Quotes of All Topics . Occasions . Authors
A lot of times we set ourselves up to fail. It's interesting. A lot of times the resolutions we choose are the ones, like you said in the opening, we keep breaking over and over again. Sometimes it reflects parts of ourselves that we really need to accept instead of trying to change.
In really every area of the mayor's life, whether you're trying to fill in holes in the road, trying to keep your community safe, trying to have the robust neighborhood life, or trying to encourage the arts - really at every turn our job has gotten a lot harder under president Trump.
But what if I fail? You will. A better question might be, ‘after I fail, what then?’ If you’ve chosen well, after you fail you will be one step closer to succeeding, you will be wiser and stronger and you almost certainly will be more respected by all of those that are afraid to try.
A great many people wonder why it was that Christ did not come at once to Martha and Mary, whom He loved, whenever He heard of their affliction. It was to try them, and it is the same with His dealings toward us. If He seems not to come to us in our affliction, it is only to test us.
For a lot of people, when something happens that gives them 15 minutes of fame, they try to create something new out of that. I was really fortunate. For a professional speaker, it is all about press, publicity and PR, so to get that much free publicity ... it made life a lot easier.
I try to physically and mentally immerse myself in whatever it is I am doing. That is good for me as an artist. I am always looking for that part that I have never done before, which makes it all the more difficult, because people want to hire you for what theyve already seen you do.
There's nothing cutting edge about what I'm trying to do. I'm not creating a new sound. I'm not like Bjork, who's an alien from another world. I'm of the earth. You could extract any measure of music out of anything I've ever done and you could find its affiliations in music history.
Everything had kept getting less, they'd had to leave behind more and more baggage, or else it was taken from them, as though they were now too weak to carry all those things that are part of life, as though someone were trying to force them into old age by relieving them of all this.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.
We literally have some of us in the modern culture trying their best to stomp out every other way of life, really. People in tribes are depicted as completely primitive and crazy. The way that we live is very pigheaded and very unaccepting of other ways of life, especially in America.
If nothing else, I want women to understand that they are powerful. If you look back at history, in almost every big moment, in every leap forward, you find ordinary women at the core. We have more ability to make changes in the world than we can imagine if we have the courage to try.
Perhaps we wouldn't eat so much, or smoke, or drink so much if we were paying attention to ourselves. Perhaps we wouldn't talk so much if we were paying attention to each other. All these oral activities are trying to meet a need, and perhaps the greatest need is to be seen and heard.
It is worth taking the leap for something you have always wanted to do because until you try you'll never know. Through the experiences I have had and the risks I have taken, I have gained courage and confidence. I didn't start with the courage and confidence. I started with the risk.
Malander had an idea and was trying to work it out, but it would take him time. Sometimes people never saw things clearly until it was too late and they no longer had the strength to start again. Or else they forgot their idea along the way and didn't even realise that they forgotten.
Actors are observers. They're trying to have an understanding of human sensibility. And how do you have that accurate observation if you regard yourself as someone of great importance? When you're the one constantly being observed, because they view you as a celebrity? It's all wrong.
I was really interested in a pretty simple thing: what happens when someone tries to introduce moral considerations into Wall Street, what happens when someone wants to actually demand of himself and those who work with him that what they do is not just profitable but good and useful.
You have to let go of stuff when you act for a while. You stay too attached to things that have worked or haven't worked, it kind of makes it harder for you to move forward. So I try to concentrate on the experience that I have and then let the public expression of it be its own deal.
We live in a highly competitive society, each of us trying to outdo the other in wealth, in popularity or social prestige, in dress, in scholastic grades or golf scores. One is often tempted to say that conflict, rather than cooperation, is the great governing principle of human life.
It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.
If we are deeply moved by the sight of his love for us, it detaches our hearts from other would-be saviors. We stop trying to redeem ourselves through our pursuits and relationships, because we are already redeemed. We stop trying to make others into saviors, because we have a Savior.
There never was a sounder logical maxim of scientific procedure than Ockham's razor: Entia non sunt multiplicanda praeter necessitatem. That is to say; before you try a complicated hypothesis, you should make quite sure that no simplification of it will explain the facts equally well.
Given a conjecture, the best thing is to prove it. The second best thing is to disprove it. The third best thing is to prove that it is not possible to disprove it, since it will tell you not to waste your time trying to disprove it. That's what Gödel did for the Continuum Hypothesis.
The oppression of it, the sense of helplessness, and really being part of a system and a bureaucracy that is arbitrary. I never thought of the depth of losing your freedom and what that meant. And I was surprised and delighted by ways people maintain their humanity and try to survive.
With pornography, if you don't get hard or wet, depending on your gender, it didn't work. With humour, if you don't laugh it didn't work. And with horror, if you don't get scared or haunted, depending on what it's trying to do, it didn't work. I'm fascinated by those three categories.
Never try to get your kid to eat anything she doesn't already want to eat. Just eat interesting stuff in front of her while completely ignoring her. Never, ever suggest "try it." Never say those dreaded words "try it, it's good." Or worse, "It's good for you." That'll poison the well.
What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.
I call it 'new forms'. When you're starting out, they ask you to do four or five minute sets, but once you're a headliner, you do like 90 minutes. I try to think of different things to divvy up the show, like doing drawings, playing music... I gotta carry the show, that's the problem.
I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
These are things I'd never seen before, they were very disturbing and they were very compelling to try and do something to change the situation for the animals. Farm animals are providing us with the food to stay alive, so I think we really owe them a decent life while they are alive.
As in the case of many of the stories that I've written I'm not trying to editorialize. I don't want there to be a message at the end of anything I write. Otherwise you wouldn't trust the characters. They'd feel less organic and more like puppets that are sharing the author's opinion.
I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
As far as the environment is concerned, I am becoming pessimistic because I do not see anybody stepping up and taking the long view approach. It seems like we're stuck in a tragedy of the commons where everyone is trying to contribute as little as possible to get out of this situation.
Governments, whatever their pretensions otherwise, try to preserve themselves by holding the individual down ... Government itself, indeed, may be reasonably defined as a conspiracy against him. Its one permanent aim, whatever its form, is to hobble him sufficiently to maintain itself.
I try always to intimate with the world… with everything I can, to feel love for it, or interest in it. To be intimate you have to open yourself, to be fearless, to trust what is around you, animate and inanimate. Then you start to change the scale of things, of the public and private.
The story comes around, pushing at our brains, and soon we are trying to ravel back to the beginning, trying to put families into order and make sense of things. But we start with one person, and soon another and another follows, and still another, until we are lost in the connections.
Upscale young men seem to go for the kind of woman who plays with a full deck of credit cards, who won't cry when she's knocked to the ground while trying to board the six o clock Eastern shuttle, and whose schedule doesn't allow for a sexual encounter lasting more than twelve minutes.
I try to be outraged by things that other people are just very accepting of, as though they're normal and can't be changed. A lot of what I write about is, "Hey, you know, this stuff is really awful, and it doesn't need to be, and that's why it's so offensive." Things should be better.
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.
There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.
The media cannot come separate [Donald] Trump from his supporters. Only Trump can do that. They're trying, they're gonna keep trying because they think they can. They did it with [George W.]Bush. They did it with [Mitt] Romney. They did it with [John] McCain. They did it with Bob Dole.
I like the desperado aspect of essays, the free lance, that mercenary kind of thing, so I just do it, without asking anyone's permission. I've never written a query letter, I don't pitch pieces, I have no market in mind, I don't spend any time trying to figure out where I might fit in.
You don't want to continue to do one thing and only one thing. You want to keep challenging yourself and if you do well at it, great, if you fall on your face, you tried. Like, she's really terrible at comedy! Who knew? But if you didn't try and put yourself out there you'd never know.
Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
I think it's a relatable concept - when you have a long-term relationship or marriage, and you want to try to be friends with that person, because you kind of grew up with that person and they know you better than anyone, and how it's just impossible to make that transition seamlessly.
Horace, who had been trying to find out the meaning of Kurokuma for some time now, was pleased to hear the translation. "Black bear," he repeated. "It's undoubtedly because I'm so terrible in battle." "I'd guess so," Will put in. "I've seen you in battle and you're definitely terrible.
So, it comes to pass that, when we pursue an inquiry beyond a certain depth, we step out of the field of psychological categories and enter the sphere of the ultimate mysteries of life. The floorboards of the soul, to which we try to penetrate, fan open and reveal the starry firmament.
Die-hard conservatives thought that if I couldn't get everything I asked for, I should jump off the cliff with the flag flying-go down in flames. No, if I can get 70 or 80 percent of what it is I'm trying to get ... I'll take that and then continue to try to get the rest in the future.
I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.
So, the next film won't necessarily be modern-day Albany, Georgia but we're grateful for the films we've made (with Sherwood). The church is an amazing church. We're gonna grow as filmmakers and invest in the next generation of upcoming filmmakers and try to duplicate what we're doing.