Quotes of All Topics . Occasions . Authors
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
Thomas Hardy's Tess of the d'Urbervilles is a novel that I have read over and over and over again. Tess is a pure child who has an inner glow none of the others in the book possess. They reject her because she is different, and they try in every possible manner to destroy her, because they are jealous. It is an extraordinary love story.
I spent a lot of years trying to outrun or outsmart vulnerability by making things certain and definite, black and white, good and bad. My inability to lean into the discomfort of vulnerability limited the fullness of those important experiences that are wrought with uncertainty: Love, belonging, trust, joy, and creativity to name a few.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
One even tries to figure out why Donald Trump is so admiring of a leader who has cracked down on journalists and is suspected of using even violence, cracked down on civil society, ruling with an iron fist within Russia. To look with admiration on that sort of domestic leadership, I think is just really inconsistent with American values.
How do you feel?” she asked, trying to fluff his pillow. “Other than terrible, I mean.” He moved his head slightly to the side. It seemed to be a sickly interpretation of a shrug. “Of course you’re feeling terrible,” she clarified, “but is there any change? More terrible? Less terrible?” He made no response. “The same amount of terrible?
There you are," he said when she bobbed up. "I was getting worried." "What are you doing?" "Waiting till you're ready to drown." He smiled and eased back down on the seat. "And then I'm going to save your life. Dan did it for Phoebe and I'm going to do it for you." "Dan didn't try to murder her first!" she screamed. "I go the extra mile.
The first thing that Shaytan (Satan) will try to do is get you to stop praying. You know why? Because he has to kill the guard if he wants to penetrate the castle. Once the guard is gone, then Shaytan(satan) can open the floodgates for evil. And he has a lot of patience. He has done this to many people before so he’s experienced as well.
I always took my role as a leader, and certainly chairman and CEO of a major company very seriously as to our employees and trying to create opportunities for them and create opportunities where they could even, as I said many times, could realize their God-given potential and maybe realize more potential than even they realize they had.
Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
My friends are trying to get me to go out on blind dates. Big 'NO' to that because all my friends are a bunch of lying geeks. They're always like, 'Brian, you're really gonna dig this girl. She's got Traci Lords' eyes, Michelle Pfeiffer's nose, Kim Basinger's lips.' Yeah, they always forget to tell me she's also got Charlie Brown's head.
I do what I can to sort of just stave off the clock - walk, swim, try and smoke an electric cigarette. I mean it's all bad for you. Life is bad. We're all dying. We're all in the process of oxidizing. Everyone of us is in the process of oxidizing so to sort of interrupt one aspect of that while everything else goes on, it's a freak show.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
My wife, trying to be helpful, goes to the grocery store and buys this stuff called soy bacon. Let me tell you something: I know soy beans are good for a lot of things. Let's stay out of the bacon market! It says It looks and tastes like real bacon! No it doesn't! It tastes like somebody bacon-flavored a turd, that's what it tastes like!
I think, for many teens, a fundamental fact of the teenage experience is that you're in between this childlike state, in which you're told you're completely unqualified for just about anything in the adult world, and this adult world, where you're being told you have to be responsible, and you're just trying to figure out where you stand.
Remember what Teddy Roosevelt did. Yes, he took on what he saw as the excesses in the economy, but he also stood against the excesses in politics. He didn't want to unleash a lot of nationalist, populistic reaction. He wanted to try to figure out how to get back into that balance that has served America so well over our entire nationhood.
I've always tried to make sure that what I do really connects with the broader agenda of what my husband Barack Obama is trying to do.... But I also find that I have to be very passionate myself about the issue to be able to represent it well. One of the big issues that I've talked a lot about...is childhood health, nutrition and obesity.
No one walks so safely as one who walks humbly and harmlessly with great love and great faith. For such a person gets through to the good in others (and there is good in everyone), and therefore cannot be harmed. This works between individuals, it works between groups and it would work between nations if nations had the courage to try it.
I knew that [director/screenwriter] Catalina Aguilar Mastretta had an amazing take on the female psyche and the modern woman and the modern immigrant woman living in the U.S., and I really saw the need for a story told of our daily lives without being a statistic and without just trying to hit a demographic, and I felt that with this one.
It seemed like there were so many options in filmmaking before. If they don't want to make it, well okay, there's a hundred other places we can try. I'm not a producer and I don't even know the places my producer goes to, thankfully. But I think there are far fewer options now to releasing a movie theatrically or to getting the financing.
From the beginning I felt that I didn't ever want to leave the impression that the process of writing a poem is totally mysterious. I couldn't explain everything that went on in the creation of a poem, but I could try to explain as much as I knew. I thought readers deserved that. I didn't want to set myself apart as being someone special.
I think there was something that made us not pay attention to climate change. Something that was up there. There was a saying when we were trying to pay attention to the environment that people used this phrase NIMBY - not in my back yard. People were saying, ‘I don’t care, it is not in my back yard.’ But now it’s in everyone’s back yard.
Normally, things are viewed in these little segmented boxes. There's classical, and then there's jazz; romantic, and then there's baroque. I find that very dissatisfying. I was trying to find the thread that connects one type of music - one type of musician - to another, and to follow that thread in some kind of natural, evolutionary way.
You should know that there is little you can seek in this world, that there is no need for you to be so greedy, in the end all you can achieve are memories, hazy, intangible, dreamlike memories which are impossible to articulate. When you try to relate them, there are only sentences, the dregs left from the filter of linguistic structures.
I try and create for the audience something that relates to real-life experience. When you're meeting somebody for the first time, all you have to go on are your preconceptions and your stereotypes and whatever else, but gradually as you get to know them, they change. They become more three-dimensional, and you start to see them in layers.
Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited.
When you're a touring musician, you're always turning over new rocks and there's always a certain level of tension in your life. The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing. After all of these years, I'm still trying to cope with aspects of it.
Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.
I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
There is a Sufi trend, a madhabi Sufi trend, and I don't have any problem with this. What is not acceptable is that, first, some scholars are trying to show to the audience that they are open to other trends. However, when it comes to the retreat or the panels, they don't want to be with some of us because they are scared of being exposed.
High school was the first time I ever saw spoken word poetry. The first place I ever performed a poem was at my school, so in some ways it was the nucleus of how it all started. For me I think high school was a period of trying to figure myself out, and poetry was one of the ways I did that, and was a very helpful avenue to try to do that.
A lot of the reason why the debate is acrimonious is because of the 24/7 news cycles, blogs, and people being able to just throw something out there in order to get attention. And I'm not going be out there doing the same thing, trying to trash my successor or call attention to myself. I hope that's a positive contribution to the dialogue.
Every business tries to turn this year's success into next year's greater success. It's hard for me to see why Microsoft is sinful to do this. If it's a sin, then I hope all of Berkshire Hathaway's subsidiaries are sinners. Someone whose salary is paid by U.S.taxpayers is happy to dramatically weaken the one place where we're winning big?!
The fact is, Scripture is filled with divine actions that don't fit our human standards of logic or morality. But they don't need to, because we are the clay and He is the Potter. We need to stop trying to domesticate God or confine Him to tidy categories and compartments that reflect our human sentiments rather than His inexplicable ways.
I mean, what is racism? Racism is a projection of our own fears onto another person. What is sexism? It's our own vulnerability about our potency and masculinity projected as our need to subjugate another person, you know? Fascism, the same thing: People are trying to untidy our state, so I legislate as a way of controlling my environment.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
We were trying to get all of the planes down out of the sky. And we watched as the towers of the World Trade Center collapsed - something no one expected and anticipated. And you could sit there and see and be aware that thousands of people were at that moment being killed as a result of the terrorist attacks that struck the United States.
I guess it's like trying to put through the flat tax, which is probably my favorite one of all.... if we did pass it, all of a sudden, what do you have? You have the whole tax system run by a little old lady on a home computer, doing the work of all these thousands of bureaucrats and accountants. Passing that would be amazing, wouldn't it?
Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.
Ideally, you will develop strategic response to your place in the corporate lifecycle to identify new paths of strategic renewal. You will look for new growth curves that can be started early enough to replace declining products and you will try to identify whole new curves that will take the organisation to new levels of growth as a whole.
The universe that suckled us is a monster that does not care if we live or die--it does not care if it itself grinds to a halt. It is a beast running on chance and death, careening from nowhere to nowhere. It is fixed and blind, a robot programmed to kill. We are free and seeing; we can only try to outwit it at every turn to save our lives.
When I'm travelling, I always take my little notebook and scribble things down as I watch them; I'm very much geared to everything that's happening. Whereas, the diary I keep is just about a record of a day I've spent. When I'm filming, I'm looking quite intensely at everything I see and trying to get my own eye on what we're going through.
My one piece of advice to anyone trying to do acting - this would just be to keep going. It sounds really basic, but I went to 121 auditions my first year in L.A. That is no exaggeration, because I keep lists - I know it's a little psychotic - of every audition that I have ever been to. I went to 121 auditions and I got none. But who cares?
I will try not to overlook the cruelties that victims inflict on one another as they are jammed together in the boxcars of the system. I don’t want to romanticize them. But I do remember (in rough paraphrase) a statement I once read: “The cry of the poor is not always just, but if you don’t listen to it, you will never know what justice is.
It's one of the underappreciated skills required by an innovator - they have to be able to convince lots of people to do things that might not be fully rational (invest in the company, join something that is likely to fail, try a product they've never seen before), and if you can't tell a good story it is just very hard to make that happen.
Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would have never worked between me and the plate anyway.
After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.
In my little world, I'm very protected 'cause I'm treated like the idiot I am by my buddies. But, a little bit outside that world, people sometimes expect heavy things from me. For a little time, I tried to appease and not disappoint people but in the end you're just going to kill yourself and fail if you're trying to give more than you are.
All you have to do is go back to slavery - days, and there were two types of slaves, the house slave and the field slave. The house slave was the one who believed in the master, who had confidence in the master and usually was very friendly with the master. And usually he was also used by the master to try and keep the other slaves pacified.
Propaganda tries first of all to create conditioned reflexes in the individual so that certain words, signs, or symbols, even certain persons or facts, provoke unfailing reactions...The important thing is that when the time is ripe, the individual can be thrown into action by the utilization of the psychological levers that have been set up.