Quotes of All Topics . Occasions . Authors
I am spoken to not in words, which come to me quaint and veiled, but in signs, in conformations of face and hands, in postures of shoulders and feet, in nuances of tune and tone, in gaps and absences whose grammar has never been recorded.
There's only one cook in the kitchen, only one chef. I let the soloists do their thing - you've gotta let a man do a solo the way he wants - but as far as picking the tunes and working on the arrangements, I take full responsibility for it.
Every time a man is begotten and born, the clock of human life is wound up anew to repeat once more its same old tune that has already been played innumerable times, movement by movement and measure by measure, with insignificant variations.
I went to a boarding school when I was 13, and it was a very arty school, so there was an opportunity for a lot more. I joined a band and so on. We would do concerts at school, and I would play cover tunes and thought, 'This is really great.'
I meet young people who know me and are familiar with my stuff. They know the package. They might have cherry-picked five or six key tunes. That's how it seems to work. I sometimes wonder if they realise they are not getting the whole context.
There is no late-night comedy. You watch comedy, you watch whenever you want to tune on. You can it in the middle of the night. You can it in the morning. It's all comedy. They just label it late-night comedy so they don't have to pay as much.
Take a few moments every day to sit in silence and turn your full awareness inward to connect with your Spirit. These moments of silence can occur anytime and anyplace. The more you learn to tune in wherever you are, the easier it will become.
I was aware of it but I think I was aware of it abstractly, theoretically. You know I understood who Edward Snowden was and what he did but I didn't really see the relevance that it bore in my life and doing film changed that tune pretty quick.
Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.
The 'Dangerous' album has producers like Tiny, who to me is very special. Also, Luny Tunes, Nesty La Mente Maestra, Nelly La Arma Secreta, Haze, and El Ingeniero. I wanted to use everyone who makes music in Puerto Rico and beyond to have variety.
But... we will always be drawn together. We'll always crave each other. We'll always be in tune with each other, physically and mentally. There is nothing that can change or break that. And even if there was, I wouldn't want to. Not for the world.
When Gimme Shelter was recorded, early '69 or something, it was a time of war and tension, so that's reflected in this tune. It's still wheeled out when big storms happen, as they did the other week. It's been used a lot to evoke natural disaster.
I mean, I don't think I would call Claus to do an album of big band tunes. You know, just like arrangers write for the artist they have in mind; you have to keep in mind if you're going to work with Claus Ogerman. You invite him to do what he does.
It sounded nothing like the classic "That's all folks" that the character did. So everytime I'm asked to do it - and nine out of ten "Looney Tunes" shows ends with Porky coming out saying "That's all folks" - I'll say to them, which one do you want?
I suppose, counting back, if the Beatles had been influenced by music in the same length of time ago - you'd have to put that into better English for me, thank you - they would have been like a banjo orchestra. They would have been doing show tunes.
I got on a bit of a rollercoaster looking into how Herbie Hancock used to make his tunes, and I remember a picture of Jean-Michel Jarre at one of his concerts and seeing the Memorymoog. When I heard the sound it I was like, 'Arrrgh, I really need that.'
The comic is today's western, so many movies, and I think that if actors want to optimize their longevity, it's important for them to meet the fans because those fans are so loyal and will show up at any movie or tune in to any television show they're on.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
Back in the '90s, we saw prominent non-film artists like the Bombay Vikings do a splendid job on old classics and people danced to those new tunes without ever feeling that the song had been spoiled. We slowly saw this trend creeping into mainstream cinema.
I'm regarded outside New York University as a looney tunes leftie, self-hating Jewish communist; inside the university, I'm regarded as a typical, old-fashioned, white male liberal elitist. I like that. I'm on the edge of both; it makes me feel comfortable.
Songs that aren't even remotely connected to Christmas are now officially canonized Christmas tunes. 'Frosty the Snowman,' 'Jingle Bells' and 'Winter Wonderland' never mention anything religious but are still notches in Christmas' belt of musical dominance.
Obama won the presidency on the strength of his message and the skills of the messenger. Now the talk of hope and change feels out of tune when so many Americans are out of work, over-mortgaged, and worried that life will be even tougher for their children.
Too few of us, perhaps, feel that breaking of bread, the sharing of salt, the common dipping into one bowl, mean more than satisfaction of a need. We make such primal things as casual as tunes heard over a radio, forgetting the mystery and strength in both.
Magne Furuholmen is a very dear friend of mine. A-ha are a classic pop band and they've got some brilliant songs. I'd say 'The Living Daylights' was one of my favourite Bond tunes: regardless of it being a Bond song, it stands alone as a great piece of music.
You can be Mitt Romney with three marriages and a disastrous speakership, kicked out of the speakership, being reprimanded by the House of Representatives and fined and all that stuff, it doesn`t matter if you sing the right tune with the right tone these days.
Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough. Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes.
Since his childhood, Bappa has observed me singing and practicing and is well aware of all sorts of recording and singing arrangements. I have a studio at my home, so whenever he needs my help I make sure I stand by him. I often sing for the tunes that he composes.
This Congress has promised all manner of border security and port security to the tune of billions of dollars... yet we have - to date - funded our promises for port security at only $900 million. That's quite a distance between what we say and what we actually do.
I think if you take 'Get Ready,' 'Waiting For The Siren's Call,' 'Lost Sirens' - those three New Order albums were mostly guitar-based. There were a couple of dance tunes in there, but they were mainly guitar-oriented. They came about through jamming, a lot of them.
Because it's one thing when you - oh, I love this tune. But then when you go to sing it, it's got to have something really personal. Then down to 25, and then to pick the final ones I just picked the ones that were more personal, that had something to do with my life.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
A leader is the one who can outline the broad vision and the direction, and say here's where we are going to go, here's why we need to go there, and here's how we are going to get there. A manager is the one who actually gets up under the hood and tunes the carburetor.
I know about lots of things that have nothing to do with being Asian, that you would never guess from looking at me. I know all about musical theater. I could go on 'Jeopardy!' and knock off the whole Broadway show tunes category. Also the whole Bible stories category.
My favorite music to sing would be my own songs, my original songs, just because I know them, you know I write the tunes, so my favorite songs are the newest ones that I write. That's what I like to sing the most, because it means something, it's real, it comes from me.
The language I have learnt these forty years, My native English, now I must forgo; And now my tongue's use is to me no more Than an unstringed viol or a harp, Or like a cunning instrument cased up Or, being open, put into his hands That knows no touch to tune the harmony.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
He [Thelonious Monk] played each note as though astonished by the previous one, as though every touch of his fingers on the keyboard was correcting an error and this touch in turn became an error to be corrected and so the tune never quite ended up the way it was meant to.
I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
He adored New York City. He idolized it all out of proportion... no, make that: he - he romanticized it all out of proportion. Yes. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.
One thing all the way through the show to me is boring. I don't care how great the artist is. I find that if my audience is very young, and they want to hear very young songs, my show will be dominated by that. But there'll be some ballads here and there and some swing tunes.
Tune your television to any channel it doesn't receive and about 1 percent of the dancing static you see is accounted for by this ancient remnant of the Big Bang. The next time you complain that there is nothing on, remember that you can always watch the birth of the universe.
I think it was John who really urged me to play sitar on 'Norwegian Wood,' which was the first time we used it. Now, Paul has just asked me recently whether I'd written any more of those 'Indian type of tunes.' He suddenly likes them now. But at the time, he wouldn't play on them.
There was a time that I was only known for being a plagiarist. It used to hurt at times because there was so much effort I was putting into music. And instead of that, it was a couple tunes that I had reproduced from folk songs to remake as film songs, which were being written about.
You just have to work really hard to tune out the noise and the static. Because it gets louder, and people really have an opinion, and you don't want to shy away from taking chances for fear of what people will say, or living in the wreckage of the future [of] what may be if I do this.
We are trying our best to spread the culture of Punjabi music all over the world. With the traditional rigid Punjabi music, people always had a myth that the music is very conventional, but nowadays, we are really thrilled to see how people are loving the tunes and beats of Punjabi music.
But the world of Despicable Me is such a cartoony world. It is much more Looney Tunes than I would say the Pixar world or those movies. We can get away with a little more, although I know some people responded negatively to the Iron Maiden beat in the first movie where it looks like Edith.
During our first year, we were playing Priest and Maiden cover tunes all the time while we figured out what we wanted to do as a band. At the time I was getting out of metal and into punk. That's how Slayer's sound came together - it's the speed of punk combined with the big riffs of metal.
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
As far as favorite tunes, 'You Know You Know' is one, and why it is important is difficult to say. The rhythmic cycle is very interesting and challenging to play, since it can be considered three bars of 4/4 or four bars of 3/4. 'The Dance of Maya' is another, and I have to mention 'Sanctuary.'
The solution to depression, among other things, is to go within and see if you can tune into more of what might want to come forth out of you. Then take action to follow the path of what attracts you. Reach out, read a book, call a friend, join an organization. Go toward that which attracts you.