I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.

In some ways, calm bodily protest has a nakedness to it that may be deeply embarrassing for observers; an act not unlike the bare-faced Oliver Twist effrontery that stands vulnerably before authority, asking for more or better.

Can policy be both wise and aggressively partisan? Ask any Republican worth his salt and the answer will be an unequivocal yes. Ask a Democrat of the respectable Beltway variety and he will twist himself into a pretzel denying it.

I hate it when it is all about the twist and when the ending comes out of nowhere. I think you should be surprised and shocked, but you should also think, 'Damn, I should have seen it,' because there are clues all the way through.

I wish I'd walked out of 'The Tourist' with Angelina Jolie and Johnny Depp. I said to the missus after two minutes, 'He's her husband.' An hour and a half's worth of nonsense later, the big twist at the end is... he's her husband.

The thing is, God has already seen every twist and turn of your life. He already knows what's in your heart. He already knows the decisions you've made. He's just waiting for you to call on Him and be honest with Him like Jonah was.

You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.

When I get a chance to power jump off both legs, I can lean, twist, change directions and decide whether to dunk the ball or pass it to an open man. In other words, I may be committed to the air, but I still have some control over it.

In the context of general relativity, space almost is a substance. It can bend and twist and stretch, and probably the best way to think about space is to just kind of imagine a big piece of rubber that you can pull and twist and bend.

When you think of a great twist or a red herring or a way of misdirecting the reader, it is good, but you know that they are just tricks at the end of the day, and the way to keep interest is to write characters that people care about.

R. Murray Shcafer is a Canadian composer with a twist. Aside from writing incredibly ethereal music, he is also an acousitc ecologist, fighting for the sonic space on this planet to be beautiful - a rare and shamefully underrated cause.

The Twist was a guided missile launched from the ghetto into the heart of suburbia. The Twist succeeded, as politics, religion and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.

I loved seeing my mom put her own twist on years-old family recipes and also create new dishes. This made me develop a passion for cooking at a young age and would eventually inspire me to prepare meals and host wonderful family dinners.

When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.

Comedy, not screaming at someone, can make someone lift their legs higher. There is a way to do a push-up and a sit-up, and it doesn't have to be so complicated. Everyone is putting a difficult twist to it and making you do way too much.

For girls who want to get their waistline down a little bit and don't have any weights in the house, they can actually use a broom and put it behind their necks, lap over it and twist and squat. I do all of that if I don't go to the gym.

What I do is, I look at rock guitar players, and I say to myself, 'What is this guy doing? What does he have that can inspire me?' I try to see what other people are doing and take what they have and turn it and twist it into my own thing.

Before I go to bed, I twist my hair so it doesn't get knotted by morning and cover it with a silk scarf so it stays moisturized. In addition, I tend to wash my hair around once a week or every two weeks, depending on what I'm doing with it.

I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.

In the 'Buffy' room, it was never about a plot twist, ever. It was always about, 'Tell the story, tell the characters, complicate their lives, make things get worse,' but we never worked backwards from the plot, and it was always a great lesson.

When I knew I wanted to write a novel that would be a twist on a conventional romantic comedy, I re-watched 'When Harry Met Sally,' as well as the other two films in the indomitable Ephron trifecta - 'Sleepless in Seattle' and 'You've Got Mail.'

Anyone can learn a trick, but to make it entertaining, to put a presentation twist on it, and then to take it out there and really amaze people is a whole different ball game. You have to have some kind of a natural ability to do that, I suppose.

And finally I twist my heart round again, so that the bad is on the outside and the good is on the inside, and keep on trying to find a way of becoming what I would so like to be, and could be, if there weren't any other people living in the world.

My becoming a film actor was more a twist of tale than a chosen course because I dared not to think I could ever become an actor. I couldn't even walk up on a stage and say 'Thank you' when we were to receive trophies at our sports meets at college.

I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.

The venerable Robert E. Lee has taken some vicious hits, as dishonest or misinformed advocates among political interest groups and in academia attempt to twist yesterday's America into a fantasy that might better service the political issues of today.

I am whatever you want me to be and I can't control that. My experience is my experience, but I can't really claim anything. I know when I take my wig off at night and I have to twist my hair up, I'm black. But I don't get too personal most of the time.

I was at my house, and me, and my brother, and my sister were kind of just playing around. And I was like, 'I wonder if I can twist this apple and rip it apart?' So I was playing around, and I did it, and I was like, 'Wow, that kind of takes a firm grip.'

Paris's neighborhoods, the arrondissements, are organized like a twist. They spiral from the river like toilet water flushing in reverse and erupting out of the bowl - a corkscrew or what have you, a flattened pig's tail, a whorling braid notched one to 20.

I'm a mash-up of everyone. My influences would be Michael Jackson, Brandy, Aaliyah - those types of people. So if you can imagine them - and with me taking them, and then putting my own twist and the influence on it - that's musically what I would sound like.

I've been very excited to have children for a long time. It definitely added an interesting twist to the night we screened 'Lyle' at Outfest, and I got up to do the Q&A, and I had this huge belly no one was expecting. It creeped everybody out in the best way.

There are good people who are dealt a bad hand by fate, and bad people who live long, comfortable, privileged lives. A small twist of fate can save or end a life; random chance is a permanent, powerful player in each of our lives, and in human history as well.

'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.

If one of my romantic-comedy colleagues had written and directed 'Love Actually,' they would have been torn limb from limb. I thought it was awful, contrived, dreadful. I could see every twist and turn. I thought it was despicable. It was the writing that got me.

I think one of the few faults in Dickens is that mostly his lead characters are blanks - who is David Copperfield, who is Oliver Twist? And yet he takes such joy in populating the rest of his novels with these fantastic, grotesque people like Pecksmith and so on.

When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.

I've always tried to twist the ideas of beauty that are maybe considered to be ugly by the mainstream. I was already kind of toying with that when it comes to baldness, which came from a discussion with my mother about how to be considered a beautiful woman if you're bald.

Because for me, equations and symbols aren't just a thing. They're a voice that speaks out about the incredible richness of nature and the startling simplicity in the patterns that twist and turn and warp and evolve all around us, from how the world works to how we behave.

The Emilia Wickstead customer is a sophisticated, accomplished woman who expresses her femininity and style through the way she dresses. She appreciates classic with a twist, yet luxurious and high quality clothing that make her feel confident, elegant, and ultimately chic.

I think Canadians are tired of politicians that are spun and scripted within an inch of their life, people who are too afraid of what a focus group might say about one comment or a political opponent might try to twist out of context, to actually say much of anything at all.

In the past, I've always written about my experiences, and people related to that, but there's a lot of other things that I've never written about that people have gone through. I'm still keeping it young and edgy, but I'm definitely putting more of a mainstream twist to it.

There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.

I was 17 or 18 when 'The Twist' came along, and the rest is history. Sometimes I regret it. I would have gotten more into acting. I would have been more of a legitimate performer onstage like Liza Minnelli. But I got so caught up in the dance thing that I never got into theater.

A man who gives himself to be a possession of aliens leads a Yahoo life, having bartered his soul to a brute-master. He is not of them. He may stand against them, persuade himself of a mission, batter and twist them into something which they, of their own accord, would not have been.

While problems in a film are fairly easy to identify, the sources of those problems are often extraordinarily difficult to assess. A mystifying plot twist or a less-than-credible change of heart in our main character is often caused by subtle underlying issues elsewhere in the story.

As a child, I had a serious illness that lasted for two years or more. I have vague recollections of this illness and of my being carried about a great deal. I was known as the 'sick one.' Whether this illness gave me a twist away from ordinary paths, I don't know; but it is possible.

Physically, it is very demanding as an actor, and I don't want to put a lot of focus on that, but I think it is emotionally and mentally a lot more... It can completely twist you... We abandon ourselves for days and months, and by the end of it, we are twisted people which you make fun of.

Culture and tradition have to change little by little. So 'new' means a little twist, a marriage of Japanese technique with French ingredients. My technique. Indian food, Korean food; I put Italian mozzarella cheese with sashimi. I don't think 'new new new.' I'm not a genius. A little twist.

The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'

I enjoy repartee and frequently engage in devil's advocacy. In short, when I talk to friends, I do not guard every word that I say because I think that I know they know that my commitment to equality and justice is real, and they would not twist my words or misinterpret what I am saying to them.

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