from the airplane. First mountains, then desert, then neat squares of identical houses that look as if they were plucked straight from Monopoly.

As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.

The food was so good that with each passing course, our conversation devolved further into fragmented celebrations of its deliciousness: 'I want this dragon carrot risotto to become a person so I can take it to Las Vegas and marry it.

I shoot for 'Extra' three times a week, and that's great for Las Vegas, too. In addition to interviewing stars who are here for shows, parties and premieres, I'll also get peoples' reactions to different news items and topical gossip.

I love San Francisco; it's very hard to compete with San Francisco when it comes to availability of product, but one thing you can't replace about Las Vegas or Miami is people are walking in the door and they want to have a good time.

There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there

You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.

The big advantage to playing the Venetian in Las Vegas - where it's a beautiful theater - is that unlike other places, even many other nice venues, I can do a set and lighting cues, I can put on a real show. I can dress up, wear a tux.

There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there.

Vegas has the Whitman's Sampler of audiences. They come from all different places, so you have to do some crowd psychology. You have to find the heartbeat of the room. It doesn't shift my jokes, but it shifts my timing and my attention.

My dad had always bought and sold gold and other stuff. In '81, he went broke because of real estate, so he moved us to Vegas and opened a small second-hand store. We always wanted a pawn license because there's a lot more money in that.

No, but I remember going out to Las Vegas while playing AAU for a team from Wisconsin. I'd heard about this LeBron James guy. We went to the gym to watch his team, and I was very impressed at how big and athletic he was even at that age.

In the mid-1980s, there wasn't a representation of gayness on television. Our glitter and our goofiness and our great costumes made in Vegas; the cheekiness and campiness of the show, it turns out little boys who were gay coveted our act.

I love the live performances and Las Vegas. I also like making films that are being discovered by another generation. Having been a teen idol of the '60s is great because you realize you left your generation with a smile and good memories.

I pride myself on never using a cuss word on stage. Ever. I headline in Las Vegas every year, and this summer I am performing on an Alaskan cruise. Not too many comedians can pull that off. Funny thing is, my show doesn't change for Vegas.

Fear and Loathing in Las Vegas is perfect in the same way that The Great Gatsby is perfect. Take a pencil and read these books, looking for something that doesn't sound right, something you'd want to change. You'll leave the page untouched.

They are preserving the sanctity of marriage, so that two gay men who've been together for twenty-five years can't get married, but a guy can still get drunk in Vegas and marry a hooker at the Elvis chapel! The sanctity of marriage is saved!

If you were black, you experienced prejudice. It wasn't a real horrible thing for us; we went through it. We noticed it mostly in the South and in Las Vegas, where we couldn't stay in the hotels where we entertained. But that began to change.

It is interesting to work in Las Vegas. I've always thought of Las Vegas as Los Angeles on its day off. There's not any hierarchy of taste, and that's what L.A. always was to me: It's not really a town of culture, it's a town of entertainment.

Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.

Most of the energy in North America is just consuming - Wal-Mart, shopping centres, government offices - or personal consumption: houses, cars, flying to Hawaii, gambling in Las Vegas. We could live affluent lifestyles with half as much energy.

The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.

A lot of the country doesn't even know what Vegas is about. They think it's just the place you go for bachelor parties or casinos. There's so much more to the city and so many amazing neighborhoods, so to be able to showcase that is really cool.

Vegas is definitely a place where we can win. We had a good run here last year, and I feel even more confident about the car we're taking this time. We're taking the car that we raced in California two weeks ago, and it was obviously a good car.

My sister, who is a wonderful and beautiful actress now, when she was 11 or 12, she would go out and take pictures of the punk parties in the desert. She used to have blue hair, and she got kicked out of Las Vegas Day School for having blue hair.

Nevada Energy doesn't lose money. The gaming industry loses money. It employs all the people. It pays all the taxes. And if you take the P&L, the profit and loss, of the hotels in Las Vegas and Reno, it is a number that is minus, not plus, minus.

The night before I left Las Vegas I walked out in the desert to look at the moon. There was a jeweled city on the horizon, spires rising in the night, but the jewels were diadems of electric and the spires were the neon of signs ten stories high.

Our culture does not teach us this, but what happens in Vegas does not stay in Vegas. If you cheat in Vegas, it comes right home with you. If you cheat in Vegas, you walk home as a cheater. You lie awake at a night a cheater. You cannot escape it.

When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.

Other bands in Vegas hated us because we hadn't played shows and paid our dues. Publications called us out, saying we were just a put-together band, claiming we had ghostwriters. It made me so happy, the fact that everyone was hating on us so hard.

Presidents and presidential assassins are like Las Vegas and Salt Lake City. Even though one city is all about sin and the other is all about salvation, they are identical, one-dimensional company towns built up by the sheer will of true believers.

After Leaving Las Vegas I did assume that things would get a lot easier than they've been. But it's just been a mirror of the way my career's been from the beginning, so for it to have changed would have been strange. My career has never been perfect.

In Zurich, in a cafe overlooking the Limmat, I ate butter-drenched white asparagus pulled from the ground that morning; it had the aftertaste of champagne. I've been able to appreciate epic meals in San Francisco, New Orleans, Berlin, Paris, Las Vegas.

In credits, I'm 'Michael' sometimes now, but people know you as something, so there's no point fighting it. 'Squiggle,' you'll always be 'Prince,' and 'The Rock,' just accept it. I want to move on, but not that much. So I'm still known as 'Johnny Vegas.'

I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.

We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.

Tonight, I would like to pay tribute to the greatest entertainer of all time, Mr. Elvis Presley. Elvis was Las Vegas. And if it wasn't for him, so many performers like myself would not have the chance to do what we do in this town. He really was the king.

Howard Hughes himself was a regular at the restaurant, and in a way it became his headquarters, too. Howard had recently relocated to Las Vegas, so when he wanted to do business in Los Angeles, he went into the back of our restaurant to use the telephone.

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