Quotes of All Topics . Occasions . Authors
The creative autonomy in 'Lucha Underground' is more than I felt in WWE. There is more willingness from the creative and production team to listen to input from the wrestlers in 'Lucha Underground.'
I met Tupac pretty much right after he did the movie 'Juice,' so he was already with Digital Underground, but he was on his own rise at this time. He was very humble, down to earth, a very cool guy.
Competition is always good, but I truly believe that 'Lucha Underground' has nothing to do with WWE or their programming. We are completely different, you know. And, in a way, we have more to offer.
You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.
I have a fascination for extra-judicial societies and underground cultures, and in situations where justice can only be found outside the law, and how these societies have evolved over the centuries.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
Naturally, underground music often gravitates toward experimentation and the abstract. That's understandable, and more often than not, it feels great to dive into a difficult album and swim a few laps.
During the Civil War, the Underground Railroad became a spy network, so we could still have fresh stories for these characters years into the future, with desperate people still doing desperate things.
My favorite part of working with 'Lucha Underground' is learning more Lucha, combining that with my WWE psychology, and taking wrestling to a place we've never seen before in the evolution of wrestling.
I know Diplo knows a lot about underground music culture - he was one of the people to put me onto music like that when I used to listen to the Mad Decent Mixes. It was like, 'Oh, he knows what I want.'
I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.
When we learned to play in bands, what we were covering was equal part the Velvet Underground and the Grateful Dead. That would defy the logic that somehow these things don't fit in the same musical well.
Thanks partly to the kind of poets that we now have and partly to funding, there's been a gigantic shift in the way poetry is perceived... Poems on the Underground, poets in schools, football clubs, zoos.
Imogen Poots loves music to death and can literally name 300 bands that she listens to, that you've never heard. She's so heavy into the underground music scene. When she's speaking on music, she means it.
When I was reading 'The Underground Railroad,' I had to actually hold my hand over the right-hand page so I wouldn't see, by mistake, what was coming up next - it was so suspenseful. it's really masterful.
Like in every peace process, and especially in Colombia, there all kinds of problems that will come through. Not only is the process by itself very complicated but it has lots of underground complications.
To put the point sharply: If an informer in the French underground who sent a friend to the torture chambers of the Gestapo was equally a victim, then there can be no right or wrong in life that I understand.
I mean there's certainly a lot of progressive rock and metal that exists at the underground level, which has its own vitality, as it should. But it seems to have lost its ability to really charge up the hill.
Billions of taxpayers' money has been wasted in bad deals. The London Underground modernisation, personally negotiated by one of Gordon Brown's team, was a disaster, as the National Audit Office has confirmed.
I had originally done a production called 'The Resistance.' It was one of those underground guerilla things, very low budget. Then Starz and Ghost House ended up picking it up and funding it, and we reshot it.
To be honest, it was slavery. Nobody should have any romantic ideas about working underground. It's very, very dangerous. You always knew you were living in danger. You were on your hands and knees half the day.
We shot 'Delusion' in the middle of the desert and outside of Las Vegas where they did those underground nuclear bomb testings. So I only ate oysters and drank coffee because I didn't want to turn into a mutant.
If you make a strange, eccentric record - like the Velvet Underground's 'White Light/White Heat' - it takes on its own mood because it's less about a shrewd marketing plan; it's more about an individual emotion.
Well, me and Freaky been knowing each other for a while, and he was always playing crazy music in his room, but he would never release it. He's, like, the most underground rapper I know, and he's crazy talented.
We've always been kind of an underground band in a way that had the respect of our peers on the road. I like to say we're the world's most famous opening act because we've opened for every huge band on the planet.
For me, the '80s was great because you had Boy George, Michael Jackson, Stevie Wonder, Prince, and Cyndi Lauper. No one put boxes saying this is urban, this is popular, this is underground. It was just good or bad.
When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
For years, I survived as an artist on grants and touring as a dancer with dance companies, and I was living underground like so many artists, hand-to-mouth and so forth. And I never had the power to make decisions.
Though gay lifestyles have certainly moved into the open, there's little evidence that society has become more open in its basic attitudes or that entertainers should feel cozy in emerging from the velvet underground.
Before the Civil War, Canada was at the top of the underground railroad. If you made it into Canada, you were safe unless someone came and hauled you back. That was also true during the Vietnam War for draft resisters.
I love hip hop music and would do anything to help the culture blow up in China because it's been so underground. I just want people know how good this culture is, how good the music is, and how it can change your life.
There's a lot going on in country music, with indie-label hipsters and underground bloggers arguing their interpretations of what country is, and pop-country stars defending themselves. That deserves to be poked fun at.
When 'Drag Race' first began, it seemed like a fun window into an underground culture, but over the nine years it has aired, the show has evolved to reflect America's changing relationship to queer rights and acceptance.
When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.
If you go into an underground train in London - probably anywhere, but chiefly in London - there's that sense of almost entering a ghostly dimension. People are very still and quiet; they don't exchange many pleasantries.
Wrestling ultimately comes down to what happens when the bell rings, and it comes down to athleticism, storytelling, and characters - and what we're doing in 'Lucha Underground' is the highest-quality wrestling out there.
Anyone that's been with WWE, there's frustrations of feeling like you can only do so much. The women are told not to punch or to kick, to do power bombs and the power moves, and none of that exists in 'Lucha Underground.'
I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
Using predictive models from engineering and public health, designers will plan safer, healthier cities that could allow us to survive natural disasters, pandemics, and even a radiation calamity that drives us underground.
Among all the upheavals of war with al Qaeda, the surest indicator of the historic stakes is the ongoing rotation of top U.S. government managers - scores at a time - into a bunker deep underground and far from Washington.
Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.
There's a certain type of success you can have where it means nothing. You're just becoming someone in Hello! magazine and no one knows what you actually do any more... the only way to escape that is to go back underground.
It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground.
I was fortunate enough to be living in Hollywood, CA, when the underground punk rock music scene started. It was a small group of artists, misfits and weirdos, where everyone was welcomed and encouraged to express themselves.
I'm so proud of 'Underground' because it's this thriller; it's this action- adventure. It's unexpected. People think it's gonna one be one thing - they think it's gonna be very depressing and downtrodden - and it's empowering.
One percent of all comics ever reach the level of a Chris Rock or a Jerry Seinfeld. When audiences come to the underground rooms, they have a chance to watch the process that happens along the way - and see the comedians grow.
'Lucha Underground' really is the first episodic professional wrestling show. There are storylines in every promotion, but the way 'Lucha Underground' is crafted really is more of a TV show than your traditional wrestling show.
You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.
To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.