Quotes of All Topics . Occasions . Authors
I was afraid that I'd be typecast as the token firang. That happened initially. Now, I am acting in 'Noises Off' and 'Menagerie,' where all of us are playing British and American characters. That makes me feel better.
If you find yourself always playing the villain, or if you find yourself being typecast into a corner where you're not happy then that's probably rather miserable, but if I have been typecast I am quite happy about it.
What I think is wonderful is that women are not just avengers or victims in films. They are people. They are characters. It's so refreshing. They're playing different kinds of characters, and they aren't being typecast.
It's about pursuing it rather than waiting to see what comes along. That's partly because I found myself getting typecast, as everyone does unless they pursue roles that are very different from what they've done before.
I was typecast in 'Bonanza.' NBC officials - didn't realize this for about a year - had seen me in a 'Wagon Train' as a patriarch with a son. So when we started 'Bonanza,' they had me playing the father as a 65- year-old.
A newcomer needs to be careful as to what kind of role they choose. If you choose something different, you will end up getting typecast. That's why I chose to play a character my age, to keep my options open for the future.
I get typecast as doctors, principals, middle-management-type guys - which, when you look at me, you realize is completely against my physical characteristics. I should be an action hero. So I don't understand what's going on.
I've been really lucky to have had a variety of roles, and I don't think I'm in danger of being typecast as the romantic lead. I think there's honour in working as constantly as you can. That isn't easy. And I'm no matinee idol.
I don't feel typecast almost at all, and it could just be because I'm insensitive, but I doubt it. I think most of my roles I've gotten have very little to do with my ethnicity. I don't feel that's a limiting factor for my career.
Am I being typecast as a horrible person? I don't know. I don't think so. But if it happens, I'd rather get to play that, because there's nothing fun about being sweet. Sweet can be so boring, so I'd be happy staying away from that.
I hope I will not be typecast as a Bond girl for the rest of my life. I'm very proud of being a part of the Bond family, but I don't want to be the sexy girl forever. I'm not meaning to complain, but I just want to be taken seriously.
I never want to pigeonhole myself or get typecast. I'm looking forward to my career and showing all of my range as an actress, and I'm looking at other mediums, too. I'm a theater actress first. And I cannot wait to return to the stage.
If I look at Dad's earlier work - 'Bandini,' 'Satyakam,' 'Chupke Chupke,' 'Jeevan Mrityu' - and then his later work, I realize that when something works, the industry doesn't want you to do anything else. They just typecast and milk you.
If I've been an architect of my own career in any fashion, one thing that I've attempted to do is not get typecast, in order to be able to play all different kind of characters. I think I've done a pretty good job of that over the years.
Not all of us are chameleons that can do every different thing. I hope I'm going to be typecast. I will play the girl next door for the rest of my life if I have to. I always kind of feel like I have that in my pocket when I go in a room.
I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.
I never felt that I was typecast, but I was concerned about it. I certainly made an effort to take as many parts in theater and film that resisted that. If you only learn how to act a certain kind of role, it is very difficult to grow as an actor.
You are still lucky - you have a certain type of people who keep buying your music - but then you can get typecast and have to keep making that same music, and you can change only slightly. It's risky to bounce around and change your type of music.
I'd like to talk in my own accent, but then there's that thing about getting typecast as, 'The British guy.' The role that makes you, that's normally what you're cast as forever more. Like, if I did a huge film with my British accent, that would be that.
Most actors here go to the West Coast; I ended up going to Ireland. My buddies who left drama school, they had this arrogance - 'We don't want to typecast ourselves.' But I said, 'I want to do Irish parts. That's the thing that's gonna give me the leg up.'
No one likes to be typecast, but I would like to believe that the attention I get is for my acting, but at the same time, darn it, if I get to keep playing the handsome, smart guy, then that's also a blessing, and it's the last thing I would complain about.
I never got in this business, in cinema, to make horror movies. They arrived on my doorstep and I got typecast. Which was fine, I enjoy it, but I got into this business to make westerns. And the kind of westerns I used to see, they died. So that didn't work out.
In terms of being typecast, if you do something like Father Ted that infiltrates the public's imagination to the extent that it did, I think realistically you're not going to be asked to do something radically different from that very often. But it's not a problem.
I haven't worked enough to worry about getting typecast, but I do as a film lover didn't want to be working with the bad guys. I didn't want to be making a movie I thought was contributing to a lower base of movies that I just didn't think were helping people, really.
What do you do when you don't have money to buy food or a house to live in? You accept whatever you get and incidentally, you are typecast in a particular role. And if you say no, eventually someone else will end up doing it, which will lead to an increase in the competition.
Everybody gets typecast in movies, but you have to make wise choices. I'd say around 90 percent of movie casting is about the way you look, so you have to fight that. If producers had their way, I'd only be in action films, but I'm interested in a more varied career than that.
I love when I am not typecast. I've been acting for 50 years. I was such a baby face; I was playing children until I was in my 30s, which frustrated me enormously. Now that I am 65 and getting to play women in their 50s, I am getting paid back for having to play children for so long.
It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
I try not to get typecast in any role, any image. I feel I can do justice to every kind of role, so why not make the best of it? See, commercial films alone can get you only so far. If you want to last as an actress, then you have to put in that extra bit of investment by doing off-beat films, too.
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
Never work against what you are. I never have, and I've never minded being typecast. Some of my agents have been like: try and change, Victoria. Cut your hair off, colour it, have a breast reduction.You have to this and that, to get a serious acting role. But I would rather use what I am to my advantage.
When the mid-'70s came around, it looked like, 'Oh-oh, here come the punks.' But if you look closely at The Who and The Kinks, the anger and the frustration is there... There is, within me, just the same social discontent as I go through my career. But to be typecast as a singer of peace and love is fine.
I think it's the actor's job - when you think of being typecast or getting out of the shadow of whatever you've had success in - it's up to you as an actor. The industry will always want to hire you for what you were successful in last and what made money. But you can say no to that and look for other parts.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
I hated being typecast in those roles. It was personally limiting, only playing stereotyped heavies. But I got those roles because I was angry, because that's what I projected. I was angry at my mother and father because they didn't get along, angry at the church. On top of that, I had an extreme lack of self-confidence.
Show business always tries to stereotype you, so that is something you have to fight against no matter who you are. A lot of actors who are of a minority background complain that they only get stereotyped roles, and they are 100 percent correct. However, it's also true that, no matter who you are, you get typecast as well.
It seems to me that one thing people do over and over again is try to figure out how to get married, stay married, fall in love, how to rekindle all this stuff. It seems to me to be a pretty eternal theme so I don't know if you can get typecast from making movies about men relating to women. It seems to be what is going on on the planet a lot.
