Trying Quotes - Page 339

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In any authoritarian society, the possessor of power dictates, and if you try and step outside, he will come after you. This is equally true of Sovietism, of China and of Iran, and in our time it has happened a lot in Islam. The point is that it's worse when the authoritarianism is supported by something supernatural.

You liked the freshness of it, c'mon try it" and I said "oh God, I read it three of four times" and finally I said "all right, I want you guys to organize a reading and I want you to be there to see how terrible this is not going to work at all", so we had a table like this, and read the script, and it was just great.

To force yourself out of the comfort zone, the main ingredient is trying to work in a world where you haven't been before, that you don't know the rules of. And that involves a lot of research, so you begin to see where the other people have been, but you are starting from as vulnerable and as low a point as possible.

I began to cry. Barrons looked horrified. "Stop that immediately, Ms. Lane." "I can't." I sniffeled into my cup pf cocoa so he couldn't see my face. "Try harder!" I gave a great sniff and shudder, and turned it off. "I have not been her lover for...some time," he offered, watching me carefully. "Oh, get over yourself!

Vaccines have played a fundamental role in eradicating terrible illnesses such as polio, diphtheria, and hepatitis. However, they bring a risk associated with side-effects that are usually temporary and surmountable... but, in very rare cases, can be as severe as getting the same disease you're trying to be immune to.

It’s impossible to monitor every thought we have. Researchers tell us that we have about sixty thousand thoughts a day. Can you imagine how exhausted you’d feel trying to control all sixty thousand of those thoughts? Fortunately there’s an easier way and it’s our feelings. Our feelings let us know what we’re thinking.

The good part about getting older is you stop trying to prove anything to anyone, including yourself. All you are in the pursuit of is collecting experiences - beautiful, fragile little soap bubbles that you store in your heart, and every once in a while you pull one out and gaze at the delicate pictures it shows you.

Do we have a guide to help us choose the right and avoid dangerous detours? I have tried to pattern my life after the Master. Whenever I have a difficult decision to make, I have looked at that picture and asked myself, "What would He do?" Then I try to do it. We can never go wrong when we choose to follow the Savior.

We tell stories to talk out the trouble in our lives, trouble otherwise so often so unspeakable. It is one of our main ways of making our lives sensible. Trying to live without stories can make us crazy. They help us recognize what we believe to be most valuable in the world, and help us identify what we hold demonic.

People want the nation to transform in the same way they want their own lives to transform. If you're interested in transforming your life, you can't just transform some things. You can't try to fix some things, but sweep other things under the rug because it's too hard to face them. And the same is true for a nation.

You talk more when you're nervous," he said, still standing close to her. "No i don't. That's absurd. I'm just trying to explain to you-" "Do i make you nervous?" "No. I'm not nervous." "You're trembling." "I'm cold. I'm wearing practically zero clothes." His glance went to her lips, then back to her eyes. "I noticed.

One of the things that Claire [ McCaskill] and I are trying to do is put systems on campus in place so that a survivor knows who to talk to - that there's somebody who's an expert on their campus that will know all their options from day one and really empower them to make their own decision about what they want to do.

Versatility is one of the few human traits which are universally intolerable. You may be good at Greek and good at painting and be popular. You may be good at Greek and good at sport, and be wildly popular. But try all three and you’re a mountebank. Nothing arouses suspicion quicker than genuine, all-round proficiency.

Maybe Donald Trump doesn't want the American people to know that he's paid nothing in federal taxes, because the only years that anybody's ever seen were a couple of years when he had to turn them over to state authorities when he was trying to get a casino license, and they showed he didn't pay any federal income tax.

If you sense a deep human need, then you go back to all the basic science. If there is some missing, then you try to do more basic science and applied science until you get it. So you make the system to fulfill that need, rather than starting the other way around, where you have something and wonder what to do with it.

When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."

It seems sensible to discard all hope of observing hitherto unobservable quantities, such as the position and period of the electron... Instead it seems more reasonable to try to establish a theoretical quantum mechanics, analogous to classical mechanics, but in which only relations between observable quantities occur.

In trying to develop an impartial, expansive ethic we are trying to get ethical systems to do something which they did not evolve in order to do. This doesn't mean that it can't be done or that we shouldn't try to expand the reach of our ethical frameworks, only that there are reasons to be skeptical about its success.

A lot of science doesn't require big "ns" but if you're trying to understand something about human health and you're looking at interventions that are not going to be either killing you or making you live forever - they're going to have some tweaking on the outcome - you need big numbers or you don't have enough power.

Approval is a greater motivator than disapproval, but we have to disapprove on occasion when we correct. It’s necessary. I make corrections only after I have proved to the individual that I highly value him. If they know we care for them, our correction won’t be seen as judgmental. I also try to never make it personal.

I've never done an album like this. With Biophilia, I was being like Kofi Annan - I had to be the pacifist to try to unite the impossible. Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.

Any time you lose a few in a row, you have to hit reset and come back tomorrow and do the best you can to forget about how the past series went. It's frustrating. Individually it's frustrating. I'm trying to figure it out. And I know as a team, it sucks losing a few in a row any time. So you know, we'll snap out of it.

It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.

What I like to do is treat words as a craftsman does his wood or stone or what-have-you, to hew, carve, mold, coil, polish, and plane them into patterns, sequences, sculptures, fugues of sound expressing some lyrical impulse, some spiritual doubt or conviction, some dimly realized truth I must try to reach and realize.

For some reason, that I can’t really explain, at the beginning of Radiolab, it always felt like life or death. Even though it was just a radio show. Even though no one was listening. And I am not quite sure why… but it may have to do with that radical uncertainty you feel when you are trying to work without a template.

I've worked with multiple directors throughout the 'Saw' series with a lot of conversations as they bring their particular installment to the screen. If I've been able to do anything throughout the course of these films, it's been to help shape dialogue and to try to make things as delicate and as intelligent as I can.

I feel like I leave every single project feeling like I didn't quite do as good as I wanted to do on it, and I have to just look forward to the next one to try and do better. Because you never quite hit the heights you have in your head for what you're going to do. But you learn something each time, which is important.

I don’t ask writers about their work habits. I really don’t care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they’re actually trying to find out, "Is he as crazy as I am?" I don’t need that question answered.

Democracy is to have different ideas, even extreme ones. In democracy there is space for all of them and bridges to connect them. In Turkey we are losing those bridges, and everyone is trying to destroy spaces for the opposite side. When we look at this, Istanbul is like different courtyards divided by big, thick walls.

When somebody brings me a record to mix, usually they feel like they can only get it so far with who they were working with or with themselves, and they just want somebody with fresh ears to take it to the next level. I just try to have a candid, open conversation with them about each song before we start working on it.

The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.

You try to be faithful And sometimes you're cruel. You are mine. Then, you leave. Without you, I can't cope. And when you take the lead, I become your footstep. Your absence leaves a void. Without you, I can't cope. You have disturbed my sleep, You have wrecked my image. You have set me apart. Without you, I can't cope.

It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing. If everything was as you imagined it to be, it just wouldn't be as much fun.

The psychedelic experience is simply a compressed instance of what we call understanding, so that living psychedelically is trying to live in an atmosphere of continuous unfolding of understanding, so that every day you know more and see into things with greater depth than you did before. This is a process of education.

If there ever was an aviary overstocked with jays it is that Yaptown-on-the-Hudson, call New York. Cosmopolitan they call it, you bet. So's a piece of fly-paper. You listen close when they're buzzing and trying to pull their feet out of the sticky stuff. "Little old New York's good enough for us"--that's what they sing.

The day you shoot something, everything changes. You still have the same overall vision and approach. You create a world that you're going to be true to or the film tells you what you're going to do. And so, it's like you've got a philosophy of what you're doing. You try and have that changing texturally over the movie.

I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.

For me, in terms of personal satisfaction, the mission's already accomplished. I already won. As soon as the journalists were able to work, everything that I had been trying to do was validated. Because, remember, I didn't want to change society. I wanted to give society a chance to determine if it should change itself.

Mitt - what I speak to Mitt Romney about is jobs. What I speak to Mitt Romney about is China, because he's got a great view on China and how they're trying to destroy our country by taking our jobs and making our product and manipulating their currency, so that it makes it almost impossible for our companies to compete.

You know what the reward is to capture Saddam. You don't even need to capture Saddam, just say where he is. It's $25 million. This is what I love about our priorities. We spend $25 million trying to get rid of Saddam Hussein. The Republicans spend $50 million trying to get rid of Gray Davis. It doesn't seem quite right.

When I talk to different lawmakers, I'm trying to get them to reach across the aisle. There's legislation out there that would be helpful for women and families, but like with the Paycheck Fairness Act, legislation has been on the floor many times, and voted down many times. It's something we need to get passed already.

Sometimes if I'm not playing well on stage, I'll purposely play even worse; I'll tear it apart, because I'm so disgusted with what I'm playing that I'll go the wrong route: instead of trying to make it better, I'll go the other way and really make myself sound bad. Which is a kind of a strange outlook I suppose, really.

No matter what part of the world we come from, we are all basically the same human beings. We all seek happiness and try to avoid suffering. We have the same basic human needs and concerns. All of us human beings want freedom and the right to determine our own destiny as individuals and as peoples. That is human nature.

I know what it’s like to be manipulated, Aya-la. And I know what it’s like to be in danger. While your city was building you mansions to live in, my friends and I have been protecting this planet. We’ve spilled more blood than you have flowing in your veins. So don’t try to make me feel guilty! -Tally Youngblood, Extras

You might think of a haunting as a loop of video or audio tape playing itself over and over for you to watch. Trying to interact with it would be akin to trying to interact with a show on your TV: sure, you can turn it off or change the channel, but I wouldn't expect the actors to suddenly stop and talk to you directly.

This is what I would call old politics. This is the stuff we're trying to get rid of. Because the problem is, when we start breaking down into conservative and liberal, and we've got a bunch of set predispositions, whether it's on gun control, or its' on health care, any attempt to do health care is socialized medicine.

Anyone who wants to be an entrepreneur like someone else is actually looking in the wrong direction. You don't look out for inspiration, you look in. You have to ask yourself how can I be better today, at solving the problem I am trying to solve for my company. I wouldn't encourage anyone to be like me. Just be like you.

Trying to overcome addiction is one of the hardest things for a person to do. And the fact that I had to do it under the scrutiny of tabloid press at first made it seem even more difficult. But in fact, it oddly ended up being a plus. Because of the tabloid stuff, it wasn't like I could walk into a bar and order a drink.

The issue for the major companies is how, is how when and where to make their content online. So you look at these major cable companies, whether it's Disney or Time Warner, News Corp., ESPN, USA, they're being very very careful, about making their content available over the internet, and they're trying to figure it out.

I do take lots of time off between projects, but when the right thing comes along, I don't like to turn it down, I've been doing this for a decade, and I remember what it was like when I started. You spend maybe five percent of your time actually doing it, and the rest of the time, you're trying to get that five percent.

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