Quotes of All Topics . Occasions . Authors
The Japanese director Tadashi Suzuki once stated, 'International cultural exchange is impossible - therefore we must try.' I agree with all my heart. The impossibility of seeing beyond one's own cultural context is a political act in the world and has the potential to break down the rigid assumptions surrounding us.
I live in a constituency that is quite rural, there are some very successful hunts there that are abiding by the law as it stands now but who are very often pointing out to me the consequences of the need to exterminate vermin, which foxes are, and the consequences of trying to shoot them and winging them and so on.
Families can be the most detrimental things to have in your life. They are sometimes the most poisonous relationships that people have. Sometimes family is the thing that keeps you from ever achieving what you want to achieve, and yet people hold it and hold it and grab it and try to fix it and twist it and turn it.
Our life has become so economic and practical in its orientation that, as you get older, the claims of the moment upon you are so great, you hardly know where the hell you are, or what it is you intended. You are always doing something that is required of you. Where is your bliss station? You have to try to find it.
You don’t try to build a wall, you don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there… You say ‘I’m going to lay this brick as perfectly as a brick can be laid.’ And you do that every single day and soon you have a wall.
Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.
To seek out the best [persons to serve in the government] though the whole Union, we must resort to the information which from the best of men, acting disinterestedly and with ther purest motives, is something incorrect....No duty the Executive had to perform was so trying as to put the right man in the right place.
Those who pretend to investigate the transcendental truths of the Being based on pure reasoning fall in the same mistake as someone who, ignoring how to use the science's modern instruments, tries to study the life of what is infinitely small with telescopes and the life of what is infinitely large with microscopes.
To try to save for everyone, for the hostile and independent as well as the committed, some of the health that flows down across the green ridges from the skyline, and some of the beauty and spirit that are still available to any resident of the valley who has a moment and the wit to lift up his eyes unto the hills.
The investigation of making is illuminating towards that moment rather than the other way around, a reversal of the way that I would approach making a painting before. I think that it gets to a richer illumination of the moment, which is what I was trying to do at the beginning but going about it a little backwards.
I should say, the one thing you run into is, if you're trying to raise a round you have to decide, well, how much money are you trying to raise? And then you have to justify that to your investors, because they want to know why you [are] raising that much? Why aren't you raising either twice as much or half as much?
Deep down am I superstitious? No. Do I believe in trying to be as kind as possible and as compassionate as possible because ultimately you're alone with yourself and your own conscience, and you want that to be as clear as possible? That's not superstition. You have to just try and stay pure and know what you value.
It's great to create a story and then to submit it to your editor and see what her reaction is to it. It's great to have your editor tell what her suggestions and ideas for the story are. It's great to explain to your editor why her ideas and suggestions are bizarre and to ask her why is she trying to ruin my story.
Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
I cannot save the world, that's not what I'm trying to do. I guess I'm just trying to walk the walk and be an example to those that want it. Not everybody does, but if Mary J Blige can come out of that same hole you were in, then you can do it too - that's my goal: to do that without saying it, but actually live it.
Campaign finance and ethics reform only works if it curtails all special interest groups equally and does not carve out any exceptions to benefit one party or another. 'Pay to play' reform was passed to limit the influence of big spending contractors over the public officials from whom they are trying to obtain work.
We're all puppets, and our best hope for even partial liberation is to try to decipher the logic of the puppeteer. Just because natural selection created us doesn't mean we have to slavishly follow its peculiar agenda. (If anything, we might be tempted to spite it for all the ridiculous baggage it's saddled us with.)
I try to stay fit and eat healthily, but I am not anxious to starve myself and become unnaturally thin. I don't find that look attractive on women and I don't want to become part of that trend. It's unhealthy and it puts too much pressure on women in general who are being fed this image of the ideal, which it is not.
They would grow up grappling with ways of living with what happened. They would try to tell themselves that in terms of geological time it was an insignificant event. Just a blink of the Earth Woman's eye. That Worse Things had happened. That Worse Things kept happening. But they would find no comfort in the thought.
On a certain level, we don't try enough cases. We should try more cases before juries and let jurors decide. On grand juries, my position is the grand jury should be eliminated, but there are creative ways a lawyer can use a grand jury if they have a client with a sympathetic cause who has been wronged by the police.
May Sarton said, "the deeper you go, the more universal you become." It's a reminder to me that those things I try to convince myself I don't need to admit are usually those things I need the most to say. Speaking the truth, in its most poignant details, is liberating and gives those around us the freedom to be real.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
No matter how good you are at sneaking, you can't ever sneak well enough so that mosquitoes won't find you, and no matter how worried and tense you are, or how hard you are trying to pay attention, you just can't help noticing when a cloud of mosquitoes comes for you like you're their first good meal since last fall.
I'm a very fortunate person. I get to choose the movies that I want to do. I have a lot of friends in this industry that don't get to do that. I grew up in L.A. A lot of my friends are actors so I realize every day how lucky I am to have this opportunity, so while I'm here, I'm going to try to do exactly what I want.
It would seem to me... an offense against nature, for us to come on the same scene endowed as we are with the curiosity, filled to overbrimming as we are with questions, and naturally talented as we are for the asking of clear questions, and then for us to do nothing about, or worse, to try to suppress the questions.
Immortality is what nature possesses without effort and without anybody's assistance, and immortality is what the mortals must therefore try to achieve if they want to live up to the world into which they were born, to live up to the things which surround them and to whose company they are admitted for a short while.
I look at people like Picasso and Da Vinci and Escher and Miles Davis, and they'll write or paint that one definitive masterpiece of maybe 50 that they have that's really trying to go outside the box, trying to do something that's tough. And then when you accomplish it, you look back and go, 'Yeeaaaah - masterpiece.'
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I'm not interested in, you know, turning the clock back or pointing fingers, but I am interested in trying to figure out how we come together to chart a better way forward and one that will restore confidence in, you know, small and medium-size businesses and consumers and begin to chip away at the unemployment rate.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.
I read a lot. I especially read memoirs and biographies. It's very helpful when you're thinking about what's possible and what exists in human behavior; if it exists out there then it can exist on the stage. I really try to go to a lot of concerts. A lot of live events. I just try to keep my ears really, really open.
When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
I think, the more of a student I am, the better it will be for my work because it means once you have too many accolades you don't try harder. I would never allow myself to think that I don't have to try harder. I like the idea of always learning, always trying to do better. The word "master" sits uneasy on my terms.
When you're doing something that hasn't been done before, and you're trying to build something that hasn't been built before on a platform that hasn't existed before, you are going to make mistakes. The biggest advice that I can give is to not run away from issues when they occur. Own it. Your consumers deserve that.
Okay, I get kicked off the drums when I try and...the notes just keep coming at you and I'm like "Ahhhhh!" I can't do it. I have literally gotten booed off the stage way too many times. It's terrorizing. The rest of my band mates just are...they tell me to get off. I'm like, "I can play bass. Dunk, dunk, dunk, dunk."
But you know, if you live an affluent lifestyle, there are all types of trappings that are there that you have to be cognizant of, and you've got to try and communicate freely and gain understanding about and then keep moving on, because you know, sometimes lifestyles are chosen for us as opposed to us choosing them.
Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.
The musician of disordered sound, the poet of decomposed language, the painter and sculptor of the fragmented visual and tactile world: they all portray the break up of the self and, through the rearrangement and reassemble of the fragments, try to create new structures that possess wholeness, perfection, new meaning.
Ninety to ninety-five percent of people will withdraw to the comfort zone when what they try doesn't work. Only that small percentage, 5 or 10 percent, will continually improve themselves; they will continually push themselves out into the zone of discomfort, and these are always the highest performers in every field.
For me, having a daughter made me much more efficient and productive. I would wake up in the morning trying to figure out how to organize my day so that I could get home. The phone calls with friends, the lunches out with colleagues - all of that got scrapped so that I could be as efficient and productive as possible.
Next time you bump your head, try to imagine being a monkey and getting a steel plate smashed into your skull at 50 miles per hour. Then, only then should you feel compelled to tell me that I'm wrong about my opinions. For all these things have happened in the name of science. They continue in abundance till this day.
Oh, ma petite, you are growing gargantuan." I looked at him and it was not a friendly look. "Never tease a woman about her weight, Jean-Claude. At least not an American twentieth-century one." He Spread his hands wide. "My deepest apologies." "When you apologize, try not to smile at the same time. It ruins the effect.
The business of the state trying to legislate modesty is relatively both an infantile and ridiculous procedure. Of course, it is true that the more things are secreted the more intriguing they become, because it is always the forbidden that has the strongest appeal. Nudity is a state of fact - lewdity a state of mind.
I think that taxes would be fair if we first get rid of the tax code. This is the ultimate solution, not to just say we're going to trim around the edges, not to say that we will try to simplify a little of this and a little of that. The problem is, replace the tax code, so we can establish tax fairness for everybody.
We do not first get all the answers and then live in the light of our understanding. We must rather plunge into life meeting what we have to meet and experiencing what we have to experience and in the light of living try to understand. if insight comes at all, it will not before, but only through and after experience.
The freeze of a photographic gesture, the fix of an action, how an arm twists, how a smile gets momentarily stabilized or exaggerated - to try to get some of this is important... The photofix inflects the almost literal shaping of a figure, changes of movement or potential movement, and a sense of occurrence or event.
It's easier to do Shakespeare than Spelling, and I know that sounds crazy, because the challenge of Shakespeare is living up to Shakespeare, living up to that word, not failing, you know, where with Aaron Spelling it's like, just try to look good. Or maybe don't use Spelling there, that's bad. No - you can. He's dead.
If you are leaping a ravine, the moment of takeoff is a bad time for considering alternative strategies... Do it in the 'closed' mode. But the moment the action is over, try to return to the 'open' mode... because in that mode we are the most aware, most receptive, most creative, and therefore at our most intelligent.