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When I was on TV in the '80s, I wasn't thinking, 'There's a 10-year-old kid watching this and in 15 years, he's gonna be doing stuff that was influenced by me.' I was trying to get my five minutes together. So now that those people are comedians and they're influenced by me - it's bizarre.
I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.
I like America; I enjoy being there. Some people can't stand the insincerity - I love the waiter asking me how my day has been, the can-do culture there. I love the fact that again, you are visible in America. You turn the TV on, there are black politicians, black policemen, black soldiers.
I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
A lot of people celebrate their past, but I don't look at it all. I don't Google myself; I focus on the future. This is a volatile profession, and the moment you start thinking you've got something, that's when the floor beneath you falls through, so I hope to make more movies and TV shows.
Then as I was wrestling as Terry Boulder. I was on a talk show with Lou Ferrigno, and I was actually bigger than he was! I went back to the dressing room that night and all of the wrestlers go 'Oh my God you're bigger than the hulk on TV' so they started calling me Terry 'The Hulk' Boulder.
We often talk about this VAR, this new technology. It's very important new technology. On the pitch maybe it's not clear. You cannot see... maybe from another angle in front of the TV it's much more clear. But it's, as always, football. It's easy to be much more polemic about this and that.
Governance is complex, difficult, and on the whole, thankless - why ever should the Bright Young Things leave the management of their hotels, newspapers, banks, TV channels and corporations to join, like fleas on a behemoth, the government? Wherein lies the difference between the two worlds?
I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
I would be sitting in my flat watching TV, and 'Doctor Who' would be on with my flatmate there. I would have loved to share the fact that I was the new Doctor, but I couldn't. I was going mad. My dad was rather flabbergasted. When I told him, he laughed. He was excited, elated and very proud.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
My very first job was something called 'Nobody's Watching,' that Bill Lawrence who created 'Scrubs,' it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, I've been so itching to get back to that kind of environment and just to be involved with comedy.
The thought processes that go through my head when I'm playing a game compared to the thought processes in real life are very, very different. And they're more interesting to me than what you think about when you're doing the dishes, cleaning the yard, watching TV, driving or watching a movie.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
We are not a TV station that only concentrate on those who are always under light. We are not a TV station for celebrities and for grand politicians and superstars. We are a TV station for the ordinary person. The normal people, ordinary people in the Arab world sees Al Jazeera as their voice.
I am alone a lot, which is good. I need that time to just be alone after a long day, just decompress. So, I go to either my house or the hotel, or my apartment, or whatever - wherever I am, I go home and I watch TV and I sit there, with my cat, and I just watch TV or go online, check my emails.
The American television industry is a Darwinian environment where success is usually measured in inches, not yards. That is, for most TV media, audiences have gotten so small that one measures 'victories' in tenths of a point - as in, a 2.2 percent share is a great leap over a 2.1 percent share.
No matter how many times you've seen the movies and the TV shows that have a protagonist leaping in the path of a bullet, physics forbids such sacrifice. Because of a bullet's radical speed, you can't jump in front of it, but you could get in its way. It's not as dramatic, but it does save lives.
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
When TV came, people said who will go to theatres to watch movies? When the Internet came, they said the same. And now it's the digital media... The doomsday predictions are always there but I don't think people will stop going to cinema halls because that is one experience you can't get at home.
TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.
If you want to be an actor, you must have total, ruthless commitment to your art. Don't be ambitious for fame or TV or movies. Art is a jealous mistress and will brook no competitors. Study all the time. Never stop reading. Never stop learning speeches. It will fill you up - define and refine you.
While I was recording 'Ziltoid,' the movie 'Mars Attacks' came on TV, I think, six times in one week. So I don't know if there's any direct references or anything, but the aesthetics of that movie was definitely around while I was creating the music, so I'd be lying if I said it wasn't part of it.
Whatever happened to books? Suddenly everybody's talking about these 100-hour movies called 'Breaking Bad'. People are talking about TV the same way they used to talk about novels back in the 1980s. I like to think I hang out with some pretty smart people, but all they talk about is 'Breaking Bad.'
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
I was 14-15 when I first saw Michael Jackson dance, and I thought, 'How can he move like that?' I started following him. We didn't have TV in those days, and could access videos on VCR. But who in Gujarat would keep a MJ tape? After a year or so, I knew somebody from Mumbai who got that tape for me.
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke. Liz Taylor drinks Coke, and just think, you can drink Coke, too.
If you make the decision to send your kid to public school don't even look at private schools. Just shut the door. Just turn off the TV. And then you don't even have to worry about preschool. You have to worry about what's good for your kid, but you don't have to worry about how to position yourself.
Unsurprisingly, an uninterruptible power supply (UPS) - once a luxury for room-sized computer installations - is now a standard item both in home offices and all the networked tiers above, protecting servers and online service providers, Internet backbones, phone companies, and even cable TV networks.
A few years ago you couldn't go from TV to film. It was like a 'no no' but I believe when you find a plan and purpose that God has for your life, there's not anything man can do to you. Especially when your faith is not really standing in the wisdom of man, you're really standing in the wisdom of God.
I tend to think that the whole concept of, 'I saw this TV show, and someone was wearing this sweater, and now I'm going to buy that,' it's something that's been talked about for a long time, but I've never really seen it work. When people are watching an entertainment show, they want to be entertained.
Elvis used to have parties at his house - and I've told this story a million times - but they weren't really parties, because there was no chips or dip. Just Elvis and his boys watching TV, and him making funny comments, and everybody laughing at them. Is that a party? Not really. But that's Hollywood.
I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a great era of TV. We all know that, and we hear it all the time, but for filmmakers, it's just a godsend to have your television writing and work to do on television, and the means to do it properly.
I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.
My grandmother worked at one of those Bel-Air mansions, and we would go - not too often, but every now and then - to pick her up. Hollywood was probably 12 miles from my house, but it might as well have been a million miles away. The only time I saw that world was on TV. Until I started making records.
Sitcoms are designed for normal people who just want to turn on their TV and get a laugh. It's not high-brow, you don't have to work so hard, and it's meant to be a relatable genre. That's why I love it so much - my fans are from 8 years old to 80 years old, because everybody can relate to what's funny.
At its best, MTV puts a face to the names, if you know what I mean. I think if you can take the expression of a song much farther, that's great. And it's one of the only outlets there is for artistic filmmaking. But it's a double-edged sword. At it's worst, MTV is just a lot of TV commercials for songs.
I watched World's Strongest Man growing up on TV and I just loved all of that, so I decided to enter a Strongman contest - just for fun. Really. For no other reason than that I just wanted to compete in something and push myself. I ended up loving it from the get-go and also found that I was very gifted.
Most lawyers aren't trial lawyers. Most lawyers, even trial lawyers, don't get their problems solved in a courtroom. We like to go to court. It seems heroic to go to court. We think we're the new, great advocates, better than anything we've seen on TV, and we come home exhilarated by having gone to court.
It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.
If you go on TV and say there's no other country in the world where you can be born poor and become rich, you get a huge megaphone. If you tell the truth, which is that most of the studies show actually the United States is worse than anybody except Britain in upward mobility, there is no audience for you.
I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.
In China, the rules of the market are not always that transparent. So it's very hard. Also, the national TV networks are all owned by the government, so our shows are subject to censorship by the networks. Every now and then, we are told that certain subjects cannot be talked about. There are frustrations.
I'd always vaguely expected to outgrow my limitations. One day, I'd stop twisting my hair, and wearing running shoes all the time, and eating exactly the same food every day. I'd remember my friends' birthdays, I'd learn Photoshop, I wouldn't let my daughter watch TV during breakfast. I'd read Shakespeare.
The hardest part of fame and success is adapting to the people around you that's changing. It changes the way people look at you from how they used to look at you. They listen to you on the radio, they look at you on TV and when people speak on you in a good light, you have a couple people who hold grudges.
Most of the time, I don't even watch what I do on TV. I go in, get the job done, and just know it's nothing. It's a job. Sometimes, I try something different, and I'll watch out of curiosity. Generally, I don't watch too much of what I do. Movies are basically the same, except it's more money spent on sets.
My first job in TV was hosting this young teen magazine show, and all these high school teenagers showed up from all over Sacramento, California, and they chose four of us to host the show, two boys and two girls. And of the two girls, I was kind of the perky smart one and the other girl was the pretty one.