Quotes of All Topics . Occasions . Authors
I'm really interested in how you create a whole new economy of recycling. It's literally the 'underground economy.' All this stuff that on the surface creates growth and profit, ends up with waste, junk, and CO2. So how do you make it economic to bring new players into the ball game?
I have traveled down this path before - 'List of Seven' and 'Twin Peaks' both have thematic similarities - but 'Paladin' took me much deeper into the intuitive underground. Always bearing in mind Joseph Campbell's Rule No. 1: When entering a labyrinth, don't forget your ball of twine.
I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
The Florida peninsula is, in fact, an emerging plateau, honeycombed with voids and vents, caves and underground waterways. Travelers on Interstate Highway I-75 have no idea that, beneath them, are cave labyrinths still being mapped by speleologists - 'cavers,' they prefer to be called.
I remember when I started performing, I thought, 'Why is this something that we do after hours, underground?' I was waiting on the world to change and the idea of this art to become mainstream, and I think that's what 'RuPaul's Drag Race' has really accomplished in such an eloquent way.
It doesn't get any more underground, conscious or indie than Macklemore, Ryan Lewis, but because they got a couple of really big pop hits, actually some of the biggest pop hits that hip-hop has ever seen, people are missing that part of their story. People are not counting that blessing.
The Underground Railroad was the first integrated civil rights movement. And it's a great example of when we work together, what we can go against. Which is 600 miles of crazy terrain being chased by slave catchers to get people to be what they should be in the first case - which is free.
Born a slave, Harriet Tubman was determined not to remain one. She escaped from her owners in Maryland on the Underground Railroad in 1849 and then fearlessly returned thirteen times to help guide family members and others to freedom as the most famous conductor of the Underground Railroad.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies. But I never saw it that way. I always thought music was open to all things.
In the public sector, there are a million people in the health service. There ought to be a couple of dozen or more on the Labour side, who learned their trade in different parts of the health service, and the public sector, and local government. And bus drivers, and people on the Underground.
It is important that carbon storage is carefully regulated, that the process is transparent to the public, and that there is a clear accounting of what happened to the CO2. This is particularly true of underground storage, where there is always a small chance that pressurized CO2 could escape.
If the Jews had issues with the Polish people then why during the Warsaw Ghetto Uprising, did the Jewish underground hang two flags from the bunker - the Polish flag and the flag of the Jewish people? Why? They did it because they felt part of Polish society and that is how we view them as well.
When I was eight, nine years of age, my mother bought me a pair of green trousers - corduroy green trousers. I didn't like green, and I basically buried them underground. And my mother kept asking me, 'Where are your trousers?' I said, 'Oh, I don't know.' And from then on I stopped wearing green.
Neutrinos alone, among all the known particles, have ethereal properties that are striking and romantic enough both to have inspired a poem by John Updike and to have sent teams of scientists deep underground for 50 years to build huge science-fiction-like contraptions to unravel their mysteries.
Oftentimes, a history book in school will talk about the Underground Railroad as if it's one sentence. But thousands of people decided to run, and they single-handedly changed the trajectory of our nation. By running to the North, they put a face to slavery, which recruited a lot of abolitionists.
I got involved in the underground world known as ballroom culture, and I used to walk a category called 'face,' and it was a very heavily Latino culture - it's black and Latino - and they used to call me 'cara,' which means face in Spanish, so I started putting 'cara' on everything: hats, jackets.
I didn't plan to be a politician. The founder of our country, David Ben-Gurion, called me from the kibbutz to serve in the underground. We were short of manpower, short of arms. I was 24 years old. I was supposed to serve my country for one or two years. I am 89 years old this year, and I keep going.
During the Second World War, we lived in a flat on Whitechapel Road in the East End of London. At one point during the blitz, the air-raid sirens went off every night for 30 nights, and each time, my parents would grab my sister and me and take us to the shelter beneath Whitechapel underground station.
The end of coal in Appalachia doesn't mean that America is running out of coal (there's plenty left in Wyoming). But it should end the fantasy that coal can be an engine of job creation - the big open pit mines in Wyoming employ a tiny fraction of the number of people in an underground mine in Appalachia.
I just like being on my own on trains, traveling. I spent all my pocket money travelling the London Underground and Southern Railway, what used to be the Western region, and in Europe as much as I could afford it. My parents used to think I was going places, but I wasn't, I was just travelling the trains.
The song 'Bite the Thong' in particular, with Damon Albarn, really encapsulates the whole dilemma of, 'Hmm, should I stay on the underground when everybody else is selling out?' Nowadays, you can just do it - have your name-brand clothes, do songs with rock n' rollers - and it's not considered selling out.
I hate that people have made the term SoundCloud rapper into a bad thing, because a lot of artists are underground and they don't have a way to put their music on. But to get that clout, to get that popularity, you might want to upload your music to SoundCloud - because how else is everybody going to hear it?
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
It's called 'Fight Valley,' and it's my first feature film. I just dove in and did the best I could. I don't think I'm gonna win any Academy Awards on this one. I had fun with it and hopefully will get more opportunities like that. It's about two sisters, one poor and one rich, and one goes into underground fighting.
I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.
An artist attunes to what things are, which means sort of listening to the future, which is just how things are - I think time is a sort of liquid that pours out of hatpins, underground trains, salt crystals. So a work of art is also listening to itself, because what it is never quite coincides with how it appears, too.
There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.
Kindle Worlds is a clever way to monetize a formerly underground trend, and to enable its participants to be remunerated. But it will be of no interest to writers with any literary ambition, as its constraints are designed to stymie even the most rudimentary impulses - even the first flickering of a dangerous originality.
Few people have heard of John Hawkshaw, the engineer responsible for Brighton's sewers, but he also built the Severn Tunnel and parts of the London Underground system. Such figures, largely forgotten now, conceived an infrastructure that was perfect in its fine detail and intended to last for a century or more - as it has.
I am not trying to say I'm a genius, but 'Underground' was the strongest attack there has been on Milosevic. It is about a man who locks his friends in a cellar for 40 years and convinces them that the war is still going on. He uses them, but they still think he is a great guy. And this was shown in every cinema in Serbia.
My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.
I went back to DJ'ing in 1987, and it's been an incredible second career for me. Plus, it's almost a parallel universe. If you don't go to underground clubs, you wouldn't know what I do or who I am. So there's been a whole new audience of people that don't even know I'm that 'Boy George', the one their mother used to like.
When I get into 'Lucha Underground,' now it feels like I'm part of a collaboration. And I'm talking about storylines; I'm talking about how we can put matches together, where we're going to go, what's going to happen to 'Lucha Underground' as a promotion; what's going to happen with my character; and I was back in suddenly.
During college, I didn't really have an interest in what I was studying. It was during college that I first stumbled into forming an underground band where I was the lead vocalist. I had always had an ear for music, but nothing more than that. And that good ear of mine led me to learn and play a lot of instruments while in college.
It's not as though we can keep burning coal in our power plants. Coal is a finite resource, too. We must find alternatives, and it's a better idea to find alternatives sooner then wait until we run out of coal, and in the meantime, put God knows how many trillions of tons of CO2 that used to be buried underground into the atmosphere.
Injecting CO2 into an underground reservoir would certainly change the local environment and thus affect the organisms that live there. Some will thrive, and others will suffer. While we should minimize such impacts, they cannot be avoided completely. The same happens when one plows a field, builds a house or a road, or waters a lawn.
It's man's work. My dad was gone at 4:30 in the morning and home at 8 at night, and he worked underground, and the last mine he worked in was 26 inches high in a lot of places. He liked the engineering of it - he liked the moving the earth and being able to extract something and put it back for reclamation. He enjoyed the whole process.
I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
Consider a tree for a moment. As beautiful as trees are to look at, we don't see what goes on underground - as they grow roots. Trees must develop deep roots in order to grow strong and produce their beauty. But we don't see the roots. We just see and enjoy the beauty. In much the same way, what goes on inside of us is like the roots of a tree.