Quotes of All Topics . Occasions . Authors
it is a mistake to talk of the twilight of age, or the blurred sight of old people. The long day grows clearer at its close, and the petty fogs of prejudice which rose between us and our fellows in youth melt away as the sun goes down. At last we see God's creatures as they are.
The vampires of '30 Days of Night' never really came into discussions early on. They did later when we were trying to figure out the pathology of the 'Twilight' vampires. '30 Days' is a completely different film. If you are a kid, please ask mum and dad before you watch that one!
Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in it's entire print collection, right? But most of it is like cat videos on YouTube or thirteen-year-olds exchanging text messages about the next 'Twilight' movie.
The other night I went out to have dinner in a London pub and the barmaid had this whole conversation saying, 'You look just like that guy from Twilight'. Every time she came up, she said something like, 'You literally could be his brother'. But she never put two and two together.
To be completely honest, I didn't know Twilight was a book. I thank God for Ashley Greene [who plays Alice Cullen]. She's like, 'Did you read the books?' And I'm like...'What books?' But they were easy reads so it was fine. Emmett's such an easy guy, so it was awesome to play him.
When the sunset of life arrives, and its twilight shadows fade away; while dreams of the next begin to appear more vividly; may the inner-light essence of the Buddha, and all the radiant awakened ones, continuously guide us onwards and upwards, on the path of spiritual enlightment.
And from the phlox and mignonette Rich attars drift on every hand; And when star-vestured twilight comes The pale moths weave a saraband. And crickets in the aisles of grass With their clear fifing pierce the hush; And somewhere you many hear anear The passion of the hermit thrush.
He raised his hand, hesitant, conflict raging in his eyes, and then swiftly brushed the length of my cheekbone with his fingertips. His skin was as icy as ever, but the trail his fingers left on my skin was alarmingly warm - like I'd been burned, but didn't feel the pain of it yet.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting flash, of the splendor of things.
You’re not asleep, and you’re not dead. I’m here, and I love you. I have always loved you, and I will always love you. I was thinking of you, seeing your face in my mind, every second that I was away. When I told you that I didn’t want you, it was the very blackest kind of blasphemy.
It's been amazing to play the same character through so many adventures. And it's so strange because my life has changed so much over these years, but 'Twilight' and Edward Cullen will always be a part of me. It's been my whole life. My whole 20s. And I wouldn't have it any other way.
You know, I keep having this really weird feeling that you’re going to take me someplace later and tie me up so that your friends can come laugh at me. (Channon) Does that happen to you often? (Sebastian) No, never, but this night has the makings for a Twilight Zone episode. (Channon)
The folks who want to be left alone are the ones who actually get most of the work done, but they’re still mocked as drones or beavers or trolls. That’s bad enough, but now technology is helping the extroverts in their long twilight campaign against actually concentrating on anything.
I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
With 'Twilight,' you have these massive tomes that you have to condense. With 'Penoza,' we had an eight episode Dutch series that, just for the pilot alone, I condensed three episodes. So, there's a lot of filling in and a ton of invention that has to happen to fill out eight episodes.
I think fans are just obsessed with the 'Twilight' saga and then within it they might have preferences between if they're Team Jacob, Team Edward or Team Jasper. It just comes down to them loving the whole thing, and if they can get any of the boys from the book they are fine with that.
Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.
As nightfall does not come at once, neither does oppression. In both instances, there is a twilight when everything remains seemingly unchanged, and it is in such a twilight that we all must be most aware of change in the air - however slight - lest we become unwitting victims of darkness.
I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'
I think the rapid rate at which people started caring and paying attention, because it's just something that I don't think you can really prepare for - there's no textbook on it. Just the amount of interest that people have in me and Alice and the "Twilight" series and the rest of my cast.
I'll decide to do a movie and then go oh, like "Twilight" fans are probably going to react to this or whatever. But that's always an afterthought. Like I don't plan things out based on other people's opinions of how like I think they're going to receive them. I do it like for the experience.
It wasn't on my agenda, but the thing about getting important awards is it makes the adventure of your career have a little more possibility. I think just what's happened so far is already making the opportunities more interesting, even though I'm at the twilight of my career of like 48 years.
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others -- poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner -- young clerks in the dusk, wasting the most poignant moments of night and life.
Also, there's the caliber of actors that we keep getting. Lorraine Bracco plays my mom and Chazz Palminteri plays my father, and Brian Dennehy and Donnie Wahlberg have been on the show. And, we've got Billy Burke from Twilight. We've gotten all kinds of fantastic actors. That speaks for itself.
In this quiet, peaceful time of twilight there is, in this great circle of life, an awful lot of hunting and fishing and catching and killing and dying and eating going on all around me. As the old fisherman said, 'That's the way with life. Sometimes you eat well; sometimes you are well-eaten.'
Lastly, the great uncertainty of all data in War is a peculiar difficulty, because all action must, to a certain extent, be planned in a mere twilight, which in addition not unfrequently — like the effect of a fog or moonshine — gives to things exaggerated dimensions and an unnatural appearance.
What heart has not acknowledged the influence of this hour, the sweet and soothing hour of twilight, the hour of love, the hour of adoration, the hour of rest, when we think of those we love only to regret that we have not loved them more dearly, when we remember our enemies only to forgive them.
The couple of years before I was declared bankrupt were the roughest. The bank letters, the pressure, the stress was awful. You're in this twilight zone of not knowing where your life is going, and yet you're in Westlife. Everything was great with the band. I was earning money, and it looked good.
My goal all along has just been to work and support myself. I've been really lucky to walk away from the 'Twilight' series unscathed. Somebody asked me recently what it's like to be a star. I thought that was the strangest question. If you saw my day-to-day life, the word 'star' just doesn't apply.
In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.
I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.
Life is good to those who know how to live. I do not ever hope to accumulate great funds of worldly wealth, but I shall accumulate something far more valuable, a store of wonderful memories. When I reach the twilight of life I shall look back and say I'm glad I lived as I did, life has been good to me.
There are very few horror shows, where you have a long running arc. Most horror shows play as a sort of an anthology. Buffy - a terrific show - had the-demon-of-the-week. Twilight Zone - X Files - these things had an anthology approach. Our show is a long running drama with the same creatures every week.
I want to act for the rest of my life - and I also want to pursue directing. Watching Bill Condon direct 'Twilight' kind of made me think, 'OK yeah, I really want to do this now.' This idea that you can make an image in your head and be in full control of how it comes out - I thought that was really cool.
I have always been fascinated by the poetic condition of twilight. By its transformative quality. Its power of turning the ordinary into something magical and otherworldly. My wish is for the narrative in the pictures to work within that circumstance. It is that sense of in-between-ness that interests me.
Filming 'Eclipse' - Eclipse was my favorite book so I was really excited to start filming the movie. I just love that it's the height of the love triangle. 'Twilight' develops Edward and Bella's relationship, 'New Moon' develops Jacob and Bella's and in 'Eclipse,' the three of them are physically together.
You can relax more when you're playing a silly character than when you're playing a really rigid character. But to be fair, I think George Clooney is a bigger teenager than any of the 'Twilight' cast. He's the guy throwing a football at your head and then hiding around the corner, pretending it wasn't him!
When the mind's eye rests on objects illuminated by truth and reality, it understands and comprehends them, and functions intelligently; but when it turns to the twilight world of change and decay, it can only form opinions, its vision is confused and its beliefs shifting, and it seems to lack intelligence.
There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.
Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou seest the twilight of such day, As after sunset fadeth in the west, Which by-and-by black night doth take away.
Much of my crying is for joy and wonder rather than for pain. A trumpet's wailing, a wind's warm breath, the chink of a bell on an errant lamb, the smoke from a candle just spent, first light, twilight, firelight. Everyday beauty. I cry for how life intoxicates. And maybe just a little for how swiftly it runs.
The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is, 'It's insane! And, as a person, I can't do anything!'
Many books belong to sunshine, and should be read out of doors. Clover, violets, and hedge roses breathe from their leaves; they are most lovable in cool lanes, along field paths, or upon stiles overhung by hawthorn, while the blackbird pipes, and the nightingale bathes its brown feathers in the twilight copse.
My favorite thing to do in L.A. is to be in a car with friends listening to music. The perfect time is twilight, when the setting sun is filtering through the palm trees. Back in the day, we'd be listening to the Vandals, X, or Farside. Now it would be L.A.-based bands like Dum Dum Girls, Foxygen, or Ty Segall.
Right now I'm in 'Twilight' and I go around to signings and there are people screaming and crying, and it's so surreal. I know that when this is over in a month or two and whenever 'Twilight's no longer relevant, that doesn't live on for me. It's because of this. It's not very often that this happens for people.
I honestly haven't seen a lot people since we wrapped, really, but it's one of those things when you don't see someone for three months and then you pick right back up where you left off. I think Twilight is very special circumstance, and a special thing to be a part of, so there's this weird connection to have.