Quotes of All Topics . Occasions . Authors
The mental capacity of a person to make reasonable contracts, is the only criterion, by which to determine his legal capacity to make obligatory contracts. And his mental capacity to make reasonable contracts is certainly not to be determined by the fact that he is, or is not, twenty-one years of age.
Positive, healthy, loving relationships in your twenties... I don't know if anyone would disagree with it: I think they're the exception, not the norm. People are either playing house really aggressively because they're scared of what an uncertain time it is, or they're avoiding commitment altogether.
Yes, victors are our strongest. They're the ones who survived the arena and slipped the noose of poverty that strangles the rest of us. They, or should I say we, are the very embodiment of hope where there is no hope. And now twenty-three of us will be killed to show how even that hope was an illusion.
When I was very young, I started to make friends with much, much older people. So when I was twenty, my friends were fifty, and I never really went through forty because I would watch them die and I would feel younger. So you make friends with older people and you will always feel young no matter what.
In the theatre, words are eighty to eighty-five percent of the importance of what is happening to you for your comprehension. In film, words are about twenty percent. It's a different figure, but it's almost an opposite ratio. For the words are only a little bit of embroidery, a little bit of lacework.
Twenty million jobs is what we call for in the Green New Deal, which is essentially a New Deal focused on greening the economy on an emergency basis. So it's 20 million jobs, which are mixed, private sector, nonprofits, government jobs where others will not do the job and will not create the employment.
I've always been passionately in love with movies, to such a degree that even as a young person of about nineteen or twenty I thought maybe I would try to become a film director. The reason I didn't do it was because I felt I didn't have the right personality. At that time in my life, I was mortally shy.
My husband is not American. He was born in Brazil, where he grew up under a filthy, corrupt dictatorship. In his twenties, he moved to Europe, where he lived for a while under various socialist democracies. He spent a few years on a kibbutz in Israel, living out a utopian experiment in communal existence.
Twenty years ago, when you bumped into someone and asked how they were, they would say, 'Mustn't grumble' or 'Getting by': now they feel obliged to say 'Just great!'. In both cases, the reply is just a social nicety, but the framework has changed, it's as if it's become a social duty to express happiness.
John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.
I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.
You wake up in the morning, and lo! your purse is magically filled with twenty-four hours of the unmanufactured tissue of the universe of your life! It is yours. It is the most precious of possessions. No one can take it from you. It is unstealable. And no one receives either more or less than you receive.
In study at the Mayo Clinic covering fifty consecutive young women with hypothyroidism, twenty-eight has menstrual disturbances. Abnormally profuse menses was a common disturbance; frequent bleeding between periods was another; in some cases, both problems were present. Thyroid therapy relived the disturbances.
Everybody's constantly growing. In your twenties, you can learn a lot, and you can be very smart and clever and savvy. Especially these kids today. They seem like they have it all together. But let's talk to them again when they're 40 years old and see really who they are. Is it who they thought they were at 25?
I didn't go to many movies. My mom would make a family outing and bring chicken in the theater. Smell up the whole place. The most impactful movies were 'Godfather II' and 'Scarface'. I loved the human complexity, and those movies are so well shot. Cinematic greatness. I really stopped going in my early twenties.
In my research, I learned that the way these twenties pieces are constructed, in one garment, can be very simple, and in others they can be very complicated. That's what made an elusive fit that we can't always get these days. Knowing this, I would like to share some of these secrets and use them in a collection.
I looked back on the roaring Twenties - with its jazz, 'Great Gatsby,' and the pre-Code films - as a party I had somehow managed to miss. After World War Two, I expected something similar, a return to the period after the first war, but when the skirt lengths went down instead of up, I knew we were in big trouble.
What can rulers, nobility and all the lords of the earth say to justify the horrible killing and maiming of twenty or thirty million valuable men who a short while ago ploughed, dug, wove, built, guided the traffic of the world, took their pleasure, loved their fellows, cherished their families, and feared naught?
...if [the 9/11/01 attacks] had happened to the Russians, about three major cities in the Middle East would have been parking lots in twenty minute and they wouldn't have worried about the consequences because there would not have been any because the remaining terrorist states would have said 'we get the message.'
When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'
I am pleased to say that I am not a tortured comedian - I laugh a lot. My twenties weren't particularly happy, but it's the same for a lot of people. In your thirties, you realise that your life and your worries are really insignificant, and you have to force yourself to be more positive and take each day as a gift.
I wonder what especial sanctity attaches itself to fifteen minutes. It is always the maximum and the minimum of time which will enable us to acquire languages, etiquette, personality, oratory ... One gathers that twelve minutes a day would be hopelessly inadequate, and twenty minutes a wasteful and ridiculous excess.
I am haunted by what my life would have been had I not had the courage in my early twenties to leave Pittsburgh for New York City and really commit to being a writer. Pittsburgh is both post-industrial and provincial, and the opportunities there are limited. It would have been quite easy to simply drift through life.
Actually what is happening in the twenty-first century, this is the great century of migration, so we have people from all around the globe going all over the place, and they have to integrate into a society, that society that exists has to integrate with them. Both sides have to work at it. It's not a one-way thing.
I've read some of Kurt Vonnegut letters from when he was young. He was a prisoner of war, and even when he was in his early twenties, there were things mentioned that showed up in his novels. One of the sweetest things in those letters was him wanting to be a writer but doubting himself, not having confidence in himself.
I now have the experience of life and all I've seen. I came in when I was in my twenties and I wasn't prepared to be an actor. Then there was my sabbatical, my accident and I was single-parenting my kids. Your mind expands, you become mature and you feel liberated. I don't care about being conventional. I want to be daring.
Your post-college years should be an exploratory time in your professional life. From your early twenties and on into your early thirties, you should feel free to explore your professional prospects. Keep an open mind, and don't expect to get everything right straight out of the gate. Be prepared to start over once or twice.
When you're in your twenties, you're made of expectations, and when they're shattered, you don't know how to behave. The fact is if you react really outraged, you fear that you'll get dropped and feel even more terrible. But there's only a certain amount you can put up with before you become obnoxious in your own eyes, right?
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
I think Bob [Dylan] told me that he turned down twenty interviews that year, and I was the only one that he sat down and did an interview with. And, he said that it was one of his highlights, and it was one of my highlights. And, I was very glad to talk with Bob. I found out that he was a good fan of mine, and that tickled me.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
If there was any creature in American culture more derided than the young girl... I know people will argue with me about that, but everything girls are into gets ridiculed. I have a lot of compassion in my heart for girls in their teens and twenties who are going through this particular passage, because I get it. It makes sense!
I went to the circus, and loafed around the back side till the watchman went by, and then dived in under the tent. I had my twenty-dollar gold piece and some other money, but I reckoned I better save it.... I ain't opposed to spending money on circuses, when there ain't no other way, but there ain't no use in wasting it on them.
Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.
My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.
I think that when you're in your twenties you think about your future, when you're in your thirties you're raising kids and you think about their future, but when you get to a time when you are diagnosed with any kind of life altering illness, what did you take away from it? And what I took away from it was how to live in the "now".
You do certain things in your twenties that are just not appropriate in your thirties and certainly not appropriate in your forties. Eventually you even the scales, and it's time to move on and become an adult and start working hard again and going to sleep a little bit earlier. Fortunately, I got a job to facilitate that transition.
But to carve the Grand Canyon, Earth required millions of years. To excavate Meteor Crater, the universe, using a sixty-thousand-ton asteroid traveling upward of twenty miles per second, required a fraction of a second. No offense to Grand Canyon lovers, but for my money, Meteor Crater is the most amazing natural landmark in the world.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
Leadership is the great challenge of the 21st century in science, politics, education, and industry. But the greatest challenge in leadership is parenting. We need to do more than just get our enterprises ready for the challenges of the twenty-first century. We also need to get our children ready for the challenges of the 21st century.
I never pursued anything in terms of performing comedy until I was in my twenties. I was basically forced into it by a couple of my friends who were starting a sketch troupe and thought I'd be good at it. I was kind of terrified by it, but I gave it a try. I am so grateful to those guys for believing in me and viciously twisting my arm!
In my twenties I would be skeptical of a bad haircut, but once you turn thirty it's more about whether he a nice person and does he open the door for me. Once you turn thirty-five, it's more about would he make a good father. And even if you're just liking somebody and digging on someone, I think you can't help but think in those terms.
I spent a lot of my twenties wanting a maid, really. I thought I wanted a relationship, but I just wanted somebody to fix and nurse me, and I'd take her hostage for six months. When you're 23, 24, you want to be in a relationship because they look brilliant - you've heard all the songs about it and seen all the movies and it looks great.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.
If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most. Unlike the scientist, the artist has reentry problems that are frequent and catastrophic.
At age nine, I got a paper route. Sixty-six papers had to be delivered to sixty-six families every day. I also had to collect thirty cents a week from each customer. I owed the paper twenty cents per customer per week, and got to keep the rest. When I didn't collect, the balance came out of my profit. My average income was six dollars a week.
None of the pictures I take a risk in cost a lot, so it doesn't take much for them to turn a profit. We don't deal in big budgets. We know what we want and we shoot it and we don't waste anything. I never understand these films that cost twenty, thirty million dollars when they could be made for half that. Maybe it's because no one cares. We care.