Quotes of All Topics . Occasions . Authors
To serve in the modern military - or to be the uncle, parent or sibling of one who does - is to treat the necessary service and sacrifice of war with a sacred honor. In my community, we pile into cars and drive hundreds of miles to watch our children's graduation from basic training.
Jack Palance was my distant uncle - that's the family gossip. Growing up, my family knew everything about his face getting burned and scarred in the military and how that mutilation led him to become such a famous 'heavy' in films. I prayed for good scars of my own. Not just acne scars.
I don't revisit anything unless there's a really good occasion, like BAM screened 'This Is My Life', with Lena Dunham and Nora Ephron before she died. It also screened 'Uncle Buck', so I took my niece. I don't have a TV, so I don't happen upon old movies like you would if you had cable.
The male role models I had all seemed to have been in the military. My father served in the army. My uncle was in the Marine Corps. Both of my grandfathers served in WWII. There weren't any career soldiers in my family, but when I was young it seemed like a way of arriving at adulthood.
Saint Mochua was the son of a certain Cronan, of noble race, and spent his youth in fighting. At the age of thirty, he laid aside his arms and burnt a house, with all its contents, which had been given to him by his uncle, saying that a servant of Christ should take nothing from sinners.
Every two weeks, I'd get a small pay-check and notice the line where federal and state income taxes were deducted from my wages. At least as often, our drug-addict neighbor would buy T-bone steaks, which I was too poor to buy for myself but was forced by Uncle Sam to buy for someone else.
I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids.
My family moved from Massachusetts to Maryland after my sophomore year of high school, and that's when I got the audition for 'Uncle Buck.' I took the train into New York, and I think I did the test with John Candy. Then I got the part, and it was my first movie and my first screen anything.
I have tremendous respect for Christopher Darden, and I recognize him as an individual of integrity, who did his job to the best of his ability, and I want to tell him thank you. Thank you for enduring hatred from his own community, for being ostracized and called an Uncle Tom and a sellout.
I loved movies growing up. I went to the movies with my uncle all the time. But being an actor? I didn't even think about it until I was about twenty years old. I took a class at the college I was at. I don't know why - I just wanted to take a class, and I kind of fell in love with it there.
I don't want to be Batman. Let Val Kilmer do it. I just want to be Uncle Batman. I have this whole 'warm relationship' plot in my mind. In the final scenes, the new Batmobile breaks down, the new Batman's stranded on the side of the road. We grab our old Batmobile, pick him up and drive away.
My martial arts came a lot from my uncle, who actually taught martial arts through the military. He was a black belt in tae kwon do, but also, he used a lot of military-style fighting where it's not the high kicks or anything like that. It's basically defeat your opponent as fast as possible.
I commuted to the prestigious Hibiya High School from my uncle's home in Tokyo. During the high school years, I developed an interest in chemistry, so upon graduation, I chose to take an entrance examination for the Department of Chemistry of the University of Kyoto, the old capital of Japan.
I was attracted to cricket at a very young age. My father's elder brother Akram Siddiq saw the passion for cricket in me, so he pushed me, and then another uncle - father of Kamran, Umar, and Adnan Akmal - advised my father to work hard on me, as he thought that I will make it big in cricket.
Of course my uncle was a giant, but my dad, in particular, had the house filled with these great Dixieland jazz stars, really the best of them: Henry Red Allen, Willie 'The Lion' Smith, Buster Bailey, Cutty Cutshall, Tyree Glenn, Zutty Singleton. These are all big names in the Dixieland world.
I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
A holiday vacation can mean sampling all kinds of new cuisine - whether it's Uncle Joe's award-winning chili or the exotic flavors of Nepal. If your little ones are fussy, be sure to ease mealtime hassles by bringing along a supply of the familiar foods they're accustomed to rejecting at home.
Theatre people, who are an adaptive species, know that to remain sane in the process of production where everyone and his uncle has an opinion about how to fix a show, you must pick the people whose knowledge and taste you trust and stick only to these few. The Tweetocracy is no place to look.
Eliza was my first name for two reasons. My dad was reading 'Uncle Tom's Cabin,' which features the maid Eliza in it, when I was born. Then there was Eliza Doolittle from 'My Fair Lady' and 'Pygmalion.' My mum always loved the name, and I got called Eliza Doolittle a lot, so it stuck, basically.
My plan for the online version of 'Famous Monsters' is to become an online 'uncle' to an entire group of people who have never read or heard of 'Famous Monsters of Filmland.' The site will not be written in a scholarly fashion. It will be written in a playful, 'Hey, check this out!' kind of way.
My uncle Shawn used to stay with us when we were really young, and I used to come downstairs and see him break dancing on this piece of a cardboard. I probably always thought they were cool since then. I never knew his comedy, but I used to always see him break dancing. And he was terrible at it.
Whether you agree or disagree with privatization, two things are obvious. First, taxpayers need to be asking more and better questions before handing over control of critical public assets like a highway, an airport, or a parking meter concession. And second, Uncle Sam is being played for a sucker.
Storytelling is a very old human skill that gives us an evolutionary advantage. If you can tell young people how you kill an emu, acted out in song or dance, or that Uncle George was eaten by a croc over there, don't go there to swim, then those young people don't have to find out by trial and error.
If the Democrats want to insult women by making them believe that they are helpless without Uncle Sugar coming in and providing for them a prescription each month for birth control because they cannot control their libido or their reproductive system without the help of the government, then so be it.
I believe in the potential of all things possibly imagined that can be made into a reality. My uncle was a Swedish scientist, and in the 1970s, he would speak of computers controlling most things in the future and self-driving cars and wireless communication. All the things that we are living with now.
Most importantly, I realize the value of the other people - the extended family - the other people within my community, my cultures: my teachers and the other people I call Auntie, Uncle, Godfather, Godbrother, whatever. These are people who pulled you in and made you part of their lives and their homes.
It's just wrong to work your whole life to build up a nest egg, build your own business - you pass away, and Uncle Sam can swoop in and take away nearly half of everything you've earned. Can you imagine that? Having to sell off most of your land just to keep it from the government, just to save the house.
Mammootty came on board unexpectedly. 'Uncle,' which I am co-producing with Sajai Sebastian, was meant to be a low-budget film and we had almost cast another actor in the titular role. But, during the shoot of 'Puthan Panam,' I narrated the film's plot to Mammootty, who liked it and wanted to do the movie.
I remember my uncle and my father telling me that my mother didn't want me because I was blind. She thought being blind was a disgrace and a punishment from God. I understand that a lot of young mothers probably wouldn't know what to do in that situation, but over your life you learn to forgive everything.
I couldn't really tell if it was a different childhood because I was used to it, it was kind of normal to me. The only time I remember it felt a bit odd was when I went to other people's houses and they were calling people 'dad.' I wouldn't get that. But my uncle, who also lived with me, was a father figure.
Historically, narratives of forgiveness were part of both the anti-slavery movement and the civil rights movement in America. 'Uncle Tom's Cabin,' for instance, was based loosely on the life of the Rev. Josiah Henson, who forgave his master that wanted to sell him and beat him after Henson begged him not to.
When I was little I got to dribble the ball around while my older brother Paul, who played for a long time for Kilmarnock, my dad and my uncle Jimmy - who was at Celtic as a kid and played with Morton and Cambridge City - kicked it hard and I got punted out the way. But gradually I got allowed into the game.
Even when I was a young kid, I always told my uncle that, when I became a wrestler, I wanted to be Rey Mysterio, Jr. and I wanted to wear the mask. I always pictured myself wearing a mask. I dreamed about it for so long. I wanted to be one of those luchadores who wore the mask, the cape, and the fancy outfits.
When I met Elvis, we didn't really have a conversation. I was introduced by my uncle, and he sort of grunted my way. What stays with me is the whole scene. I had never seen a real mob scene before. I was really young and impressionable. Elvis really did look - he looked sort of not real, as if he were glowing.
I always wondered, like, you know how you go to the family barbecue, and your uncle is that funny guy that you laugh at because he's family? That's how I felt with 'Fighter and the Kid.' People would laugh at my stuff, but it was always tough for me to tell. I just needed to see if there was something going on.
Growing up, my uncle used to always have dogs, and we always had a dog growing up. I couldn't remember a time when I never had a dog. It was part of the family. So once I actually got old enough, I got a dog in college, then I felt he needed a friend, so I got another dog. They just started adding up from there.
We've always been modestly leveraged, and we've never believed in a great deal of leverage on either our private equity business or on our investment banking business. And I think it really goes back to my uncle and dad growing up in the Depression and just seeing what happened to people who were overly levered.
My mother was Welsh and I loved going to Wales every summer, where Uncle Les had a farm. My mother had seven brothers and a sister and they were all very close. There would always be food on the table and uncles coming in and out. My father's family were English and lived in London, and we didn't really see them.
When I was a little kid, it was not uncommon for a cousin or an uncle, before they would even say 'Hello,' to gush, 'You know, your mother's brisket is just incredible; it's so good.' That was an inspiration for creating a love song in that well-worn terrain of the relationship between a Jewish boy and his mother.
When I was a boy, the priest, my uncle, carefully inculcated upon me this proverb, which I then learned and have ever since kept in my mind: 'Dico tibi verum, Libertas optima rerum; Nunquam servili, sub nexu vivito, fili.' 'I tell you a truth: Liberty is the best of things, my son; never live under any slavish bond.'
I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors. He's done a lot of comedy. He does mostly just comedy like 'Uncle Buck' and 'Home Alone' and 'Home Alone 2.' And I've done a lot of different stuff, like sad movies, like the movie about the kid with AIDS.
Your father tells you a story when you're a kid, or your mother or your uncle or whoever it is. You sit there with your mouth open, and your mind goes to all these places they're telling you about that you've never seen, and you're agape. You just can't believe that things can happen like that - but it's just so direct.
I find it very strange when people say that they are trying to solve 'Uncle Vanya' or find a solution for 'Henry V.' Plays aren't puzzles. They are about playing. But so much theatre has become about performing and acting rather than playing, which is a great pity because audiences are captivated by watching people play.
My mom's brother was gay, and he actually passed away from AIDS when I was 13. He was quite a character, but he also worked at the electrical plant, so he was this complicated guy with a big laugh who would wear a trucker hat and do impressions. He was gay, but to me, Uncle Alan was just the funniest person in the world.
I would have loved to have been a footballer like my great uncle Matt Busby, but I knew quite early on that I wasn't going to make the grade. Luckily I was told by the age of 13 that I wasn't good enough. That's not a bad thing. You see this 'X Factor' generation of kids now who don't accept that they're not good enough.
I attended public school in Houston. I took piano lessons for several years, and in high school, I played trombone in the marching band. I remember especially enjoying two seasonal activities: ice skating with the Houston Figure Skating Club in the winter and visiting an aunt and uncle's farm in West Texas in the summer.
When I started saxophone, my dad took me to my uncle's church, and I started playing there, too. At its best, music serves a greater purpose, and that showed me a whole other side to spiritual jazz, one which you can hear in the music - the gospel and blues feel, the soul that's embedded into the more avant-garde records.
My uncle was the first brown person to have a market stall on Petticoat Lane in the 1960s. He worked his way up from the street. He was homeless, but eventually he got a car so he could sell from the boot. And by the 1980s, he was a millionaire wholesaling to companies like Topshop. So in a way, fashion put me in England.
My uncle worked in emergency wards dealing with people who came in with terrible injuries. He talked about the sketch shows they would put on to lighten the atmosphere. You often find this sense of grim humor in hospitals. The injuries people are suffering are ghastly. You have to laugh at something or you'd otherwise cry.
I was 12 when I ordered my first guitar out of the worn and discolored pages of a Sears, Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay.