Unhappy Quotes - Page 22

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That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill. Who was it said - one of the famous lady novelists - 'unhappy is the family that contains an author'?

If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'

I just desperately wanted to be thin. That's all I thought. I was obsessed with it, which it was ridiculous because I had everything going for me. I was following my dream. Everything I wanted at the time, I was getting. But I was obsessed with this other thing that was making me unhappy.

To a generation beaten down by skyrocketing unemployment, plunging retirement savings, and mounting home foreclosures, 'Mad Men' offers the schadenfreude-filled message that their predecessors were equally unhappy - and that the bleakness meter in American life has always been set on high.

"I want to be always happy," Maxine Hong Kingston announces . But, as this interview makes clear, for me, it was the desire to write poetry that kept me discontented, if not depressed and unhappy, through what many casual biographers have characterized as successful and productive decades.

I realised those things my ego needed - fame and success - were going to make me terribly unhappy. So I wrenched myself away from that. I had to. I had to walk away from America and say goodbye to the biggest part of my career because I knew, otherwise, my demons would get the better of me.

Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.

Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.

I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.

What makes me sad about school is that the people who are unhappy are unhappy because they don't believe it will change. And I just want to say: 'It does! High school ends and it's over.' I will tell anyone that it's OK to be unhappy at school, make lots of mistakes and then it will be over.

I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.

Over the course of your life, you realize more and more who you are and how you want to spend your time. And it became clearer and clearer that I was very unhappy as an actress and didn't feel comfortable in my own skin. When I was younger, I thought it was because I wasn't successful enough.

When I was 7 and went to the zoo with my second-grade class, I saw chimpanzee eyes for the first time - the eyes of an unhappy animal, all alone, locked in a bare, concrete-floored, iron-barred cage in one of the nastier, old-fashioned zoos. I remember looking at the chimp, then looking away.

The security comes, as an actor, in knowing that you're not in control. If you try to control your career, or how people perceive you, you'll make yourself unhappy, because life doesn't work like that. So much is luck. It's much better to let yourself off, to think, 'There's nothing I can do.'

I'm okay for things like theater and stuff but for film, I just didn't think in the right way and I didn't like the business. So I was unhappy. So I was in something that was moderately related to my, what I call my calling or my life's path, which is writing, but it wasn't like the right fit.

I felt unhappy and trapped. If I left baseball, where could I go, what could I do to earn enough money to help my mother and to marry Rachel? The solution to my problem was only days away in the hands of a tough, shrewd, courageous man called Branch Rickey, the president of the Brooklyn Dodgers.

To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out.

There is no happiness without knowledge. But knowledge of happiness is unhappy; for knowing ourselves happy is knowing ourselves passing through happiness, and having to, immediatly at once, leave it behind. To know is to kill, in happiness as in everything. Not to know, though, is not to exist.

Alix [MacKenzie], on the other hand, found that her painting would translate much more readily into decoration, and she could play with the spacing and the intensity of imagery on the form in a way which I could not. So that when we established our pottery, I was most unhappy with my decoration.

I went to Australia from England when I was right at that age when you learn to read. It's a very confronting thing, traveling halfway around the world and having a mother who was deeply unhappy at ending up in Australia, so you look for some way to find comfort, I guess, and I found it in books.

I hate the school of thought that says work is work and that you have to be unhappy at work because that's what work is. I totally respect the fact that not everyone has the choices that I have, and that some people have to work jobs that they don't like because they don't have any other options.

Although at the time I didn't realize what was happening, I was unable to make a decision that might displease those around me. For years, whatever directive I may have issued ended with the phrase, 'If it's all right with you.' If I thought I'd done anything to make someone unhappy, I'd agonize.

If you're unhappy with your circumstances, then change them. Don't blame the government or your boss or the guy down the street who's better looking than you (exceptions include Hugh Jackman and George Clooney). Just take some Pepto-Bismol and be a man (or woman, for all of you bullish feminists).

It is easier with the right person. A good test of a relationship is how well you both deal with challenges. If one person is more invested, it shows. If you're with the wrong person, it feels like too much work. But if you're unhappy more than you're happy, it's not the right relationship for you.

You must want to be first-class ...meaning the best, the very best you are capable of becoming. If you deliberately plan to be less than you are capable of being, then I warn you that you'll be deeply unhappy for the rest of your life. You will be evading your own capacities, your own possibilities.

If you have done something meritorious, you experience pleasure and happiness; if wrong things, suffering. A happy or unhappy life is your own creation. Nobody else is responsible. If you remember this, you won’t find fault with anybody. You are your own best friend as well as your worst enemy. (99)

I know I was very unstable and unhappy all through my life. I lost my mother and then my father. Losing Dad was like losing the bearings of my life. My sisters took it badly, but I took it worse. Throughout my lean phases, Dad was like a solid rock, supporting me, whether it was work, or my jail term.

Breathe in deeply to bring your mind home to your body. Then look at, or think of, the person triggering this emotion: With mindfulness, you can see that she is unhappy, that she is suffering. You can see her wrong perceptions. You can see that she is not beautiful when she says things that are unkind.

Well, the average person comes home from work really tired, and just wants to flip through channels until they land on the thing that's the least objectionable to them. They're not looking for their new favorite TV show because they know that that search will take forever and they'll go to bed unhappy.

My mom is one of my role models in a complicated way. I learned from her how to be a good mom. She was one of those natural moms who really took to it. Her chosen profession was teaching. She loves kids. But she was extremely frustrated and unhappy because for much of my life she was a stay-at-home mom.

His suspicion that he was not going in the right direction tortmented him more and more. At last he had the conviction that he would never go anywhere but in the wrong direction, to the very end of the handful of days that was left to him, unhappy moonstruck pilgrim, whose April was to be cut off short.

I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.

I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I'm happy, I make great music. When I'm unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.

Many people are never happier than when they get the opportunity to complain, while others are deeply unhappy with how things are but just accept the fact. Complaint occurs when we refuse to accept that things are wrong and we do something about it, even if that something is simply articulating our unease.

My own experience with that brief moment where I had videos on MTV was that nothing was ever good enough. When you hear people say, "I was unhappy the whole time," that sounds ridiculous. I think this is a theme among people who seek fame, not just musicians. There are a lot of bitter, disappointed people.

I've tried open-ended jobs and found myself incredibly unhappy. I don't like the monomania of showing up every day and doing the same thing. I don't know where my next cheque is coming from, I don't know where my next job is coming from, I have really sketchy health insurance, but I need variety in my life.

When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.

We all suffer in our own way; like, life is miserable. And I'm not, 'Oh, I'm a stand-up who's sad,' but the reality is that just about everyone is quietly unhappy. I don't think that pertains to comedians specifically. I think most people look at themselves in the mirror and are not happy with what they see.

Actually, if you look at the essence of ISIS, how it came about, it's the product of foreign invasion. Foreign invasion in Iraq led to removal of Saddam Hussein, and we're not unhappy with that, but the point is that foreign presence in any territory has created dynamics. And you cannot avoid those dynamics.

I wasn't handed college or graduate school or anything else on a silver platter. I had to work very hard, but I did it because I wanted to. That's the real key to happiness. I think unhappy people are those who feel that circumstances are forcing them into a pattern. Happy people are not slaves to the system.

I just realized one day that I was so unhappy. And not only that, but I didn't even like the person that I was. I didn't even know who I was. And so 'Shatter Me' is about first discovering what was under the shell and then learning to love that person that was under it. And then not being afraid to break free.

I found out when I was 18 that Dad had left my mother and the family before he realised he was ill and then died. When I asked Mum about it, she just sort of shrugged it off and said she'd thought I knew about it all along. Of course I hadn't, though I'm sure she must have been desperately unhappy at the time.

The billable hours is a classic case of restricted autonomy. I mean, you're working on - I mean, sometimes on these six-minute increments. So you're not focused on doing a good job. You're focused on hitting your numbers. It's one reason why lawyers typically are so unhappy. And I want a world of happy lawyers.

So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservation, all of which may appear to give one peace of mind, but in reality, nothing is more damaging to the adventurous spirit.

Unhappy? I was lucky. So, so lucky. And I couldn’t see it.” His eyes met hers. “I love you,” he said. “And you make me happier than I ever thought I could be. And now that I know what it’s like to be someone else—to lose myself—I want my life back. My family. You. All of it.” His eyes darkened. “I want it back.

My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.

In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.

It was like sawdust, the unhappiness: it infiltrated everything, everything was a problem, everything made her cry - school, homework, boyfriends, the future, the lack of future, the uncertainty of future, fear of future, fear in general - but it was so hard to say exactly what the problem was in the first place.

I guess 16, 17, 18, that whole period was a dark time for me. I guess it was a hormonal thing, going through all those changes as a young woman, learning who you are and being comfortable with yourself, and also, which goes along with that, boys. It was definitely an unhappy, 'Who am I?' period. 'Who am I gonna be?'

In the middle of my sophomore year, I was sent to boarding school, at the Cranbrook School for boys, in Bloomfield Hills, Michigan, where I fell in love with Marilyn Monroe. I knew that she was the most beautiful woman in the world, and yet she was in pain, in need. She was unhappy. I believed that I could help her.

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