Quotes of All Topics . Occasions . Authors
When I'm doing an exaggerated character, I hope it's clear I don't think this is how women do, or should, act. There's aspects of Looney Tunes in drag. But there's something poignant about a man dressed as a woman, talking about gender. It can make you realize how similar the genders really are.
Precious few are those who can live in the lap of luxury ... who can keep their moral, spiritual and financial equilibrium ... while balancing on the elevated tightrope of success. ... there is about one in a hundred who can dance to the tune of success without paying the piper named Compromise.
In 1970, my label decided I should do a Christmas album and I put a bunch of tunes together. We couldn't decide what to call it and so I said 'Why not just say Merry Christmas in Spanish? Feliz Navidad.' They said, 'That's cool, Jose, but we need a title song.' So I just sat down and started to play.
I mean, people have created great shows, produced wonderful television, and nobody tunes in. For whatever reason, it just doesn't resonate with the masses. And vice versa, people have produced some really crappy television and mediocre stuff, and for some reason it hits. And there's no rhyme or reason.
Meditation is nothing but putting the mind aside, putting the mind out of the way, and bringing a witnessing which is always there but hidden underneath the mind. This witnessing will reach to your center, and once you have become enlightened, then there is no problem. Then bring the mind in tune with you
Then little writings and recordings that thankfully continue to come up. I'm in this kind of wonderful, kind of awkward, off-putting, and strange position where there's nothing I want to do more than continue to make music, but the ways that I do things are not in tune with how I can do them commercially.
I would like to inform the public that I have entered into a licensing agreement with Agi Music for manufacturing and distributing my songs in any format and have also granted the license to distribute my songs on digital and new media formats, including mobile ringtones, caller tunes, and online downloads.
There's cleanliness to how I eat now. I'm much more in tune with my body, so now that I'm so in tune based on having become a semivegan, I can tell what foods affect energy levels. I can tell when I've been eating particularly high nutrient foods or I can tell when my glycemic levels are all over the place.
I don't want any of my records to sound like one style throughout. That's why I choose different grooves and songs: tunes that are sensitive and slow as well as pieces that are abstract and fast. The approach I want to take with my records is to give the listener a variety of grooves, concepts, and composers.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.
Might we never be the helpers of the great hinderer, Satan! Let us ask that the Lord Jesus would so perfectly tune our spirits to the keynote of His exceeding great love, that all our unconscious influence may breathe only of that love, and help all with whom we come in contact to obey the Gospel of our Lord Jesus Christ.
If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out.
All there is responds to a word of praise. God responds. We respond. Everything responds. The whole world sparkles, quivers, comes alive. Things vibrate and are quickened. We vibrate and are quickened. Heaven and earth are in tune with us, and we are in tune with them. When we give praise, everything wants to give in return.
I grew up on hip-hop. I grew up on Run-D.M.C., Whodini, LL when I was in college, so I'm more of a music fan. I probably have the most eclectic collection of music in my Grand Cherokee. Literally, in a span of a week, I'll go from 2Pac to Boyz II Men to Sister Hazel, right down to West Side Story or the Wiz. I love show tunes.
In Puerto Rico, I played in all kinds of bands that played salsa and merengue. That's how I saved the money to come to the U.S. We used to play El Gran Combo tunes. Half the band was my friends - we were around 15 - and the other half was my friend's father and his friends from the hospital where he worked. They were all, like, 50.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
Of Montreal's early releases were loaded with playful but confessional acoustic tunes, but the band soon embraced glam-rock's freakier side on albums like 'Hissing Fauna Are You the Destroyer?' and 'Skeletal Lamping.' It was a shift fans might not have tolerated if it weren't for frontman Kevin Barnes' catchy, personality-driven songs.
There's something about the awareness of the limits that makes you tune in more to your surroundings and I've experienced a lot of pleasure or even joy in working with those alternatives and also it's made me so much more aware of just how much work we can make those sources of supply do for us, whether it's electricity or fossil fuels.
I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
We in the Congress have a moral and constitutional obligation to protect the value of the dollar and to understand why it is so important to the economy that a central bank not be given the unbelievable power of inflating a currency at will and pretending that it knows how to fine-tune an economy through this counterfeit system of money.
My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.
And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."
Our lives hang in the balance of unpredictable situations. One minute you're driving down the road whistling a tune, the next moment the car right in front of you spins out of control and crashes. How you prepare for those unpredictable occurrences determines whether you live or die. Always leave an empty lane to your right or left for escape.
Meditation is not something restricted to times of formal seated meditation; it is most fundamentally an attitude of being-a resting in and as being. Once you get the feel of it, you will be able to tune into it more and more often during your daily life. Eventually, in the state of liberation, meditation will simply become your natural condition.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
The purpose of music is to elevate the spirit and inspire. Not to help push some product down your throat. It puts you in tune with your own existence. Sometimes you really don't know how you feel, but really good music can define how you feel... someone who's telling me where he's been that I haven't and what it's like there - somebody whose life I can feel.
It's up to us to make the accommodations for all sorts of different travel scenarios. It's amazing how many companies aren't really in tune to the needs of different travelers. There's just so many embarrassing situations that you go through when you travel. You have to have a sense of humor about it and take it in stride. My whole approach is to embrace spontaneity.
At Carnegie Hall the Preservation Hall Jazz Band showed how easily it could hop from era to era. It could work like a rhythm-and-blues horn section or a tightly arranged little big band if need be, but it could also switch back into the polyphonic glories of vintage New Orleans jazz, in which nearly every instrument seems to improvise around the tune at the same time.
They're a handful, but Emily deals with that all the time and, as an actor, I deal with that all the time, so you just ignore it. When Julia [Jones] first came on set, she was like, "How do you deal with it?," and I told her, "You just tune it out after awhile." They were competing with each other, doing push-ups and just being ridiculous, so you just have to zone out.
Individual societies begin in harmonious adaptation to the environment and, like individuals, quickly get trapped into nonadaptive, artificial, repetitive sequences. When the individual's behavior and consciousness get hooked to a routine sequence of external actions, he is a dead robot, and it is time for him to die and be reborn. Time to "drop out," "turn on," and "tune in.
Donald Trump didn't have much in the bank at all, to the tune of three-point-some-odd million dollars, whereas Hillary has something like (I don't know; I forget the number), $35 million or $40 million that she can legally spend now president the point was made that the Democrats did the same thing to Mitt Romney back in 2012 before Romney could spend the money that he had raised.
What I think I do is to relate any new material to how similar it is to something else. The closest that I can come up with something that's already in my experience, the easier it becomes. All I have to do then is remember where it differs, like relating a chord sequence that comes from some other tune, or several different tunes, or maybe parts of them and then work it from there.
I set myself a rule before I actually write a tune to the lyrics, and the rule is that I've got to take the lyrics on to a level of understanding before I can actually write music to them. What I'm doing is interpretation. If I don't write the lyrics, therefore I must interpret them to the best of my ability. So my rule is that I must understand it, but I don't necessarily have to accept.
Diatonic, he heard the word in his head. Chromatic, pentatonic, hexatonic, heptatonic, octatonic, each iteration of the scale opening innumerable possibilities for harmony. He thought about the Pythagorean major third, the Didymus comma, the way the intervals sound out of tune rather than as though they were different notes. This, he thought, was where his brilliance at mathematics bled into his love of music; music was the realm in which his mathematical brain danced.
When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.
