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I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.
I believe - and this is my opinion - that at some point, football is not going to be the No. 1 sport. You talk about the ebbs and flows of what's popular and what's not. At some point, the TV ratings are not going to be there.
When I first started writing for television in the seventies and eighties, the Internet didn't exist, and we didn't need to worry about foreign websites illegally distributing the latest TV shows and blockbuster movies online.
I saw 'Seinfeld' on TV and told my mum that would be something cool to try one day, and she was like, OK, 'Here is a five-year-old telling me what they want to when they grow up' sort of thing, and what would they know, right!
Growing up, I didn't think it would be possible to be an actress - I didn't see a lot of Latina faces on TV or in movies. But that didn't stop me from trying. I realized early that anything I really wanted was worth working for.
I was six years old watching wrestling on TV. I was eight years old watching Ultimate Warrior run to the ring at WrestleMania. I was eighteen years old starting out on a journey in the U.K. wanting to be a professional wrestler.
A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.
Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television.
I think it's touching that the fans feel so close to the characters that they feel personally hurt. I've felt that way in plenty of TV shows - 'Game of Thrones,' 'Mad Men.' How could they do that to that character? That's drama.
Stay the course and keep building an integrated Apple ecosystem of iPhone + iPod + iMac + iTunes + App Store + Apple TV. No one has yet demonstrated they understand how to create an 'experience-based ecosystem' as well as Apple.
TV does not care about you or what happens to you. It's downright bad for your health now, and that's not a far-out concept. I think watching the TV news is bad for you. It is bad for your physical health and your mental health.
I grew up in Mammoth Lakes, and they shot an episode up there, and I was hanging around when I was on the ski team. I was very, very involved in athletics, so I didn't watch a lot of TV, but I definitely watched a lot of '90210.'
I grew up completely overwhelmed by TV, and part of the reason why I have gone into television is as a way to justify to myself all those wasted hours of watching TV as a kid. I can now look back and say, 'Oh, that was research.'
I've been lucky because Hollywood can be harsh and try to pigeonhole you. I've done TV, films, and comedy, done it all... I think I'm spread out evenly among the film community. I've been lucky and keep working with great actors.
Being raised Muslim, we had to get up at the crack of dawn to pray. There was no sleeping in, no getting up Saturday morning to watch cartoons because there was no TV in the house. But you got up and you worked, cleaned the house.
You're only famous in the eyes of others. Inside, you're still the same, and not a hundred million records or TV shows can change that. I think the only pitfall of fame is believing that it means something, and behaving like that.
I remember when I was shooting for my debut show Tashan-e-Ishq,' the first season of Naagin' had just started airing and I used to be so fascinated by the characters. It feels good to be a part of such a prominent franchise on TV.
Even when I was much younger, whatever I did, I wanted to do it to the best of my abilities. When I came home from school, I would be the one doing my homework while my siblings would be watching TV and putting it off until later.
The burden of originality is one that most people don't want to accept. They'd rather sit in front of the TV and let that tell them what they're supposed to like, what they're supposed to buy, and what they're supposed to laugh at.
I was in a TV show called 'Orrible' with Johnny Vaughan, I did the last series of 'Teachers', I did two or three different characters on 'The Bill'. Just stuff like that. The 'Inbetweeners' was the first thing that really took off.
I'm not the 'chosen one.' I'm just one of many who have been given gifts. I can write. I can bloviate on TV. So I'm trying to use the gifts in a positive way. And I believe that's all directed. And that's why I'm here on the planet.
I was blacklisted and overnight my TV appearances dried up. Ed Sullivan called to cancel my appearance and said he'd help me when he could, and a year later he did. Only a few wackos wanted the blacklist. It was a protection racket.
I would never be about waking up early and do morning radio and TV back to back had I not been in the military, where they are throwing a garbage can in the middle of my squad bed at 5 o'clock in the morning for four years straight.
You can binge a TV series or watch a reality show, and they're not innocent. They take a lot of room in your brain, and you don't have any space left for your own thoughts. They give you a scripted reality. It's an ideological tool.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
I don't really do any corporate gigs or I don't really cash in which is a bit silly and much to the annoyance of my family. I'd rather just do gigs that I like and TV shows that I like rather than personal appearances at a nightclub.
Today's Little Leaguers, and there are millions of them each year, pick up how to hit and throw and field just by watching games on TV. By the time they're out of high school, the good ones are almost ready to play professional ball.
I'm lucky because I had blonde hair for a while for this TV show I was doing - they had me dye my hair blonde - and every audition I was going out for was bleach blonde. The mean girl, the pretty girlfriend, and the dumb cheerleader.
My first TV experience, it was so bad. I just didn't feel a creative atmosphere. I felt like we were just pawns to deliver lines. Everyone was telling me that's just television. I said, 'OK, I'm going to stay far away from television!
Honey, unlike the song 'Same Parts' by Tatianna, what you see with Alyssa Edwards is always the truth. She is literally a walking catchphrase factory. She is like an oil out of the ground. She is reality tv, and I absolutely love her.
One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
When I was in third grade, I would run home - literally run home from school - and if I could make it in time, I could get home and the put the TV on in time to catch the answering machine message at the start of 'The Rockford Files.'
There is nothing more unpleasant than watching someone on a TV or movie set act like they are entitled to a particular kind of treatment just because they have been doing it for longer. We are all in the same boat - one job at a time.
My own musical ambitions were born when I was five, watching the Ed Sullivan Show on TV. When Elvis Presley burst on to the screen, singing 'Don't Be Cruel,' I felt my first sexual thrill, though I didn't know what it was at the time.
I'm somewhat of a socialist in the sense that I believe in housing for the homeless and medical care for all. So, for me, the American dream has been having a TV show, and being successful and having a nice house and having everything.
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks, and then it disappears into thin air.
I've worked every job under the sun, from waitressing in my teens, to clocking hours on a construction site in London (I have degrees in quantity surveying and construction). I modelled on the side and starred on reality TV in Ireland.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasn't that fat, and I would get on a diet, quickly.
Movies and television show build on top of each other, succeed one another. In a large way, in terms of filmmaking aesthetics, they evolve because they can't help but be a consequence of all the movies and TV shows that came before it.
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.
I don't know what the fascination is with 'Jersey Shore,' the show. I grew up going to the Jersey Shore and I think it's an incredible place to vacation. The show, I think people like to see crazy TV, and that's what the fascination is.
I was always looking ahead. I used to do all kinds of things for entertainment. When I was young, we had no radio, no TV. We were 30 miles from the public library, out in the sticks in Western Kansas, and so I'd do arithmetic exercises.
When I see fans in the street or at meet-and-greets, it's great. Sometimes they want me to be that person they see on TV, take a picture with a hand in their face or ask me to 'be mean like you do.' But I can't play that character 24-7.
I am blessed to be doing what I do. So if I have to be at a photo shoot, do an interview, or make a TV appearance, I am not going to sit around whining and complaining about how I don't want to get up early or I don't feel like talking.
I used to write in school a lot; I always liked it and used to write on my own, comic books, come up with alternate story lines to the stuff I watched and read, a lot of books and TV, episodes of 'Twilight Zone.' I didn't think about it.
You know, when you don't go on TV and talk about how many women you sleep with, some people in Hollywood, that are supposedly 'in the know,' start whispering that you're gay. If I were gay, I wouldn't be ashamed to admit it, but I'm not.
Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.
TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.