Trying Quotes - Page 355

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A man who aspires to rise above the mediocre, to be something more than the ordinary, surely deserves admiration, even if he fails and loses a fortune on account of his ambitions (...) if one has failed only where others have not had the courage or will to try, there is consolation - indeed, deep satisfaction - to be gained from his observation when looking back over one's life. #Page no.134

I was trying to figure out where my intellect, if I really have one, where it fit. And so I was searching. I really didn't know who I was or what I really wanted to be, and in that search, like I think you do as an actor, you end up trying to define whatever that is, and I sort of said, "Oh well, searching spiritually in a way is interesting, and Eastern religion seems to be about a search."

You've sort of made up for it tonight,' said Harry. 'Getting the sword. Finishing off the Horcux. Saving my life.' 'That makes me sound a lot cooler than I was,' Ron mumbled. 'Stuff like that always sounds cooler than it really was,' said Harry. 'I've been trying to tell you that for years.' Simultaneously they walked forwards and hugged, Harry gripping the still sopping back of Ron's jacket.

There is a parallel between the twos and the tens. Tens are trying to test their abilities again, sizing up and experimenting to discover how to fit in. They don't mean everything they do and say. They are just testing. . . . Take a good deal of your daughter's behavior with a grain of salt. Try to handle the really outrageous as matter-of-factly as you would a mistake in grammar or spelling.

You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.

Talking about morality can be offensive. Morality is a politically incorrect subject. Many people are genuinely offended if someone speaks of morality and family values. It is okay if you talk about your sexual fantasies and deviances. This is called "liberation". But you would be frowned at if you talk about morality in public. Then you'd be accused of trying to impose your values on others.

When I sat on the chair at 5-0, I was like, 'Okay, now you can try to break her, and if not, you have the serve.' So I was a little bit more relaxed since I had a few chances to do that. But I still knew I could break her. Then suddenly I did a winner from the backhand, and I was so happy. I didn't really know what was going to happen, and I just had tears in my eyes, I was just so, so happy.

Russia has a long-term interest in Syria. Israel by and large does not have an issue with those long-term interests that Russia has in Syria. Israel has an issue with an Iranian regime that is trying to establish this land bridge, and that openly calls and actively works for Israel's destruction. And if you ask a hundred Israelis what they want to see in Syria, you're going to get 150 answers.

Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.

I'm not trying to amass people in the streets. I just want them to be more aware. So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself. And so anything from the travel stories I tell, that's what I'm trying to get across.

It is harder for women, perhaps to be 'one-pointed,' much harder for them to clear space around whatever it is they want to do beyond household chores and family life. Their lives are fragmented... the cry not so much for a 'a room of one's own' as time of one's own. Conflict become acute, whatever it may be about, when there is no margin left on any day in which to try at least to resolve it.

I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.

Do not allow your thoughts to become greater than you. No matter what your thoughts tell you, don't listen. Remember your thoughts are not your friend. Your thoughts try to confound you, confuse you. And they will tell you all kinds of things. Do not listen to your thoughts, even your good thoughts. Transcend everything, go beyond your thoughts to your bliss, to your joy and to your happiness.

When you are young, you always expect that the world is going to end. And then you get older and the world still chugs along and you are forced to re-evaluate your stance on the apocalypse as well as your own relationship to time and death. You realize that the world will indeed continue, with or without you, and the pictures you see in your head. So you try to understand the pictures instead.

The thing that happened in Washington -- it happened. All you can do is just grow from it. That took a toll on me. That was probably -- I think if I could've bounced mentally out of that situation faster than I did, I would probably still be in the NBA. But since I couldn't understand why they were trying to treat me like that, I basically gave up. I just didn't want to be a part of it anymore.

You know, the next time you're guilty of anything, the next time you're charged with anything, try saying, "Hey, hey, hey, I didn't mean to run the stop sign." Or, "I didn't mean to leave the bar and get behind the wheel. I really didn't. I didn't mean to get behind the wheel after having some adult beverages." See if that works for you. And if you're saying it's not the same thing, yes, it is.

Again and again it astonishes us that God makes himself a child so that we may love him, so that we may dare to love him, and as a child trustingly lets himself be taken into our arms. It is as if God were saying: I know that my glory frightens you, and that you are trying to assert yourself in the face of my grandeur. So now I am coming to you as a child, so that you can accept me and love me.

I've always found relationships, men and women, the fact that they are so radically different, and it manifests itself in so many different ways, and yet somehow we still try to live together and be friends. I find that endlessly valuable as a source of material for humor. Generally dogs are always funny in my opinion. And the federal government - just a relentlessly productive source of humor.

I have a box inside me now that never used to exist. I never needed it before. It's down in my deepest, darkest corner, and it's airtight, soundproofed and padlocked. It's where I keep the thoughts I don't know what to do with, that could get me into trouble. Eating Unseelie hammers on the inside of that lid incessantly. I try to keep kissing Barrons in that box, too, but it gets out sometimes.

Alex touches her arm. "You look nice." "Nice?" she repeats. "Try harder, Alex." He flushes adorably. "Really nice," he says. "Next time, try this," Harry says. He reaches for my hand. "Franny, I didn't know what beauty was until I saw you walking toward us a minute ago. "I like this better," I say, pulling away. "At least he sounded like he meant it." "I meant it," Harry says, almost irritably.

I, personally, think Trump improved pretty dramatically and certainly changed pretty dramatically over the last hundred days. He's less of the populist. He's more of the corporatist. He's less incompetent. He's trying to at least turn toward people who can put a decision-making process. And he's trying to adjust to the job. And so whatever one thinks of him, he is certainly a learning creature.

The Bible is all God's speech, as well as all mediated through human writers who wrote the individual books. It's a mistake to try to separate passages into a divine piece and a human piece. Rather, we should treat the Bible for what it is: divine and human all the way through. Of course God can quote human sinful speech, or describe human sinful actions, without implying that he approves them.

When you try to be true to the script, changes occur. A script is there to show us a certain direction. But when you actually have the actors in and you start shooting the movie, you have the actor say a line and it doesn't sound right so you change it and make it different. It's the script that gives birth to these changes and the more you try to stay true to the script, the more that happens.

I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.

This is not a movie about smelling the urine! It's another kind of movie." Volker Schlöndorff got Billy Wilder to agree to these conversations - you can buy it - because Volker spoke German at times. And he said to Billy Wilder: "What is in your mind?" And he said: "If you're going to try to tell the truth to the audience, you'd better be funny or they'll kill you." And I haven't forgotten that.

While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.

So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." i snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide

The reason I stopped modeling was because I was not pleased with trying to portray something that is impossible to reach. Even when I do photo shoots now for films, I am just not interested in trying to look my best all the time anymore. That pursuit of an impossible perfection seems ridiculous to me now. I would rather show my vulnerabilities or my doubts than try to be something that no one is.

I am somewhat influenced by the years that I've spent trying to actually get things done, whether it was reforming education in Arkansas or a survey and Legal Services Corporation board when President [Jimmy ]Carter appointed me and trying to get lawyers for poor people. I have worked in these areas. I know it's more than just a hope. You've got to translate it into a policy that leads to action.

I think there's no question that historians create; they would tell you that, I think. If I'm trying to imagine an imperial Roman position, it's much easier to imagine the poor schlub who's not even sure why he's doing what he's doing than it is to imagine Caesar. At least for me. And I'm intrigued, too, by the position of the poor schlub who *still* finds himself supporting the imperial project.

The film [the white Ribbon] does try to use German Fascism as an example, but not specifically Fascism... the results of German Fascism. It shows how people are prepared or indoctrinated for an ideology... people who are already in a state of repression who have been humiliated by society and who clasp at a straw that's offered to them. And how that's then developed into a form of indoctrination.

The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.

Indulgence is emptiness. I have proved the limits of food and frivolity. There is no real fulfillment in meaningless rushes of pleasure. You try to conceal the emptiness with more extravagance, only to find the thrills becoming less satisfying and more fleeting. Most pleasures are best as a seasoning, not the main course. However you try to disguise it, you end up feeding without being nourished.

We’re keenly aware that when we develop and make something and bring it to market that it really does speak to a set of values. And what preoccupies us is that sense of care, and what our products will not speak to is a schedule, what our products will not speak to is trying to respond to some corporate or competitive agenda. We’re very genuinely designing the best products that we can for people.

"I was just offered a contract on your life, for enough money to make it worth my while." It was my turn to be quiet. "Did you take it?" "Would I be calling you if I had?" "Maybe," I said. He laughed. "True, but I'm not going to take it." "Why not?" "Friendship." "Try again," I said. "I figure I'll get to kill more people guarding you. If I take the contract, I only get to kill you." "Comforting."

You don't just find an empty museum and say, "I should do something here." I was looking for another kind of venue or exhibition format. I was trying to find a site where something could happen over a long period of time - something that could slowly transform itself and the place as it went. And I was also trying to stand out of the art-world system. Strangely enough, I stumbled on vacant museum.

You have been my friend. That in itself is a tremendous thing. I wove my webs for you because I liked you. After all, what's a life, anyway? We're born, we live a little while, we die. A spider's life can't help being something of a mess, with all this trapping and eating flies. By helping you, perhaps I was trying to lift up my life a trifle. Heaven knows anyone's life can stand a little of that.

Three explanations dominate speculation about what Obama is up to. The first is that he's trying to lay the groundwork for his successor, presumptive nominee Hillary Clinton. The second is that he's trying to pad his legacy. The third is that he's trying to 'troll' or bait the GOP into debating his agenda rather than pursuing its own. All are plausible, and none necessarily contradicts the others.

I don't speak cockney and I don't pretend to come from that part of the world. For the longest time the English, like the Beatles and so on sounded American. "She loves you yeah yeah yeah!" All of the sudden you sound American. It doesn't work that way with Americans who try to sing English. It's not convincing. If I say "Footy" and "tele" and "Brissy" and "Sydney" and "Simmo" it's not convincing.

So it [3D] is something I'm still learning, it's fresh, so if the budget allows I'll do it again and just see how far it goes because it's the frontier, it's more interesting. It's still expensive, the projection system can be annoying sometimes, it's not really regulated or perfected yet, so it's still expensive. If I do a lower budget I'll just do 2D, but if the budget allows I think I'll try 3D.

He found it so easy and so pleasant to cry that he didn’t try to stop for a while, until he realized he was forcing his sobs a little, exaggerating their depth with unnecessary shudders. … The whole point of crying is to quit before you coined it up. The whole point of grief itself was to cut it out while it was still honest, while it still meant something. Because the thing was so easily corrupted

I see the possibility of being 'made new' again and the gift of rebirth is all that lets anyone really live.. ..The great secret.. .. is never to get stuck, imprisoned in common social patterns. They always paralyse the real quality of life - the 'going onward' is all that matters, and the dead moments in one's life through trying to be a unit in any society or social concept are terrifying really.

I always love trying to put my arms around more people. As a designer, it's a great compliment when people wear your clothes or buy your products, so to do things that are more affordable and have more of a distribution is always very exciting - especially when I can still bring my personality in complete, heavy doses. It's not a diluted version of me; it's a very clear extension of my personality.

I try to return my calls but I get inundated with emails and I can't answer them all. So often, I have to refer to them my webpage and the frequently asked questions or refer them to the books. But if they take the time to call me, I try to call back. You know, I am really busy, but just happened to have an hour in the hotel room and had some time before I have to meet some people about 20 minutes.

Always, when the words art and artistic are applied to my photographic work, I am disagreeably affected. This is due, surely, to the bad use and abuse made of those terms. I consider myself a photographer, nothing more. If my photographs differ from that which is usually done in this field, it is precisely because I try to produce not art but honest photographs, without distortions or manipulations.

When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.

All my favorite artists are downtempo - Portishead, Burial, a lot of 1990s trip-hop. Some people are saying that I'm trying to help with the trip-hop revival that's possibly going on, but I'm not aware of other artists that are necessarily doing that. But if they are, that's fantastic. It's a great medium of electronic music. There's a lot of emotion - it's good for soundtracking a late-night drive.

Others make a point of trying to attain the precision and poise they see in those who have the ability to choose from a great number of horses those with [...] qualities found in only a very small number of horses. This leads to a circumstance in which these imitators of such studied poise mortify the spirit of a noble horse, and remove from it all of the goodness of temperament Nature has given it.

I've never been about trying to promote a brand of Squarepusher. I've never been keen on that idea that these are the character traits that I've got to stick with and amplify and keep pushing forward and pushing on the public. I'm really happy to throw it all away and start each record with a blank slate but I concede you've got a point, there are things I can't get rid of, no matter how hard I try.

Beauty is undefinable in language. It's something that you see when you see it, or you feel when you feel it, or you hear when you hear it. It usually encompasses all five of the senses. It can't exist without it being a somehow sensorial experience. But, I don't think it's quantifiable. Nothing is really quantifiable. Nothing is certain in love and friendship. We all try to understand these things.

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