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With these Funny or Die videos, I do everything for them. I write them, act in them, and co-direct them with my buddy Brian McGinn, who I grew up with. We also edit them together. We're working on a small scale of Internet videos, but we're slowly trying to make them become a bigger thing.
The older I get, the one thing I can trust in myself more than anything else is the way I feel about something. When I photograph I try to be as aware of my feelings as I can be to somehow try and get them out of me and onto the film in terms of the way I am responding or seeing the world.
Here's the beauty of a camera: you don't have to come up with words for what you're looking at... Maybe another angle is needed sometimes. When we're burned out from writing, we can photograph or draw, look at the world in a different way, and photographers could try writing what they see.
My documentaries have always been very much constructed in the spirit of dominant cinema. From the time I started making non-fiction, I was mainly interested in designing and creating documentaries like fiction, so it was a natural evolution to try and embark on doing a dramatic narrative.
I'm a memoir writer. I try to understand the world by taking experiences I have and making them into a story, whether it's a narrative memoir, blogging for The Huffington Post, writing poems, or talking on the screen about what has happened to me and how that relates to the world at large.
There's good directors and bad directors. Some of the critics are really conscientious and really try to do what they can popularize the work or to explain the work and so on. And then there's the critics who just wants to make a reputation by attacking. Those are the ones I'm not keen on.
Science offers us an explanation of how complexity (the difficult) arose out of simplicity (the easy). The hypothesis of God offers no worthwhile explanation for anything, for it simply postulates what we are trying to explain. It postulates the difficult to explain, and leaves it at that.
I think, in fact, that the connections between philosophy and cognitive science haven't gone far enough, metaphysicians should be working closely with cognitive scientists when they try to understand the sources of our experience of parts of the world such as its causal and temporal parts.
I try not to read reviews because I know how sensitive I am and how debilitating it is and how it follows me around. If they're bad, you feel terrible, you feel worthless, no matter if you think they're wrong - and if they're good, it feels cheap and sleazy because you went looking for it.
I do love the feeling of a big win. But you don't have to have a World Series ring to be a winner. A winner is somebody who goes out there every day and exhausts himself trying to get something accomplished. Being able to get the most from their ability. That's what characterizes a winner.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
Just through the process of trying to make the living and the dead feel real, all these little benefits came out. And these benefits turned out to be much more articulate statements of what I really believe. And somehow they were more convincing because they were arrived at at such length.
The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
Once you get older, you get a little closer to yourself, intimate. I've always been very aware of that, more conscious of who I am, how I fit in the thing as opposed to trying to emulate someone else. Though, sometimes I try to emulate De Niro all the time, who is someone I could never be.
The Planned Parenthood 7" project is an example of us putting our noses to the grindstone on and trying to make a little difference. Working on that was my way of handling my own emotions about Donald Trump. I was talking about politics for so long, I just kind of ran out of juice on that.
We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.
Then what's the point of trying if you can't even win?" "You win in lots of different ways," Asher said. "Lots of little wins. The point of this life is not to be good all the time. It's to be as good as you can. No one is perfect. No one does it right all the time. That's not what life is.
The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
It's amazing if you just listen to people. They tell you all the time things that you can do for them, without even realizing what they're doing. I've learned to take notice of those things and if it's something that I feel God wants me to do, then I try to do that to add joy to their life.
A new thing I've been doing is just making sure I clear off my desk and try to only touch a piece of paper once, so I get the mail, open it up, deal with it then. My son's homework, or what I get from his teachers, the same way. That way, it's not nagging me, things to add to my to-do list.
Even though you'll see gnocchi or linguine everywhere in some of the regions of Italy, each of those chefs has their own expression of that which expresses more about the place they were exactly born than it does about trying to be a part of the greater mass. And that's the Italian culture.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.
Osama bin Laden put out a new video. The timing of this video has some people upset, three days before we vote. It looks like he's trying to influence the election. And I'll tell you, it's not going to work. Americans know Osama bin Laden does not pick our president. The Supreme Court does.
I'm a big believer in the truth; I'm a kind of a fundamentalist. My goal is at least to the best of my ability to try to ferret it out. Especially when I believe there is a crime, I'm not a post-modernist: if somebody shot someone or poisoned them, they are responsible for somebody's death.
I have to admit that business-type thoughts do sneak into my head: I hope our customers pay us, I hope this stuff is decent, I hope we get it done on time. The little additions and subtractions that one has to do. Take sales, take costs and try to get that big positive number at the bottom.
The response of anybody interested in liberty is that we all have a say and the ability to have an argument is exactly what liberty is, even though it may never be resolved. In any authoritarian society the possessor of power dictates, and if you try and step outside he will come after you.
I still don't even know if the sheriff will let me see him. And suppose he did; what then? What do I say to him? Do I know what a man is? Do I know how a man is supposed to die? I'm still trying to find out how a man should live. Am I supposed to tell someone how to die who has never lived?
God does not judge us by the multitude of works we perform, but how well we do the work that is ours to do. The happiness of too many days is often destroyed by trying to accomplish too much in one day. We would do well to follow a common rule for our daily lives--DO LESS, AND DO IT BETTER.
I still make paintings and use the figure; it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.
Try to remember the kind of September When life was slow and oh so mellow. Try to remember the kind of September When grass was green and grain was yellow. Try to remember the kind of September When you were a tender and callow fellow. Try to remember and if you remember then follow follow.
We worked very hard on that untitled record to do something different and that we were proud of and to try a bunch of different ideas. It was like this gigantic musical laboratory that we were going to every day. I love that record, I think that's one of the high watermarks of us as a band.
Realizing that the majority of kids that get molested feel that it is their fault, along with shame, those kids have no idea what to say or do to try to report anything, and add that with the lack of education, it is a complete recipe for disaster that leads to non-reporting of molestation.
I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
What I've never wanted to do was allow myself to be put in a box, so I've tried to do a lot of different things so this is a step in trying to do something different so we'll see how it goes. I'm under no illusions that this is slam-dunk. I did the best I could and that's all I can rely on.
Did you hear the one about the woman who is attacked on the street by a gorilla, beaten senseless, raped repeatedly, and left to die? When she finally regains consciousness and tries to speak, her doctor leans over to hear her sigh contently and to feebly ask, 'Where is that marvelous ape?'
Because the 1979 strike against U.S. Steel in Youngstown, Ohio was an occupation - and actually, that's a model that really should be pursued now.They went on from striking to trying to have the workforce and the communities take over the abandoned factories that U.S. Steel was dismantling.
We were still able to see the phone records of a potential terrorist cause, we held them, now you have to hope the phone company still has them, you have to argue with their chief counsel by the time you get access to it, and try to find out who they've been talking to before it's too late.
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
I'm in this process of trying to create a free space. Like an open field, where figure and ground are in very ambivalent, complex relationships. On top of that, I also wanted to see if I could try to blurt something out, or make something completely immediate, that ends up fitting perfectly.
I've been trying to come to terms with what I am and what I do and what I believe in. And I see that I'm not happy with - well, it's almost as if being a poet is not enough for me. It's too late for me to do more now. I did what I could in a small way. I did it as theater, too, to be honest.
Women are the worst. They zero in on some guy.Oh boy, he's the one, gotta get me that one. So they do. Then they spend the rest of their time trying to figure out how to change him. Then if they manage it, they're not all that interested anymore, because guess what? He's not the one anymore.
I think there are a lot of factors going into an election. I think the bottom line is - is that Donald Trump is gonna be sworn in as the 45th President of the United States of America. And it's not necessarily profitable to sort of try to untangle all the different factors that went into it.
All I know is, he found out you left and he locked himself in the shed and barricaded the door. No one's seen him since," Doug said. "When I bolted, Sean and Evan were trying to boost Caleb up onto the roof so he could look through the skylight and make sure the kid wasn't dead or something.
Awareness is our true self; it's what we are. So we don't have to try to develop awareness; we simply need to notice how we block awareness with our thoughts, our fantasies, our opinions, and our judgments. We're either in awareness, which is our natural state, or we're doing something else.
People are starting to acknowledge the direction the media is going. This is a good sign that we'll continue to deliver satire and news and opinion in new and different ways. Why be limited by the medium? I hope that there are more cartoonists and people who are willing to try something new.
You’ve been assigned an identity since birth. Then you spend the rest of your life walking around in it to see if it really fits. You try on all these different selves and abandon just as many. But really it’s about dismantling all that false armor, getting down to what’s real. -Going Bovine
Scott: Friends don't let friends drive drunk. Nora: Are you trying to appeal to my conscience? Scott: How can you turn down a once-in-a-lifetime chance to drive the 'Stang? Nora: How about you sell me the 'Stang for thirty dollars? I can even pay cash. Scott: Drunk, but not that drunk, Grey.
Of course, you've got to reckon with the burden of the past. You can't just easily dismiss it. It is a legacy and often you have to carry an albatross. And it won't happen until people are able to have a certain level of trust and try to speak to each other, not as caricatures but as people.
Do you like vegetables?" Sophie asked, hoping to steer the conversation towards a slightly less dangerous kind of food. "You is trying to change the subject," the Giant said sternly. "We is having an interesting babblement about the taste of the human bean. The human bean is not a vegetable.