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I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
Nine times out of ten, I'm trying to meet someone else's expectations, whether it's the director or the writer or the animator, when I go back in to re-record a line. I'm the icing on the cake, but the cake is the thing. I'm really just a hood ornament on a very solid vehicle.
Public opinion which, to be sure, can at times be helpful, must never for an instant swerve us from what we know in our heart we are trying to convey. For honesty is the great requisite of art. If we remain honest with ourselves, art, which is always there, never lets us down.
Then it's settled," I said. "We'll do a dream conference call." That love and rapture faltered. "Wait. How is it settled? How did we go from me declaring my love for you to me being okay with a dream?" "It's Adrian Ivashkov logic. Don't try to understand it. Just roll with it.
You could easily spend several lifetimes trying to master film. It make very good use of all the things that I love. Narrative, image-making, also sound and music. It's so full that I can't really imagine getting tired of it. Or getting to the point like I feel like I know it.
Your trying to take them away from me, and I can't let you do that.I'm not ready to let go." "Exactly what am I taking away?" "My family." "Brenna..." She wouldn't let him continue. "You are trying to take them away, aren't you? And if you succeed, what will I have left?" "Me.
I'm happy when I see a girl on the bus, or on the street, and start wondering about her. Sometimes I see a woman and I ask myself: Who is she? You want to know what her job is. Who she is? You start fantasizing. There's a certain aura, a certain charm that we try to reproduce.
We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard.
Things like science and technology still leave some gaps, so it's not as if everybody was sitting around doing nothing, but the bureaucracy and the whole structure of our culture is basically built out of men trying to be legitimate and making things up so they look important.
I kept pushing against the black, though, almost a reflex. I wasn't trying to lift it. I was just resisting. Not allowing it to crush me completely. I wasn't Atlas, and the black felt as heavy as a planet; I couldn't shoulder it. All I could do was not be entirely obliterated.
I was in school to play basketball; I wasn't trying to be a doctor. It's hard to talk about the NCAA rules and everything that happened in the past because I've just been focused on practicing and getting ready... I was trying to reach my dreams, and that's to play in the NBA.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
Try asking for Nyx's help." "Nyx would not hear me." Kalona spoke so quietly that Shaunee almost didn't hear him. "she has not heard me for eons." "During those eons how many times did you ask for her help?" "Not once," he said "Then how do you know she's not listening to you?
I'm just trying to do whatever is asked of me. I've been thrown into many different positions. Sometimes I'm on the left. Sometimes I'm in the middle. Sometimes I'm up top. So you always have to be prepared. I'm learning a lot so hopefully I can keep getting better and better.
What tends to happen is that people will go - they've got hot broth, you know, they've added some liquid to their drippings, they've brought that up to heat. And then they try to add in a big clump of just kind of a handful of flour, and of course, it turns into library paste.
Scholars do one of two things when they discover information that doesn't fit what they already know. Either they sweep it aside so it doesn't bring their cherished theories into question or they focus on it with laserlike intensity and try to get to the bottom of the mystery.
I don't worry about budget, at least not early on. I discovered that if you start worrying about budget, then you'll get half of whatever you're trying to worry about. You're constantly working yourself into a corner. So, you just shoot for the stars and then see what you get.
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
If I wasted my time trying to be like everybody else when I was 10 and 11, I wouldn't be me today. So if you are gonna be the future rockstars, the future somebody, whatever you wanna be then you're wasting your time trying to be somebody else, because you'll never get to you.
There's all of this stuff where we have so much debate over nonsense; it could be cured if we had a better educational system, if we trained people to really try and look into things on their own. That's a tough thing to do, particularly with the educational system staggering.
Life is made of fear. Some people eat fear soup three times a day. Some people eat fear soup all the meals there are. I eat it sometimes. When they bring me fear soup to eat, I try not to eat it, I try to send it back. But sometimes I'm too afraid to and have to eat it anyway.
I'm the kind of person where you're never done, you just keep perfecting and perfecting and perfecting, or trying to fix things that drive you crazy. Often times when you watch a film, "if I could just get through this minute, I'll be fine." So I think I'm just hard on myself.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
An artist or writer always has to move forward. All the time you're trying to improve yourself, or at least look at ways to improve things or make things better. I'm not really one to harp on previous records. I'm always looking forward to what I'm doing now, and what's ahead.
Nothing can fill the gap when we are away from those we love, and it would be wrong to try to find anything.....It is nonsense to say that God fills the gap; he does not fill it, but keeps it empty so that our communion with another may be kept alive, even at the cost of pain.
I'm good at using my face as a canvas… I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
I became obsessed with the true stuff, and that led to shaping 'The Way Back' screenplay somewhat toward a minimalist style, to avoid free-hanging moments, and to hold the music back, so it would never lead you to an emotion, and to try to make the emotions as real as I could.
You're trying to tell me that everything you've done is for a good cause. You think that all this killing is worth it because of the results. I'm not sure I agree. Lots of people work for charity; lots of people want to change the world. But they don't have to behave like you.
I should be able to look at my accolades and go, "Come on, Paul. That's enough." But there's still this little voice in the back of my brain that goes, "No, no, no. You could do better. This person over here is excelling. Try harder!" It still can be a little bit intimidating.
I'm always open to new, innovative stuff and people trying to do stuff in a different way. I knew that the theatrical release would be like getting on the launch pad for Amazon Prime but I was okay with that because I think what Jeff Bezos and Ted Hope are doing is innovative.
If a totally new image is to come into being however, there must be sensitivity to internal messages, the image itself must be sensitive to change, must be unstable, and it must include a value image which places high value on trials, experiments, and the trying of new things.
I'm a fan of Hugh Kenner, Richard Ellman, Lionel Trilling and Frank Kermode. All these people have taught me how to read - but perhaps, above all literary critics, I'm indebted to Wayne Booth (several people have suggested to me that I'm trying to reinvent "ethical criticism").
Why do alcoholics begin down the same hazardous road day after day? They are in search of that elusive window of well-being that opens when you drink your way out of a hangover and aren't yet drunk all over again. The alcoholic's day consists of trying to keep that window open.
What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.
As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.
I always say if you're going to do a movie about Charles de Gaulle get a Frenchman, you know. I'm not French. And yeah, sure I could get with a dialect coach and work for six months trying to talk like a Frenchman. But there's some French actors. Just get one of them, you know.
Raise your quality standards as high as you can live with, avoid wasting your time on routine problems, and always try to work as closely as possible at the boundary of your abilities. Do this, because it is the only way of discovering how that boundary should be moved forward.
I've certainly had to go through trying to change the fact that I was always identified as the widow of Notorious B.I.G. You know, I'm never going to be able to get away from having been married to him, but that's not what identifies me. You know, my life isn't just about that.
Trying to understand, inside, what it is to be Ugandan was crucial to the character, because there are Ugandan ways of doing things that I was trying to capture. Even if I had made this movie in South Africa, it would not have been the same, because it is so specific to Uganda.
I made a rule for myself in my early 20s not to become a record collector in the sense that I reference all my old records. I can't live like that. I'd just be trapped in comparison, trying to emulate something, so I made a rule to just buy what I need, just the records I need.
We still want to idealize moms, and sometimes we want to idealize actresses who are moms, too. I know that's something I've experienced, but we're all just doing the best we can and we're all trying to raise our kids and talk to them about everything that needs to be discussed.
It's been great, I have to dig deep for really raw emotions and at the same time I have to use my intellect to say the ridiculous medical jargon while acting and treating a patient and then I have to try to have a personality and emotions as well. So it is definitely hard work.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling and I really try to think about what people want.
Economics was like psychology, a pseudoscience trying to hide that fact with intense theoretical hyperelaboration. And gross domestic product was one of those unfortunate measurement concepts, like inches or the British thermal unit, that ought to have been retired long before.
I`ve heard this theory that this is basically Jeb`s [Bush] people trying to get their supporters to basically put the stake in Marco Rubio because if people are talking about accepting [Donald] Trump over [Ted] Cruz, what they`re really saying is Marco Rubio`s no longer viable.
The things I talk about and explain couldn't happen - yet, they don't seem impossible - you could say I talk about the world in an abstract perspective. But then, the world is basically insane - and it's trying to pass itself off as being a sane place. I show it for what it is.
If you see Allah, Mighty and Magnificent, holding back this world from you, frequently trying you with adversity and tribulation, know that you hold a great status with Him. Know that He is dealing with you as He does with His Awliya’ and chosen elite, and is watching over you.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
True law is right reason in agreement with nature;...it summons to duty by its commands, and averts from wrongdoing by its prohibitions... It is a sin to try to alter this law, nor is it allowable to attempt to repeal any part of it, and it is impossible to abolish it entirely.
If you're 5' 6", just stay home. Don't pretend you're 5' 8" or 5' 9". If you want to be a beauty model, I guess that's fine, you can do glamour, but you're not going to do runway. If you're over 29 - 26, even - I would suggest you work regionally and not try to work nationally.