Quotes of All Topics . Occasions . Authors
There's a part of me, and I'm sure every single musician that writes for themselves has this: there's a layer of precious that you have to shed. I'm constantly trying to let go of, "Well, what about this, this would be cool." Some of that is needed, but a lot of it is total BS.
I think Donald Trump is going to try as best he can to make sure that he delivers not only to the people who voted for him but for the people at large and the good thing is that there are going to be elections coming up so there's a built-in incentive for him to try to do that.
You have to be able to say, OK, that happened back then. Now let's take it from here and see what happens. It would be very easy to hate people for the rest of your life, and some people have done that. You've got to deal with what's happening now and try to make things better.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
We must come together in ways that respect the solitude of the soul that avoid the unconscious violence we do when we try to save each other that evoke our capacity to hold another life without dishonoring its mystery never trying to coerce the other into meeting our own needs.
Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
Milo refreshed Rae's drink and said, Talk to her. You need to get it off your chest." Then Milo turned to me and said, "Why don't you try a more subtle approach." "I demand you tell me your troubles," I said to my sister. "You're not as funny as you think you are," Rae replied.
I’m trying to please myself; certainly that’s a big criterion... though in a sense, I don’t take images just for myself. I take images that I think other people will want to see. I don’t take pictures to put in a box and hide them. I want as many people to see them as possible.
All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle.
Everytime a lawyer writes something, he is not writing for posterity, he is writing something so that endless others of his craft can make a living out of trying to figure out what he said. Course perhaps he really haden't said anything, that's what makes it so hard to explain.
The big challenge for me was just trying to ignore the embarrassment of being an actor. It's a pretty embarrassing thing to do. You've got people pointing cameras at you and hundreds of people watching you, as you're trying to be great. And often, almost every time, you're not.
I like rules. I like definitions, categories, and writing advice of all sorts. When I'm writing fiction, there are often a lot of things for me to try to get right at once, and rules help me to stay organized. But my favorite rule of all is that, ultimately, there are no rules.
How I loathe the servitude people try to hold up to me as being so valuable. I pity the man who is condemned to it, who cannot generally escape it, but it is not the burden of his labor that disposes me in his favor, it is - it can only be - the vigor of his protest against it.
ASTONISHING, said Death. REALLY ASTONISHING. LET ME PUT FORWARD ANOTHER SUGGESTION: THAT YOU ARE NOTHING MORE THAN A LUCKY SPECIES OF APE THAT IS TRYING TO UNDERSTAND THE COMPLEXITIES OF CREATION VIA A LANGUAGE THAT EVOLVED IN ORDER TO TELL ONE ANOTHER WHERE THE RIPE FRUIT WAS.
You have to be doing something you enjoy. That is a definition of happiness: Complete use of one's faculties along lines leading to excellence in a life affording them scope. It applies to women as well as to men. We can't all reach it, but we can try to reach it to some degree.
The performance of buggery is no more inevitable a part of homosexuality than an orange syllabub is an inevitable part of a dinner: some may clamour for it and instantly demand a second helping, some are not interested, some decide they will try it once and then instantly vomit.
I have a supermarket full of ideas and the challenge is how many ideas can I get in my cart before I'm gone. When you're doing it, you're not focused on success. It's not a matter of modesty. You're simply trying to get all the things done that you want to get done in your life.
You're not going to stay in business, the business of making movies very long because you need the resources in order to keep going. So you have to try and find a niche audience or some kind of audience that has the same likes, dislikes and aesthetic sensibilities that you have.
Between films you try to fill your life with hobbies; acting is really so satisfying when you're doing it, and definitely feeds your imagination and creativity to a great degree, but you can't really take much away from it to show for it. I try to fill my time with other things.
I feel like it is easy to get people to see eye-to-eye with you on little things, but if I were to talk about my faith as a whole, people tend to turn off to that. They feel like you are trying to persuade people to think like you do, and that's not really what I'm trying to do.
The family is constantly changing, as each member changes. Some changes we recognize as developments, and the pleasure they bringusually makes us more adaptable. Some changes threaten, or disappoint other members, who may try to resist the change, or punish someone for changing.
I usually have to find something where I go, "I have to do this." Sometimes you don't even know what the question you're trying to answer is, but you go, "This is something I need to explore and want to explore, and it's inside me in a way that I think I can do a good job with."
I'm a mixture of Anglo-Saxon, a bit of Spanish and one-eighth American. I've often wondered if I have an Asiatic ancestor from the East as well because I have deep-set eyes. Make-up artists are constantly trying to shade my eyelids, and I have to point out that I don't have any!
Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.
Brethren, understand that the gospel is a gospel which brings a present salvation; and try to feel that it is not presumption, but simply out of the very fundamental principle of it, when you are not afraid to say, "I know that my Redeemer is yonder, and I know that He loves me.
The balance when you're catching people up, and the craft of what we do as actors, is to try to make sure that the exposition sounds like thought and dialogue, and a plan or a problem or something that is motivationally induced, rather than just telling the audience information.
What identifies an individual as a king is how other people behave towards him. All authority is assumed, and if other people don't accept your authority then you don't have it. Perhaps the critical thing to being a convincing figure of authority is actually not to try too hard.
Helda's been trying to impress me with the embroidery on the sheets. One more minute and I thought I might use them to hang myself." "My mother did the embroidery," Bittterblue said. Katsa clapped her mouth shut and glared at Helda. "Thank you, Helda, for mentioning that detail.
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
No one is innocent in the tide of history. Everyone has kings and slaves in his past. Everyone has saints and sinners. We are not to blame for the actions of our ancestors. We can only try to be the best we can, no matter what our heritage, to strive for a better future for all.
I'd be happy to be taken as a woman - and that's what I was initially trying to do when I started throwing on dresses and stuff. But that wasn't going to happen because everyone kept calling me sir. So I thought I'd change the method and just start wearing what I wanted to wear.
Dear Baby, I hope someday somebody wants to hold you for 20 minutes straight and that's all they do. They don't pull away. They don't look at your face. They don't try to kiss you. All they do is wrap you up in their arms and hold on tight, without an ounce of selfishness to it.
A liberal was somebody who expected and hoped that government would help the poor - you know, that whole routine. I did not know then and I've learned since that in an area that means a lot to me, free speech, liberals are as bad as many conservatives in trying to censor speech.
I can't count the times that upon telling someone I am vegetarian, he or she responded by pointing out an inconsistency in my lifestyle or trying to find a flaw in an argument I never made. (I have often felt that my vegetarianism matters more to such people than it does to me.)
Poetry is poetry. My process is I try to write the best poem I can, in the best way to communicate whatever it is the poem is trying to communicate, and then I try to figure out the best way to present that poem to a live audience. It's all craft, just different stages of craft.
The relationship that we have with Russia is solely because of Putin. What he's done is an affront to the American people to try to have an effect on the election outcomes here. It had to be spoken to. I think we did it in a very appropriate manner. I'm proud of the legislation.
I try my very hardest to remember that I don't have to be anything but Evangeline. That's all that's expected of me. And if I try to be more or less, I will fall flat on my face. So if I just continue to hold my head high and keep myself in check, I'm being who I was born to be.
I try to take interest in whatever comes my way. Another aspect of this is [that] if at the beginning it seems like something I don't want to do, I ask myself why I don't want to do this and why I feel this way. It's perhaps rooted in the fact that I'm trying to avoid something.
I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.
I always like to cite John Cage's mantra, "If you can stand it for two-minutes, try it for four." In fact, when I look at some of those early films of mine, I think, "Oh my God. Cut it, cut it." The general sense of duration has changed over the years, my own sensibility with it.
I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.
When you travel as secretary, one problem you have is that the press comes with you and wants an immediate result because it justifies their trip. And sometimes the best result is that you don't try to get a result but try to get an understanding for the next time you go to them.
I became immersed in the cult of improvisation. I was like one of those athletes trying to get into the Olympics. It was all about blind focus. I was so sure that I was doing exactly what I'd been put on this earth to do, and I would have done anything to make it onto that stage.
I think sometimes I get carried away, like I'm speaking to an imaginary audience rather than just trying to figure something out for myself. Ideally, I try to balance that - that I'm asking these questions of myself, how does this work, why does this happen, what's going on here.
I should love to satisfy all, if I possibly can; but in trying to satisfy all, I may be able to satisfy none. I have, therefore, arrived at the conclusion that the best course is to satisfy one’s own conscience and leave the world to form its own judgment, favorable or otherwise.
The mistakes we make when we try to imagine our personal futures are also lawful, regular, and systematic. They, too, have a pattern that tells us about the powers and limits of foresight in much the same way that optical illusions tell us about the powers and limits of eyesight.
Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
oh, my God," I whispered. "But how did they get my photo? Alex tapped his mouth with his thumb. "That ...book with everyone's picture in it, that you have in high school." "Yearbook," I said. Was he trying to be funny? But of course he was right; that's exactly where it was from.
I never sit and fill a journal with lyrics. Most of the time I'm trying to write a feeling, not a story. I'm not necessarily trying to describe the details of a place or event so much as the feeling of the thing. It is a kind of weird alchemy that is elusive until it feels right.
Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.