Quotes of All Topics . Occasions . Authors
Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.
That's the thing about love. You can plan it, and schedule it, and map it out. You can tell it how you want it to be, and where you want it to go, and what it's supposed to do. You can try to make it fit you. But it won't listen to any of it. Love puts itself first, and makes its own plans. It maps you out instead. Maybe that's what makes it perfect.
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
I think we're all just doing our own thing and finding our own paths and I think we just work really hard. I don't personally know some of the Disney girls as well as I know some of the Nickelodeon girls, but I have run into them and talked to them and they're all really cool and I respect them and what they do and I'm just trying to do my own thing.
The job of the linguist, like that of the biologist or the botanist, is not to tell us how nature should behave, or what its creations should look like, but to describe those creations in all their messy glory and try to figure out what they can teach us about life, the world, and, especially in the case of linguistics, the workings of the human mind.
We cannot hope to change human nature. There will always be cranks and conspiracy theorists among us. But we can try to improve things - we don't have to accept the debasement of civil discourse or civic decline. We can take steps to ensure that the lunatic fringe remains on the fringe and stops bleeding into the base and then poisoning the mainstream
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
It is astonishing, how many difficulties clear up without any effort when the inner life gets straightened out. If half the time we spend trying to fix up outward things were spent in getting our hearts right, we would be delighted with the result. Strange as it may seem, harmony within our hearts depends mostly upon our getting into harmony with God.
We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.
So what? A lobbyist cheated Indian tribes out of $25 million then laundered their money through phony Christian charities trying to stop other Indian tribes from getting casinos [on screen: 'Thou Shalt Not Compete'] and bribe congressmen in the process. Know what I call that? I call that business as usual in Washington. [on screen: 'Screwing Indians']
I was a regular kind of academic music student. I was at Juilliard. I had to study all the contemporary music of the time, and changing that language very radically was just a sign or a signal that I was going to try to do something very different. I find that that's what I feel closest to. I found no real inner response in me in a non-tonal language.
Take the gesture, the action of writing. I have an almost obsessive relation to writing instruments. I often switch from one pen to another just for the pleasure of it. I try out new ones. I have far too many pens - I don't know what to do with all of them! And yet, as soon as I see a new one, I start craving it. I cannot keep myself from buying them.
If every person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary - the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
I'm not trying to be diplomatic. I'm trying to be more nuanced and realistic. I think there has to be a serious examination of the shortcomings of the Euro structure. Euro central institutions, whether it be fiscal policy, monetary policy, financial regulation, are simply not as robust as they are in a currency that has a national government behind it.
Or so we don't think about how we're just vulnerable specks trying to survive on a violent, tumultuous planet, at the mercy of hurricanes and volcanoes and asteroids and terrorists and disease and a million other things. We concentrate on having little thoughts so we don't have BIG THOUGHTS. . . . You've got to ignore the one big truth - life is fatal.
I've been accused of being a little pedantic here and there, but I don't buy that criticism. I'm telling it like I see it. You don't have to buy it. You don't have to like it. You don't have to listen to it at all. I'm not trying to convince people of things, other than the fact that I'm trying to make as vivid as I can my own feelings and experiences.
A path is only a path, and there is no affront, to oneself or to others, in dropping it if that is what your heart tells you . . . Look at every path closely and deliberately. Try it as many times as you think necessary. Then ask yourself alone, one question . . . Does this path have a heart? If it does, the path is good; if it doesn't it is of no use.
So there's that, and then there's always things you can do with the tips. Except for this, what they call the arrow tips, they'll all be non-lethal cause again we're not trying kill anybody, just sort of take control of the situation. They'll probably throw in a lot of gimmicks with the tips and trick arrows, and things like that. And ya the new, cool.
There is a sort of backlash of people who feel like you're not representing them accurately, and you want to say as elegantly as you can, "I wasn't trying to represent you I, was just doing what I could do to make being alive easier for me." And if it helped anyone or made them feel comforted in the process then it's the greatest thing you can ask for.
His parents never talked about how they met, but when Park was younger, he used to try to imagine it. He loved how much they loved each other. It was the thing he thought about when he woke up scared in the middle of the night. Not that they loved him--they were his parents, they had to love him. That they loved each other. They didn't have to do that.
The biggest questions that always have perplexed me are "Where do I come from?" and "Where am I going?" The "Where do I come from?" question, which I think I largely am answering now, is about what quantum physics teaches us. If you try to find your source, you are not going to find it in a tiny little particle that began with your parents commingling.
That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.
It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.
UNESCO provides protection for the great cultural institutions. There is something called the intangible cultural heritage list. And the Italians want to put Neapolitan pizza on it. But in order to do that, you have to show that whatever it is that you're trying to protect is under threat. And pizza is totally under threat from Pizza Hut and Domino's...
The person who conveys, 'I am nothing. Make me something,' may all his life have people trying to answer his hidden plea, but their answer will be in terms of, 'I am trying to make you something because you are nothing,' and, thus, the insult will be embedded in the response. It will be heard just as clearly as the attempt to help. And it will be hated.
... the important thing is to, first of all, question everything you read or hear or see or are told. Question it, and try to see the world for what it actually is, as opposed to what someone or some company or some organization or some government is trying to represent it as, or present it as, however they've mislabeled it or dressed it up or told you.
What do you mean, what's the matter with him? Nothing's the matter with him, everything's the matter with him, the same as it is with everybody else. He's just fine. He gets overwhelmed now and then, and he doesn't know how to say what he feels or means, so he cries and runs off a little, trying to find out where to go, for God's sake. Where can you go?
There are no soul mates. Not in the traditional sense, at least. In my 20s someone told me that each person has not one but 30 soul mates walking the earth. (“Yes,” said a colleague, when I informed him of this, “and I’m trying to sleep with all of them.”) In fact, “soul mate” isn’t a pre-existing condition. It’s an earned title. They’re made over time.
Our philosophy doesn't change. We're always competing. But the ways to approach it and the ways to make that up and make it available to our players, there's no end to that. That's why the thought is that you're either competing or you're not, and that's why I'm learning and searching and trying to transfer information to our coaches and to our players.
I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.
Under the natural course of things each citizen tends towards his fittest function. Those who are competent to the kind of work they undertake, succeed, and, in the average of cases, are advanced in proportion to their efficiency; while the incompetent, society soon finds out, ceases to employ, forces to try something easier, and eventually turns to use.
He takes out a cigarette and offers one to me. "I try not to indulge. It's a filthy habit," I tell him. "I love that word filthy. I love the way you force it out of your mouth like it's some kind of vermin you want to get rid of." "You've had vermin in your mouth?" "You're mean in that way, you know. You don't let anyone get away with pathetic analogies.
[The Theosophical Society] are ideologues in terms of the way they present the material. That's one of the reasons why, when they teach their courses, you only get a smidgen of stuff and you have to keep coming back every week. They won't do an overview. Because they're trying to bypass your conscious critical faculties by leaking the information slowly.
In trying to address the systemic problem of racial injustice, we would do well to look at abolitionism, because here is a movement of radicals who did manage to effect political change. Despite things that radical movements always face, differences and divisions, they were able to actually galvanize the movement and translate it into a political agenda.
In terms of success and drive, I think some people are born with it, sometimes certain circumstances push you towards success... trying to prove people wrong. I'm not exactly sure where mine comes from, but, I have this thing inside of me that, when someone tells me that I can't do something, I become obsessed with proving them wrong. It's a weird thing.
The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story. Sometimes we try to protect them from getting booboos that are too big. Don’t. This is your protagonist, not your kid.
And I leave my post of observation and find I have had enough of this outside life; I feel that there is nothing more that I can learn here, either now or at any time. And I long to say a last goodbye to everything up here, to go down into my burrow never to return again, let things take their course, and not try to retard them with my profitless vigils.
A stranger is shot in the street, you hardly move to help. But if, half an hour before, you spent just ten minutes with the fellow and knew a little about him and his family, you might just jump in front of his killer and try to stop it. Really knowing is good. Not knowing, or refusing to know is bad, or amoral, at least. You can’t act if you don’t know.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
Developing expertise or assets that are not easily copied is essential; otherwise you’re just a middleman. “ “Don’t try to be the ‘next’. Instead, try to be the other, the changer, the new. “ “Everyone is not your customer. “ “Fire the committee. No great website in history has been conceived of by more than three people. Not one. This is a deal breaker.
I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
Religions, creeds and forms are only a characteristic outward sign of the spiritual impulsion and religion itself is the intensive action by which it tries to find its inward force. Its expansive movement comes in the thought which it throws out on life, the ideals which open up new horizons and which the intellect accepts and life labours to assimilate.
I try to dig deep into the well of my subconscious. At a certain moment in that process, the lid is opened and very different ideas and visions are liberated. With those I can start making a film. But maybe it's better that you don't open that lid completely, because if you release your subconscious it becomes really hard to live a social or family life.
That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.
We South Vietnamese, we are very concerned about the ah, the fact that the communists are - were very shrewd in trying to take advantage of the American presence in South Vietnam to make the propaganda that they were the only one who fought for the independence of the country and against the, only foreigners, first the French and after that the Americans.
There is no surer way to misread any document than to read it literally. As nearly as we can, we must put ourselves in the place of those who uttered the words, and try to divine how they would have dealt with the unforeseen situation; and, although their words are by far the most decisive evidence of what they would have done, they are by no means final.
I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.
The true reader reads every work seriously in the sense that he reads it whole-heartedly, makes himself as receptive as he can. But for that very reason he cannot possibly read every work solemly or gravely. For he will read 'in the same spirit that the author writ.'... He will never commit the error of trying to munch whipped cream as if it were venison.
Know that God has a plan for your life. Turn your life over to him every day. Stop looking outside yourself for validation and approval-you're letting other people define your happiness. Instead of trying so hard to manipulate life, take care of yourself on the inside. Then all those other attributes you're so desperately seeking will find you eventually.
I gotta big mouth, I can't help it, I talk from my heart, I'm real, whatever comes comes. But my controversy problem, it's not my fault, I try to find my way in the world you know, I try to be somebody instead of just make money off of everybody. So I go down paths that haven't been traveled before and I usually mess up, but I learn, I come back stronger.