Quotes of All Topics . Occasions . Authors
I'm not the sort of bloke who spends a long time in the bathroom. I've never used a face cream in my life and I don't like it when I go on TV and they offer me make-up. I tell 'em, 'No thanks.'
I loved planning 'The Tyra Show' more than actually having to do it. I loved coming up with show ideas, honing each program and crafting it. I'm more excited being in a meeting than being on TV.
Every area had their own superstar. The TV was not national, it was localized. So you could develop in one place, or the next place and be a better star, go to the next place and be a superstar.
I got the chance to do things that I dreamed of when I was a kid: I got to travel around the world; I had my own 'Goosebumps' attraction at Disney World; I've been on TV and had three TV series.
I should be a success and I'm not and other people- younger people- are. Younger people than me are on TV and getting their lives in order. I'm still a nobody. When am I going to not be a nobody?
Downton Abbey is the most popular drama in the history of public television. When the whole of the TV universe is fragmenting, that isn't just impressive. It's almost impossible. But here we are.
Fear is the most valuable commodity in the universe...Turn on the TV...What are you seeing? People selling their products? No. People selling the fear of you having to live without their products.
Just as you can't become a marathon runner by watching marathons on TV, likewise for science, you have to go through the thought processes of doing science and not just watch your instructor do it.
The people who are doing really well and who are getting stopped in airports are the people who are going to say the more outrageous things and get on TV and state their opinion on a regular basis.
You might make a lot of money, but it's very hard to get out from under that rug. The more you can reinvent yourself, the better - and unfortunately TV is designed not to let you redesign yourself.
I even found it difficult to watch myself playing on TV because I couldn't identify with the person on the screen. I couldn't get to grips with it. It was as if it was all happening to someone else.
I don't think there are huge divergences between my personality and what they see on TV. And I think that's why I have been gainfully employed doing this. I'll always deliver what an employer wants.
When videotape came so a lot of movies that I do have a kind of afterlife in video. Things where movies that I do would come and go; they still come and go but you can go rent them and see them on TV.
Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.
When I've had hard times in my life, the one thing about being in TV is that it's positive. I withdrew to 'Cheers,' it was familiar in that it was family. It had a kind of realistic positiveness to it.
I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.
Basically what they're saying is, if you want to be on TV, if you want to be a credible candidate, you've got to buy ads. And if you're not buying ads, you're not a credible candidate, we don't cover you.
Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first took the plunge with it, it was considered controversial to put animation on prime time.
TV is generally an unfriendly environment for directors because you're expected to come in and tell a story in the voice of the show that already exists, and just fill in the blanks and then submit it back.
When you have been in TV and performing for as long as I have, you realise that you probably entertain in your sleep too... as for my catch phrase, I didn't actually say so much 'Can you see what it is yet?
I like to turn on the TV and watch whatever's on. Nick Kroll does that a lot. He doesn't watch important shows. He'll just turn on a documentary on Mia Hamm and watch it for an hour. Whatever's on, we watch.
I can't narrow either one down to just one thing. I've rolled the dice and had both success and failure. I can tell you that right now we're on a roll with the talk show. Everything is good with the TV show.
If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.
TV show's really quick. You're in, you're out. A film usually takes a lot longer. However, a voiceover is very much like TV in the sense that it's really quick. For example, I did the movie Planes in one day.
There were TVs everywhere. When we weren't on stage, we were watching what America was watching and rooting for each other and our leading lady. That experience was incredible, and I was just enjoying myself.
I left Britain in the mid-1990s when TV was going down the cundy - another good Dundee word - because I wanted a film career. But as I get older, I find myself being drawn back to my roots, and I'm loving it.
The Sookie Stackhouse novels were selling well before the TV show, but the TV show led to a lot more exposure and readers. And a lot went on to read my other work. It was a wonderful thing for my bank account.
I wouldn't wear turtlenecks. That I'm not envious of. But who knows? I might sneak out a few things and hope and pray that no one says, 'Hey, didn't you wear that when you were playing an enormous geek on TV?'
I was super skeptical about doing TV. I said no three times, part of which was confidence because I didn't really understand that world. I know how to climb mountains and do all that, but I wasn't a TV person.
You don't really know when stand-up material is TV ready; it's just at what point you're willing to let it go and not work on it anymore. I'm not sure there is a point at which you think: 'And that is finished.'
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
To me, Modest Mouse is one of the best bands ever. I actually wasn't surprised that they made it big. It's always weird to see it happen, and it happens so fast, all of a sudden songs are in the background on TV.
The television industry claims they are only reflecting society with their programming and have no influence on behavior. If that is the case then why do businesses spend millions on TV ads that have no influence?
When the politicians complain that TV turns the proceedings into a circus, it should be made clear that the circus was already there, and that TV has merely demonstrated that not all the performers are well trained.
Frasier and Friends and Seinfeld, they all pissed each other off, said the wrong thing, drove each other nuts, but in the end, it turns out they'd do anything for their friends. TV Land has really found that formula.
We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.
I have a phobia of checking voicemail. I watched a lot of TV as a kid, and everything is, like, you're gonna get kidnapped, or somebody's gonna die, or killer bees are going to take you out. I'm a very anxious person.
There's no reason the story of Christianity wouldn't be more prevalent in film and television considering the audience size who love and believe the stories. This is a broad audience and deserves to be on broadcast TV.
I had starred in TV movies without much artistic value. They gave me a certain range. I knew that I was going to continue my studies, but I wanted to try something else on the side. I wanted to see what would come of it.
It`s the nature of cable news that we [TV hosts] do a lot of clipping and quoting of other broadcasts and outlets, sometimes to make a narrative point, sometimes to make a political one, and sometimes just to make a joke.
I would love to have seen a male-female relationship that had nothing to do with falling in love, I'd love to prove, even on TV - even if it's not true! - that men and women can be friends without any kind of involvement.
With reality TV, sometimes it's amazing chemistry and you get these gems that turn out to be everything you hoped, and the camera loves them and they just blossom on the show. And then sometimes it's not all you envision.
I love it when you have a lull in the day and you turn on the TV and a random movie is on that you either have never seen or haven't seen in years. Like "Coming to America" (1988) or "Misery" (1990) or "Moonstruck" (1987).
We're living at a time when attention is the new currency: With hundreds of TV channels, billions of Web sites, podcasts, radio shows, music downloads and social networking, our attention is more fragmented than ever before.
I admire the Shabbat tradition, and no matter which faith you are of, there is nothing more wonderful than dedicating a certain day to spend time with your family and loved ones, absent of TV, phone, and other interruptions.
Anything can happen anytime in markets. And no advisor, economist, or TV commentator-and definitely not Charlie nor I-can tell you when chaos will occur. Market forecasters will fill your ear but will never fill your wallet.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.