Quotes of All Topics . Occasions . Authors
'The Simpsons' from the very beginning was based on our memories of brash '60s sitcoms - you had a main title theme that was bombastic and grabbed your attention - and when you look at TV shows of the 1970s and '80s, things got very mild and toned down and... obsequious.
My dad even likes to give me career advice. I'll let him know about some offers about films and TV shows that I get, and he'll ask me questions like, 'What's the money like?' and 'Who got this for you - was it your agent or manager, and what are they getting out of this?'
It's nice to be able to work; I'd love to be able to do another TV show I could do in Chicago so I could live and work in the same place. It's hard being a parent and being in a good marriage, and it all takes a lot of work, but if you're not there you can't do any of it.
Growing up, I never knew that Raffi turned down celebrity endorsements, TV shows, and specials and refused to make merchandise, but it makes sense given how I think about him: My memories are limited to his voice through the record player and the album covers I stared at.
I'm always telling people baseball needs to be more prominent in the African American community. What a better way to do so, going on these TV shows and appearing on the cover of this or that. Now kids can see how baseball can change your life. Frank Thomas did that for me.
The bigger budget films only shoot about a page or two a day, so there's very specific amount of time spent on detail and getting each tidbit exactly how they want it. In a movie or TV show, you shoot eight or ten pages and you aren't afforded as much time to do each scene.
Of course, on a job, you have a shared common interest in the fact that you're there making a movie or making a TV show, and that creates unification within a group. There has to be something more than just the work for that to continue on, for that friendship to continue on.
One day it was that I wanted to go make a movie with my kid and then another day it was that I wanted to climb Mt. Kilimanjaro and another day it was that I wanted to sit in the studio and figure something out. All those things manifested themselves into what the TV show was.
I do a lot of voice over for Japanese anime titles as well as live-action stuff and original stuff from the States. 'Legion of Super Heroes,' 'New Wolverine: The X - Men' animated series, 'Afro Samurai' and some live-action stuff, TV shows here and there - I like to mix it up.
Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.
I've always got five or six things that would either make a good feature or TV show. And you just never know. You go and you pitch and it may be exactly what they're looking for, or they may stop you after two sentences and say, "Oh, we've already done something just like that."
Since the market tends to go in the opposite direction of what the majority of people think, I would say 95% of all these people you hear on TV shows are giving you their personal opinion. And personal opinions are almost always worthless … facts and markets are far more reliable.
We made satires of everything - news broadcasts and TV shows that we watched. When I look at them now, they are totally amateurish, but I find it quite remarkable that we were so skeptical of the world! My parents watched them and thought they were funny; they really encouraged us.
I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
In Chinese culture, it wouldn't occur to kids to question or talk back to their parents. In American culture, kids in books, TV shows and movies constantly score points with their snappy back talk. Typically, it's the parents who need to be taught a life lesson - by their children.
You can say "ass," but you can't say "asshole." That's why I always cringe when a character in a TV show refers to someone as an "ass." Unless you're British, calling someone an ass really doesn't work. But those are the rules of television. You can be a dirtbag, but not a scumbag.
It's been quite the experience for two brothers who were Orthodox Jews in Brooklyn, who had no idea that they were going to end up in the entertainment industry. To be where we are now, making features, TV shows and getting a hundred million views online is kind of an amazing thing.
I've had a great run and have been blessed not only with a great career, but also, thanks to all of you nice people buying video games, t-shirts, action figures, collected editions - and watching all those movies and TV shows - my royalty income allows me financial security for life.
We now have a generation of people who in many cases feel that if they become chefs, they'll get a TV show. They have a signature haircut, a year into the business, or a branding arrangement with a shoe company. I don't really relate to that. I guess this is the world we live in now.
What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.
I'm a big fan of PlayStation 4. I like watching movies, TV shows, comedy specials, and listening to comedy albums and music. I'm also a big fan of getting coffee with a friend or catching up on the phone with people I've known for years, people who keep me grounded, who knew me before.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
With any of the movies I've had a chance to do, or any of the TV shows I've had a chance to contribute to, people approach me and say, 'Hey, would you like to do this?' I laugh out loud and say, 'Yes, that'd be funny.' Or, I'm very moved by what I read and say, 'Yes. How can I help you?'
I was on some TV shows with Lady Gaga the other week, and you could see the difference in reaction between her fans and my fans outside. She comes out, and she looks like a star, and the reaction is just tears, crying, people going, 'Oh my God, Oh my God.' My fans are like: 'Alright, Ed.'
It was really great to also see the response that people were having to 'Treme' 'cause you're in a vacuum when you're on a TV show. You see the response online, you read about it and all of that, but actually to be live and have that many thousands of fans come out, it's really wonderful.
As an artist, what you do is you put out material constantly. Whether it's films, or TV shows, music... and you know, you hope people respond to it. You always have to know, as well, that not everybody's gonna like it. And that's okay. It's not for everyone. It's just for the crusty nugs.
It's a difficult line to tread, where sometimes you go to the movies or you watch someone do publicity for movies or TV shows, and they do all the jokes that are good in the promotion of it, and you see the movie, and you're like, 'I kind of get it already. I'm not that psyched about it.'
If I only did TV show, I'd probably not be the happiest girl. I love the show, but I'm an actor and I want to work on different things. TV lasts for so much of the year that you're just aching to play a different part. And I love movies so much that I want to be a part of as many as I can.
A lot of people celebrate their past, but I don't look at it all. I don't Google myself; I focus on the future. This is a volatile profession, and the moment you start thinking you've got something, that's when the floor beneath you falls through, so I hope to make more movies and TV shows.
I love going to work, doing acting. I love when I'm done with a movie or a TV show. I love hitting the road or being in the studio or going on tour. That's what I get off on. I don't need to have my business in the press and all that stuff. I'm pretty low key. It's all about the work for me.
Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.
Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.
People ask me all the time what it is about Australia that produces so many big stars. Honestly, I believe it is a combination of things. Our education standards are quite high, but our industry is very limited. Yet we're very aware of the industry - everyone goes to the theater, sees TV shows.
Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.
You see, I'm a believer in the rhapsodic. I like things that are happy. For no particular reason, I just like them. Most people don't seem to be like that in this particular place, in this world. You can tell by what they focus on. Read a newspaper, watch a TV show, go to a movie, look at a life.
No matter how many times you've seen the movies and the TV shows that have a protagonist leaping in the path of a bullet, physics forbids such sacrifice. Because of a bullet's radical speed, you can't jump in front of it, but you could get in its way. It's not as dramatic, but it does save lives.
I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows.
This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.
I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
The production companies and some of the networks reached out as well. I don't really know what triggered it, but I think what happened over time is we started to create its own fanbase [for the videos]. It's been a long process to get this TV show ["This Is Mike Stud"] right, but I'm glad we did it.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
If you're in a popular TV show, you can attract attention, and I like to help focus that on stories that deserve to be told - which is what politicians do. But I would lose my autonomy, and to get things done I would have to compromise and get into the weeds of policy. I don't know if I'm smart enough.
Yeah, my dad was in the foreign service. We lived in India, Indonesia and Africa, and we traveled a lot from those places. I was 10 when we moved back, and I felt like the odd guy out. It wasn't until later that I appreciated it. But coming back I didn't know any TV shows or music, which was even worse.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
I must say, I always - from experience, when I watch TV shows and I see characters leave without a proper explanation or leave with not enough time, I get irritated. I like it when there's a clean-cut reason or a defining moment where they have to go. Whether that's death or not, I think that's subjective.
I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.
I was watching Batman, the TV show, on TV Land, on the cable. And Robin said to Batman, Golly, Batman! Why is the Joker so evil!? And Batman said, Careful, Robin. The criminal mind sees the world through a prism the solid citizen dare not peer through. Batman has a more nuanced worldview than the president.
In TV, kid roles are like this: You're either in a couple minutes of an episode playing somebody's kid, or you get in these procedurals where you're crying or you're playing a witness or you're playing a crazy person. Every once in a while you get a big guest star role, but there's a formula to those TV shows.
I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I'm in love with the man I want to spend the rest of my life with, who pushes me and excites me. There's this fighter in me that kind of needs to be put to rest a little bit. I don't need to be so tough to protect myself.