Quotes of All Topics . Occasions . Authors
Every person on Twitter is a critic. Every person who watches a movie will write a blog or a review. You can't go out trying to impress these people.
I hit Instagram and Twitter as soon as I wake up. And then I check my texts and emails. It's funny that I check social media before I check my email.
Between Twitter and Facebook, early word of mouth for a film can destroy it immediately or take something you've never heard of and make it a huge hit.
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
I don't check Twitter as much or tweet as often because, honestly, sometimes social media is draining and brings out all of the negative things going on.
I like to stay in touch with the fans via social media a lot. I really get involved through Twitter and Instagram, if anyone wants to see what I'm doing.
The big success stories - Facebook, Zynga and Twitter - are leading to investing in ideas on a napkin, because no one wants to miss out on the next big thing.
You can't call me a Twitter phenomenon or a YouTube one. These things are useful, but so's hard gigging. One year I did 311 shows. I did six in one night alone.
There are a lot of musicians I've met on Twitter where it was like, 'Hey, I like your music' - and then I ended up meeting them and it turned into a friendship.
I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.
I can't read Jodorowsky's Twitter every day, firstly because I can't go on Twitter every day, but secondly because homie is an intense excavator of the human soul.
I've gone to readings to see authors after meeting them on Twitter. And while there, I've found myself sitting next to still more writers who I met on Twitter, too.
I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
I had a hard enough time in high school, fitting in without having to keep up with Instagram, Twitter, and Facebook - all these ways you have to keep up your image.
While I have never learned to use a computer, I am surrounded by family and friends who carry information to me from blogs, Facebook, Twitter, and various websites.
That's why I'm not on Twitter and don't have an iPhone. It's not because I'm superior to it: it's because I would be a slave to it, and I don't want that to happen.
In a world where a lot of people's sense of self is dominated by how many people are following their Twitter feed, what does fame really do, and why is it important?
There's more outrage on Twitter about a One Direction split or about what one band member said to another than there is about institutionalized racism and something huge.
With Twitter and other social networking tools, you can get a lot of advice from great people. I learn more from Twitter than any survey or discussion with a big company.
If we compare the two, Facebook is currently a superior place to market a product like Slide. Twitter is more like a general distribution agent. It's like broadcast radio.
I'm glad that as a 33-year-old working mother, I can still choose to wear a Hello Kitty T-shirt or stay up late scrolling through the Twitter feed of my junior-high crush.
It makes me feel so amazing to know there's people out here that support me and follow me on Twitter and watch my shows on YouTube and come to my concert, so I'm very thankful.
I see a lot of young kids hit me on Twitter all the time, like, 'I want to be famous! Listen to my mixtape! I wish I could be like you!' But a lot comes with it. It's not easy.
Twitter's been interesting. I'm kind of a tech geek, but I've never been a Facebook or Twitter guy. Surprisingly, I've really enjoyed Twitter because I get to connect with fans.
Twitter was created as an open platform, an open communications ecosystem, and I hope it can stay that way. You have to be really careful not to let money get in the way of that.
Can you imagine watching 'All in the Family' and having an outlet like Twitter? Where you could discuss it while it's happening? I think that would be a really interesting thing.
The way actors interact with their audience via Twitter is a part of their personality. So if I interact less, that is a part of my personality. I am mostly lost in my own world.
We took 'BFF' around to try and take it somewhere else because we were really proud of it, and it had gotten all that critical acclaim, and Twitter fans were going crazy about it.
The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That, I think, is valuable.
Twitter is the place where I try to be more funny. And then I use Instagram just as my diary. I pull some jokes on there, but I think people have a better sense of humor on Twitter.
I'm the kind of person, if I see something, like a funny video, I want to share it. With Twitter and Tumblr you can do that on a mass scale, and people get to know your personality.
Most people, when they think of an insult, they keep it to themselves. But you wouldn't believe the things people say on my Twitter feed, and I'm a nice guy. Imagine if I was a jerk.
Twitter is short-form, real-time, and text-based. It's built for instant alerts and rapid consumption. It is an ideal system for delivering sips of information from an abundant stream.
I don't care what people are saying about me, good or bad, in blogs or on Twitter or in the media. There will always be people who don't like you and don't like your books. Ignore them.
Once I found this possibility to use Twitter and Facebook and my blog to connect to my readers, I'm going to use it, to connect to them and to share thoughts that I cannot use in the book.
Facebook is massive in scale and scope. Twitter is a public communication forum, but if I'm following you, you're not necessarily following me. LinkedIn is, simply, a professional network.
I like to get suggestions on what to read. I'll look at Twitter, people I like, people I admire... I'll go and research the book, download it on my phone and read it while I'm on the road.
Fame is a dangerous thing. It's what the post-industrial society wants. They want fame and many followers on Twitter. But to really make the world understandable, that challenge is remaining.
My personal view about how people should use Twitter is less relevant than our goal to provide the infrastructure for a new kind of communication and then support the creativity that emerges.
Anything you're interested in the world - whether it be Charlie Rose or JetBlue or a public figure or your local coffee shop - they're on Twitter and broadcasting what is interesting to them.
Sadly, it seems as if there is no longer any real history. Just momentary reactions to events that disappear like sky-writing with items like Twitter, texts, Meerkat, Snapchat, and Instagram.
China may censor YouTube. China may censor Twitter. They won't be able to censor Bitcoin. There's no central authority. There's no one you can go to and say, 'We're going to turn Bitcoin off.'
I have an iPhone. I like it for the camera and the fact that you can have your email and Twitter and all that stuff in one place. However, unlike most men I know, I hate buying new technology.
Twitter has restored my faith in humanity. I thought I'd hate it, but while there are lots of knobheads, there are even more lovely people. It delights me how witty and friendly most people are.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
There's this whole new grammar Twitter skill set that I do not possess. I'm not a very good person to follow. I never tweet, and when I do, it's about some sort of sporting event that I'm watching.
I think that content posted to Twitter is distributed to more platforms, services, sites, online and offline than any other services out there. Would love to see if someone can prove to me otherwise.
All of the awards, applause, Twitter followers, shoes, it will all go away eventually. But if I can leave the world slightly more hopeful, inspired, and more healed than when I arrived, I did my job.
If you have a native monetization system where the atomic unit of content is the ad unit, that scales down all the way to a small screen experience. That's why Twitter is performing so well on mobile.
I like to get people talking. I am a provocateur, and I do like getting on Twitter and riling people up. You know what, after a while some sane dialogue and sane conclusions come of that kind of thing.