Quotes of All Topics . Occasions . Authors
Part of the appeal was that Medawar was not only a Nobel Laureate, but he seemed like a Nobel Laureate; he was everything one thought a Nobel Laureate ought to be. If you have ever wondered why scientists like Popper, try Medawar's exposition. Actually most Popperian scientists have probably never tried reading anything but Medawar's exposition.
The time to buy stocks is consistently over time. You should never buy your investments with the idea, 'I have to get a certain return.' You should look at the best return possible and learn to live with that. But you should not try to make your investments earn what you feel you need. It doesn't work that way. The stock doesn't know you own it.
When we stopped to rest and Tony tried to figure out what was wrong with his compass, I asked him what he thought it was about orchids that seduced humans so completely that they were compelled to steal them and worship them and try to breed new and specific kinds of them and then be willing to wait for nearly a decade for one of them to flower.
I always loved movies, but I never thought I would presume to be a screenwriter and definitely not a director. I spent a lot of time for no money trying to teach myself how to write a script. It always felt like everybody was looking the other way and sneaking that script through the system, but it did well later on video and got another chance.
Film is a pretty poor medium to deliver a message. I'm not trying to do that. I'm just trying to ask a lot of questions and hopefully you can draw your own conclusions about whatever meaning might be there or what point there is; but I was conscious of wanting to create something that for a lack of a better word had a positivity and earned that.
I remember having some problems with [the Deus Ex theme] when I first heard it and I was trying to figure out how to tell [Alex Brandon] I wanted changes. But then I noticed that I couldn't get it out of my mind. I was whistling or humming it to myself all the time. So I just kept my mouth shut and let it be. I think it's a highly addictive tune
People have such a distinctive look to them these days. Whatever image they're doing, a lot of the time it sums up their character a bit. There are not many individual people anymore - they dress the same as their friends. It's a bit weird; everybody is trying to be different, but then they're exactly the same as whatever mob they hang out with.
I love Twitter, you know? I try to read everything I can on Twitter. You get so much nice feedback about stuff, you know you just put out a sentence and everybody laughs or everybody's just sending something back. It's amazing. Same with Facebook, you know? I'm a lot on Facebook and it's just - it's just amazing. And YouTube, of course, as well.
I don't want to fail, of course. But even though I didn't know how bad things really were, I still had a lot to think about before I said yes. I had to consider the implications for Pixar, for my family, for my reputation. I decided that I didn't really care, because this is what I want to do. If I try my best and fail, well, I've tried my best.
This little separate self must die. Then we shall find that we are in the Real, and that Real is God, and He is our own true nature, and He is always in us and with us. Let us live in Him and stand in Him. It is the only joyful state of existence. Life on the plane of the Spirit is the only life, and let us all try to attain to this realization.
When I trip, I feel like that's the world saying come here for a second. It just pulls me closer for a second, yeah what do you want? I just want to remind you that you're uncoordinated. I'm aware of that, thank you... can I go now? Yeah, you can go, but never ever try to outrun me. Ok, world, see you later. Yeah, I'll see you in about 50 years.
Tthe first rule is that you can't really know anything if you just remember isolated facts and try and bang 'em back. If the facts don't hang together on a latticework of theory, you don't have them in a usable form.... You may have noticed students who just try to remember and pound back what is remembered. Well, they fail in school and in life.
I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say.
In a month, the passes into Teutlandt and Skanida will be open and my companion and I will be on our way." He paused and Philemon frowned, trying to understand what he was being told. You want us to come with you?" he asked, at last. "You expect us to follow you?" Halt shook his head. "I have no wish to ever see any of you again," he said flatly.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
I've been meeting with Live Nation CEO Michael Rapino for years, trying to figure out how to fix the concert industry. We're all so overpaid. It's ridiculous. People stopped going to concerts because they can't afford them. The Rolling Stones are charging $650 per ticket! That just makes me speechless. I love the Stones, but I won't be attending.
If there is not laughter in intimacy, it becomes heavy, burdensome, and dull. At my best moments, the love dialogue I try to carry on with You each day is comic-what could be more comic than a human addressing the Ground of Being as an intimate? It's a kind of blasphemy that I dare because you have called for it, and that is pretty humorous, too.
I've learned I'm rarely able to stay at home and not work. If I try to 'just sit on my couch for a little while,' I am going to grab my laptop and just knock out a few more emails, or start sketching up some product ideas for TheMuse.com. So when I want time off, I schedule dinners out, movie outings, and on occasion a flight lesson from Groupon.
Wasn't Saddam destroyed? Wasn't Gaddafi liquidated? Didn't Milosevic go to the Hague? All true. But Stalin survived. Kim Jong-un isn't doing too badly, either - though that's probably because he actually has nuclear weapons, as opposed to Iran which might or might not be trying to acquire them and thus remains on the Israeli-American target list.
Fox doesn't treat me any differently, and that's one thing I'm very lucky with - my network treats me like a woman, but they never make me feel like I don't fit in or anything like that, which is great. But within the industry, yeah. It's a double standard, but it's something that you have to deal with or try to make better; turn into a positive.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
What I’m trying to show is that the main event today is not seen by those of us that are living it… So it’s not the effect of [technology], it is that everything exists with-in [its milieu]. It's not that we use technology, we live technology. Technology has become as ubiquitous as the air we breathe, so we are no longer conscious of its presence.
There were a few things that, in rehearsal, any one of us might try. [John] Hughes would go, "I like that," to me spitting up in the air and catching it in my mouth. It was just something I did in a rehearsal and Molly [ Ringwald] went, "Ewww." And John went, "Can you do that again?" And I went all day long, and he was like, "Okay, let's do that."
There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.
No matter how sheltered [my students] are, no matter how their parents try to do right by them, every single one of them, you know, every single one of us, that's what we all face. And so it's made me - that's the one change I've marked in myself - it's made me change in the way I relate to my students. I've become a different teacher in that way.
I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
Americans have been dumbed down to the point where more people watching 'American Idol' than listen to the state of the union address. And that's too bad. I'm not trying to take any bread out of the mouth of Simon Cowell, but if the president is speaking to the people of the United States, and people are going to watch 'American Idol,' that's sad.
I'm a very positive person, that's something that's like my character Savannah. She's very positive in everything that she does and I'm the same way in real life. If I feel like someone's trying to bring me down, I just walk away from it. I just ignore it because sometimes when that happens you can get so involved that it does bring down your day.
The position we have now reached is this: starting from the State, we try to remedy the failures of all the families, all the nurseries, all the schools, all the workshops, all the secondary institutions that once had some authority of their own. Everything is ultimately brought into the Law Courts. We are trying to stop the leak at the other end.
When I was trying to impress Kate, I was trying to cook these amazing fancy dinners and what would happen was I would burn something, something would overspill, something would catch on fire and she would be sitting in the background trying to help, and basically taking control of the whole situation, so I was quite glad she was there at the time.
He [Donald Trump] is a tough boss. I've known him for decades. He hasn't changed very much. He's a driven person, highly intelligent, and he's very motivated, very charismatic, and he is tough as nails in the sense there's no slack there. You can't put anything over on Donald. Donald can see right through someone trying to dissemble or spin stuff.
When you're on stage performing stand-up, things only happen one time. I've done bits where I improv a joke, and people are dying. The next show, I try to repeat it, I can't do it. Because with the first audience that was our moment. It can't happen the same way again. We were all there: a certain type of people were at that show and we all got it.
The objective psychologist, hoping to get at the physiological side of behavior, is apt to plunge immediately into neurology trying to correlate brain activity with modes of experience ... The result in many cases only accentuates the gap between the total experience as studied by the psychologist and neural activity as analyzed by the neurologist.
I started writing songs so late and I had so many day jobs - jobs just to pay the bills. So, when I started doing this, I said, "I'm never gonna do anything to corrupt this. Never try to "sell it." Never gonna do anything to make this a job." I can go five months without writing a song. Then something will happen and I'll write six songs in a week.
We have overwhelming evidence that available information plus analysis does not lead to knowledge. The management science team can properly analyse a situation and present recommendations to the manager, but no change occurs. The situation is so familiar to those of us who try to practice management science that I hardly need to describe the cases.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
I love cooking all different things, so any form of meat, fish, anything else. I do have a really strict diet, but it's all protein and veg basically. When you are on a diet like that you have to get inventive, so you have to be willing to try any different fish that's out there. Probably a favourite of mine is some baked trout fillets, on a salad.
If you're trying to forge bonds on something other than kinship, and forge a tribal identity on something other than relatedness, conformity is a good way to do it. And if you're wealthy, you can do it with a very expensive It bag, or whether it's Vuitton or Valentino at the moment, and it's a way to signal to one another, We're part of this tribe.
And again, we're kind of trying to be in that place, that's just so absurd and irreverent and hysterical and it's something that at our company we're kind of, we're so irreverent about everything, we're sort of irreverent about the establishment, we're irreverent about civilization, we're irreverent about philosophy, we're irreverent about religion.
Receptivity and sensitiveness are what makes one's behaviour endearing and enriching. Do not try to thrust your likes and dislikes on others. Try instead, to find out what those around would expect from you and where you can possibly contribute. Rather than feeling conflict or confrontation every time, look for and generate greater notes of harmony.
I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.
Our intentions attract the elements and forces, the events, the situation, the circumstances and the relationships necessary to fulfill the intended outcome. We don't need to become involved in the details-in fact, trying too hard may backfire. Let the non-local intelligence synchronize the actions of the universe to fulfill your intentions for you.
You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph.
From making documentaries all these years, it doesn't feel right to lead someone. In narratives, I'm always trying to shoot as though it's really happening, and I trust my actors are going to make decisions that I'm going to be following. I want to follow them. It feels dishonest to be pulling back in that opening shot and leading him to his destiny.
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
Do not worry at all about negative thoughts, and do not try to control them. All you have to do is begin to think good thoughts each day. Plant as many good thoughts as you can in each day. As you begin to think good thoughts you will attract more and more good thoughts, and eventually the good thoughts will wipe out the negative thoughts altogether.
Pragmatism , in trying to turn experimental physics into a prototype of all science and to model all spheres of intellectual life after the techniques of the laboratory, is the counterpart of modern industrialism, for which the factory is the prototype of human existence, and which models all branches of culture after production on the conveyor belt.
There's a tacit agreement between myself and the audience that I will entertain them when they buy their ticket, and I've been the one that has screwed that up. Once in while I indulge myself and try something else, and I keep my fingers crossed that it will come out good and there'll be enough people who will enjoy it, but that doesn't often happen.
There was a great director who directed a picture that I wrote who barred me from the set quite appropriately and said, "I'm sorry, Jim. When you're directing, you don't need to know everything. You need the illusion that you do." And, you know, and I WOULD be there behind him trying to signal the actors in, you know, in a way I wasn't even aware of.
I'm really interested in the minutiae of different tones and what that explains - how people's backgrounds are reflected in minute details of how they interact. It's true that I'm hypersensitive to all that. Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.