Quotes of All Topics . Occasions . Authors
Kamala Harris is fumbling and she's like, 'Oh, I'm going to go after Twitter because Elizabeth Warren sucked all the oxygen out of the room.' She's standing up and saying, 'I'm going to go after Facebook, I'm going to break them up, I'm going to go after all of these big technology companies.'
I love Twitter! At first I made fun of it, because it is very narcissistic, and there's already so much narcissism flowing in this industry, I was like, 'Really, one more?' So I was against it at first. But I really love the idea of the direct connection - there's no middle man muddling it up.
When I did 'Jerry Springer: The Opera,' there was a big fuss, largely centered around the misrepresentation of its content. Had Twitter existed then, that would have been over in a week because people who had actually seen it would have been able to get control of the story through social media.
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.
As anyone who follows me on Twitter will know, I'm fairly robust in my views on there. I get next to nothing in the way of trolling. Most women I know who regularly come close to expressing an opinion get trolled constantly. This is a men-on-women issue. Guys are pretty much doing it to the girls.
Facebook captures examples of inequality and makes them available for endless replay. Twitter links the voiceless to newsmakers. Instagram immortalizes the faces and consequences of discrimination. Isolated cruelties are yoked into a powerful narrative of marginalization that spurs a common cause.
If you want positive search results, do positive things. If you don't want negative search results, don't do negative things. To some of my colleagues across the aisle, if you're getting bad press articles and bad search results, don't blame Google or Facebook or Twitter. Consider blaming yourself.
Trending topics helped make Twitter a more relevant metric of what the world was talking about at any given moment. Google has worked for years in the space, most notably with Google Trends and Hot Searches, but Google+ offers the search giant the ability to see what is truly trending in real time.
The thing to keep in mind is that's how I started long before MTV and Twitter and Facebook. I studied at broadcasting school so I could learn how to shoot and edit videos, and tried to create my own television show so we could see through these wacky visions we had of funny bits we wanted to shoot.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
I would argue heavily that the time that has been allocated to social used to come from television, and people are benefitting from it. People who are saying, 'Aw, you're spending all your time on Facebook, or all your time on Twitter,' I'd like to understand what the person used to do with that time.
'Dependent web' platforms such as Twitter, Facebook, Google and Yahoo are where people go to discover and share new content. Independent sites are the millions of blogs, community and service sites where passionate individuals 'hang out' with like-minded folks. This is where shared content is often created.
I love Twitter, and my little corner of it is heavily weighted in favour of women, many of them writers: Caitlin Moran, India Knight, Lauren Laverne, Grace Dent, Deborah Orr, Marina Hyde, Suzanne Moore. I look at that list of names and think, 'Here comes the fun - fun that knows its way around a dictionary.'
Bent Literary Agency had a Q&A on Twitter, and I took a chance and asked if the Black Lives Matter movement was an appropriate topic for a YA novel. Brooks Sherman, who is now my agent, responded that he didn't think any topics were inappropriate for YA. I remember being so terrified even just sending the tweet.
Throughout my career I have developed a thick skin against verbal abuse, justifying it as just 'part of the game' but the time has come for Twitter, Instagram and Facebook to consider regulating their channels, taking responsibility for protecting the mental health of users regardless of age, race, sex or income.
I was not familiar with the Internet thing. Honestly, you know with all kinds of Internet media, I was not that familiar. I was not that kind of guy. Accidentally, 'Gangnam Style' happened, and you have YouTube and all other sorts of stuff like Facebook and Twitter and so on. So after that, I learned and learned.
Before, revolutions used to have ideological names. They could be communist, they could be liberal, they could be fascist or Islamic. Now, the revolutions are called under the medium which is most used. You have Facebook revolutions, Twitter revolutions. The content doesn't matter anymore - the problem is the media.
In '77 there was no Internet, there was no Twitter or Facebook, and I think that, without being some old git who hates anything new, people's attention spans are too short. Back then you had 'Top Of The Pops' and 'Melody Maker,' and you had to make the effort to go to a show so that you absorbed the culture of music.
The days of the Pentagon Papers debates seem long past, when a sudden transparency yielded insight into fights over war and peace and freedom and security; the transparency afforded by Twitter and Facebook yields insights that extend no further than a lawmaker's boundless narcissism and a culture's pitiless prurience.
I actually love Twitter and Instagram. I do think it's so strange to think that 20 years ago, people would never have known personal stuff about musicians and actors, but I like it. As long as I don't obsessively overshare, it's OK. And when I do overshare, it's just, like, me saying, 'I've got $7 in my bank account!'
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
I think of Twitter as the place where I go to have a great conversation when I can't have one locally, which seems to be all the time, and the more time that I spend on Twitter, the more I sort of curate this incredible group of very intelligent people that I just get to know purely through the quality of their thoughts.
I love food. I mean, I really love food. I take pictures of my finest, funniest and most fascinating dishes, post them on Twitter, and send them to friends. I treat menus like classic literature, refusing to skip even one word. I read the description of every item, regardless of whether or not I'm interested in eating it.
I'm not a gadget freak, so to say. I own an iPhone, which I love, and would sorely love to upgrade to MacBook Air from my current MacBook Pro. But what gets me going is the technology behind the gadgets, new websites, new apps. And I'm way too much into social media - FB, Twitter and Instagram are always open on my phone.
America pays its bills. It always has. It always will. The fact that Washington is now debating whether to honor its debts and obligations, then, should come as a surprise. But playing political football with a necessary vote to raise the nation's debt ceiling has become as predictable as a Twitter rant from Charlie Sheen.
At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'
When I first started looking at Twitter, I followed people like Steve Martin, who will just write the funniest non sequiturs now and then, which I thought was really fun. That's kind of the road I've taken. Every now and then, something comes into your mind and you put it out there. It's very innocuous. I think it's kind of fun.
If you're going to build something, don't build on land someone else already owns. You want your own land, your own domain, your own sovereignty. Trouble is, so much of the choice land - the land where all the people are - is already owned by someone else: By Google, Facebook, Twitter, LinkedIn, Yahoo, and Apple (in apps, anyway).
Trump has emphatically denied ties to Russia - a claim refuted by his Twitter feed and a cursory Google search. Putin says his government had nothing to do with the hack of the DNC computers, even though it carelessly left a trail of crumbs tracing back to his intelligence services. The cunning liar is exploiting the blundering one.
For me, Facebook and Twitter was always just a way for me to reach out to the fans of the show, to communicate with my friends who where in the business, and I never felt like I wanted to use it to further my career in some way. I don't know that it has the power or the ability to do that. I just never thought about it in those terms.
I have done a pretty good job of partitioning my life digitally, posting utterances and stories that I'm happy to share with anyone on Twitter, leaving a few sparse comments and 'Likes' on Facebook (I'm not a huge user of the service, I'll be honest), and sending any number of photos to thousands of 'followers' on Instagram and Tumblr.
I think what's happening for me, it's fun to see other things besides Facebook and Twitter take hold. The maturity of Tumblr as a real player is exciting. I think Pinterest has proved to be a major player. It's fun to see Instagram become a major player. It's fun to watch things like SnapChat, and Vine, try to vie to be the next thing.
I usually stalk fans because I think they're really funny on Twitter. They don't know it, but I'll just go through their timelines, and if something is happening in the media, I always read fan accounts instead of the news because they have all the info and make the funniest jokes about it, so that's how I get my gossip - by stalking fans.
The faux now of Twitter updates and things pinging at you - all the pulses from digitality that we try to keep up with because we sense that there's something going on that we need to tap into - are artifacts, or symptoms of living in this atemporal reality. And it's not any worse than living in the 'time is money' reality that we're leaving.
Twitter is a place where you share your thoughts, yourself... you don't want a plain white backdrop for that. You want the entire page to say something about who you are. Designer or not, if the urge strikes you, go for it. Put up that watercolor you've never shown anyone. Take a photo of that hat you just knitted... whatever it is, share it.
