Quotes of All Topics . Occasions . Authors
It's a rare and precious thing to be close to suffering because our society - in many ways - tells us that suffering is wrong. If it's our own suffering, we try to hide it or isolate ourselves. If others are suffering, we're taught to put them away somewhere so we don't have to see it.
My problems seemed so glamorous to other people, and everyone just thought I was so lucky. But then, I was lucky because my family was really there for me. I think I just felt like I really wanted to hold on to who I was as a person, and try to have as much of a normal life as I could.
Global warming alarmists invariably try to make their case by resorting to rhetoric, dogma, opinion, and emotion. The closest thing to scientific data in their articles is the occasional chart claiming a poorly understood correlation between atmospheric CO2 and the Earth's temperature.
I have not attempted to try to relive or recreate the past; but I have sought guidance from those timeless elements in the past which remain valid and vital to the future ... The purpose of my art is to seek beauty and truth, and to explore and glorify the human being and the universe.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
I am such a person of words. I've spent so much of my life trying to get it right, say it right, say it eloquently, say it truthfully, say it honestly, that when I hear it said in ways that none of those adverbs would describe I find myself so repelled that it almost shuts my mind off.
What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.
I think when you wear the brand anyway, why not go out and try to promote it and make it as cool as you can? The fact that I can continue to do what I've always done and kind of become the face of that brand is to me, kind of just makes sense. It doesn't make sense not to do it I guess.
The only way to learn a language properly, in fact, is to marry a man of that nationality. You get what they call in Europe a 'sleeping dictionary.' Of course, I have only been married five times, and I speak seven languages. I'm still trying to remember where I picked up the other two.
When we were trying to get the money together for the film, one reason that was consistently given for not investing in it was that everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.
I'm trying to think of myself at a quiet time. I need to do better with a quiet mind because I'm constantly going and I think that's what feeds me. I've been that way my whole life. But I don't think I picture things so much as I talk them through. Words, words, words. Words and melody.
Like everyone, I'm saddened and horrified by this. All I'll say is that I'm personally trying to pay more attention to the victims than to their murderer. I certainly will not be mentioning the murderer. I don't think he warrants our attention-particularly since he so clearly wanted it.
The problem is so severe that trying to say, "First we'll fix the government and then we'll tackle climate change," or, "First we have to figure out alternative systems to capitalism and then we'll tackle climate change," I don't see how those things are possible in the very short term.
It's in the nature of stock markets to go way down from time to time. There's no system to avoid bad markets. You can't do it unless you try to time the market, which is a seriously dumb thing to do. Conservative investing with steady savings without expecting miracles is the way to go.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
Keith Olbermann is trying to make a business out of destroying Bill O'Reilly. He's done certain things to Bill O'Reilly that I believe were way over the line. I think that's bad behavior. But it's okay for him to criticize Bill. And Bill shouldn't be so sensitive. He should ignore that.
You try to find the internal life, but a lot of it is creating it through physical behavior and figuring out the voice when you create as much of a past as you would in a naturalistic piece. But it's fun, because it's like you're learning something, learning some kind of physical skill.
If I had a script that I was ready to shoot tomorrow, I'd work on it every day until we got into production as soon as possible, but I don't have that script yet, so I'm trying to find and support writers, really young writers and hopefully come across a story that I wanna tell one day.
I was letting go and undoing the hell I had created. By squaring all with love, trying to love rather than trying to be loved, and by taking responsibility for all that was happening to me; finding my subconscious thought and correcting it, I became freer and freer, happier and happier.
I'm giving my fans the songs that they want to hear from me. Why do we love to hear ourselves being downgraded. Why do we love to hear the negative situations that we see in our lives daily? I'm not trying to make sense of it, I'm not giving any solutions, I'm just tossing the question.
In the Japanese movie's they're throwing everything they have at him, every missile, but he keeps coming, he can't be stopped and that represents death. There's nothing you can do to stop it, to keep yourself from dying. You can try every trick in the book and it still won't prevent it.
What I was saying back then was that we have a lot of public health costs that taxpayers end up paying for through Medicaid, Medicare, through uncompensated care, because that was in the context of the push for health care reform and that we needed some way to try to defray those costs.
I think one of the lessons of the Depression - and this is something that Franklin Roosevelt demonstrated - was that when orthodoxy fails, then you need to try new things. And he was very willing to try unorthodox approaches when the orthodox approach had shown that it was not adequate.
I spend a lot of time out there. I've got a lot of family that lives in Inglewood and surrounding areas. So I'm right in the hood, every time I go there I go see my peoples. I rep real hard for the people that I see that are the counterparts of what I'm trying to do out here, out there.
Repetitiveness is one of the things that's most difficult to get away from in genre pictures, because people come specifically to see certain kinds of things but get disappointed if they're presented in the same way. So to try to find a new way to show old stuff is always the challenge.
Any Hamas or Zionist type who tries to interfere with the labor unions and grab the money will be marched to the guillotines and subsequently beheaded. And isn't that easier and more productive than some endless, bloody conflict? So sayeth the gospel of common sense. Happy Mother's Day.
The point is that only one thing matters in this world, to prepare oneself for death. One can try to be as comfortable as possible until one dies... Because being comfortable does not have any meaning either. It just does not. Everything is only a big meaninglessness that one must bear.
I may be biting off more than I can chew, but with 'The Simpsons' and with 'Futurama,' what I'm trying to do in the guise of light entertainment, if this is possible - is nudge people, jostle them a little, wake them up to some of the ways in which we're being manipulated and exploited.
We have a business that some people feel pollutes, and I happen to agree with them. ... And so on the basis of trying to do good and, you know, hopefully turn a profit, what we did was we pledged that we'd put all the profits from our airline business into trying to develop clean fuels.
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
That's the thing about letting old lovers go. You don't stop loving some of them. There are a couple you love no less than you ever did. Not to mention namesbut I'm still in love with a couple. You're not going to try and make it work again, but if they needed you, you'd drop everything.
The inexplicable happens all the time. It makes more sense to simply accept things we observe but cannot understand. It is really more scientific to keep an open mind. Until we can understand and explain the things we now label miracles, let us accept them and try to create more of them.
I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as a nuclear explosion to a firecracker.
Woe be to him who tries to isolate one department of knowledge from the rest. All science is one: language, literature and history, physics, mathematics and philosophy; subjects which seem the most remote from one another are in reality connected, or rather they all form a single system.
We always for better or worse try to put on paper what's going up on screen - whether we're directing it or not. It's really just an extension of that habit which is trying to tell the reader what the movie will look like. Ultimately that is the job of a screenwriter to a certain extent.
There've been times when I have existential conversations with myself, and I've thought about leaving and trying to apply my education better. But ultimately it doesn't really matter. Learning how to write, learning how to write papers and structure, that's been very helpful for writing.
I don't try and guess when to get in and out of the market. I have owned stocks consistently since 1942. I owned the - I was buying stocks the day before the election. I was buying the same stocks the day after election. And if Hillary had been elected, it would have been the same thing.
One set of circumstances does not complete you. Maybe nothing ever does. So you work on your life and you work on your 'work' and you try to live every single day like it's your last. And you try to be better, to yourself and to others. I don't always succeed. But I try and it's my goal.
I think I'm misunderstood when I post these comments about films. So here is Kate Winslet sitting on - you know, laying on this plank. This ship is down. She let her boyfriend drown. They didn't even try a second time to get him to float on that with her. So I'm angry by that. I think...
I've got categories of jobs, and one of the categories is 'money jobs.' If one of those comes along and I have to make a living, even if I don't like the script that much, I'll do it and just try to stay above water, which I'm able to do most of the time. I try not to sink with the ship.
I resolve to venture into the city on my own. I look at maps in the library—subway maps, bus maps, and regular maps—and try to memorize them. I’m afraid of getting lost; no, I’m afraid of sinking into the city as in a quicksand, afraid of getting sucked into something I can never escape.
I feel like you have to go looking for spoilers. I'm not on social media, so I will watch a show that was on ten years ago, and clearly I could find out every single piece of information about that show, but I'm not trying to spoil myself. You definitely participate in your own spoiling.
The reason I don't like interviews is that I seem to react violently to personal questions. If the questions are about the work, I try to answer them. When they are about me, I may answer or I may not, but even if I do, if the same question is asked tomorrow, the answer may be different.
Every gathering has its moment. As an adult, I distract myself by trying to identify it, dreading the inevitable downswing that is sure to follow. The guests will repeat themselves one too many times, or you'll run out of dope or liquor and realize that it was all you ever had in common.
What I am trying to argue here [Save Calvinism] and in other works before this one is that the Reformed tradition as I have characterized it is much broader and richer than many of us today imagine. It is not just about "Five Points," and it was never just about [John ] Calvin's thought.
At what point does a fly give up trying to escape through a closed window – do its survival instincts keep it going until it is physically capable of no more, or does it eventually learn after one crash too many that there is no way out? At what point do you decide that enough is enough?
There's a moment in Sarah Manguso's The Guardians when she writes, "I try not to make anything up, and I fail every time." I get giddy when I come across lines like that - when the writer is not only making a meta-move, but one that troubles truth and fiction, the nature of genre itself.
Every second of the search is an encounter with God. When I have been truly searching for my treasure, every day has been luminous...I've discovered things along the way that I never would have seen had I not had the courage to try things that seemed impossible for a shepherd to achieve.
Part of my reaction to my diagnosis of infertility was deeply sarcastic and critical, part of it was morbid, part of it was numb, part of it was neurotic and desperate. To mush all of those notes together would cancel them out. I ended up just trying to keep them as separate as possible.