Quotes of All Topics . Occasions . Authors
In trying to understand the Linux phenomenon, then, we have to look not at a single innovator but to a sort of bizarre Trinity : Linus Torvalds, Richard Stallman, and Bill Gates. Take away any of these three and Linux would not exist.
Someone told me something that stuck with me: 'You have to envision your life, and then go backwards.' I've been living by that motto for a while, so I see where I need to be. Now I'm just backtracking and trying to get back up there.
I think that I get different kinds of joy out of directing a film and acting, and it's sort of necessary to just be doing one and focusing on that. I'm in awe of anyone who tries to be an actor-director, so I couldn't really see that.
I told everyone that actings for losers and I needed to get an education. But something kept telling me to give it one last chance. In the end, I lasted a month on the M.B.A. and then decided to quit, come back to L.A., and try again.
People are terrified to be set free - they hold on to their chains. They fight anyone who tries to break those chains. It's their security... How can they expect me or anyone else to set them free if they don't really want to be free?
Awareness is something that is very important. And you say that it looks impossible to become what we really are, to be authentic, to be ourselves again. But I will tell you that it is much more difficult to try to be what we are not.
I am interested in the paradox between identity and uniformity, in the power and vulnerability of each individual and each group. It is in this paradox that I try to visualize by concentrating on poses, attitudes, gestures, and gazes.
That's how it works in Westerns: the hero is minding his own business and trying to make a living, but he does something, the villain finds out about it and they have to have a showdown. So it's kind of a Western set to hip hop music.
Just get on any major highway, and eventually it will dead-end in a Disney parking area large enough to have its own climate, populated by large nomadic families who have been trying to find their cars since the Carter administration.
I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].
I love YA, and it's been a really good fit for me. But at some point, I would like to try something else: a collection of short stories, or writing about something other than high school. A lot has happened to me since I was eighteen.
Phil [Wood] said to me in the car going back, he said, "Look man, you better know why you're playing this music. Because I've known too many who lived and died for it. And if you're not trying to change the world, I'm not interested."
Whoever tries to understand the Human Values of Truth, Righteous conduct, Peace, Love and Non-violence properly, who practises these values and propagates them with zeal and sincerity can alone be described as a truly educated person.
You discover how confounding the world is when you try to draw it. You look at a car, and you try to see its car-ness, and you’re like an immigrant to your own world. You don’t have to travel to encounter weirdness. You wake up to it.
I admire anyone who isn't afraid to take risks and try out things that aren't usually looked at as "normal." Right now I'm very into chic, classy looks. Chanel is one of my favorite brands; they really capture what a classic woman is.
The capacity for getting along with our neighbor depends to a large extent on the capacity for getting along with ourselves. The self-respecting individual will try to be as tolerant of his neighbor's shortcomings as he is of his own.
I try to not let there be too many steps between what I am mostly focusing on and what I am physically doing. If you are constantly standing back and looking at the whole map, you are going to miss a lot of turns and feel overwhelmed.
See how weak prose is.... Presently I shall go to a bar and there one or two poets will speak to me and I to them and we will try to destroy each other or attract each other and nothing will happen because we will be speaking in prose.
I miss a lot of things; that's the price one pays for stardom. I miss standing in queues, buying tickets, and watching films first day first show. It isn't the same going to preview theatres or multiplexes and trying to stay incognito.
I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift. But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.
I just want to do musicals. it's hard enough just to do musicals. No matter how hard I try, I think it's only getting harder. Even If I try harder, there are problems that I just can't deal with. I don't know why it's become like this.
People alway ask me what advantages fame has started to bring; there are always plenty of free drinks, but other times people wanna put stuff into your drink to kill you off. Their gonna have to try a lot harder if they want to get me.
Consumerism has become a new religion, complete with its high priests at Which? and its fatwas against anyone with the temerity to try to sell anything at more than cost price ... It is a depressingly medieval outlook on economic life.
I made a promise to myself that I would try to introduce something unexpected in every single episode of the series. It was largely to amuse myself as much as anything. I didn't ever want the audience to feel that they knew everything.
There are looks that I see on other people that I think would look horrible on me, but I think if somebody has the courage to be really daring and try something outlandish, then more power to them. Thats just encouraging and inspiring.
My God, thank you. Thank you very much. I'm almost embarrassed by the response, but when I see this, I know that the twenty five years that I've spent trying to make you happy every night of your life was worth every damn minute of it.
I probably have traveled and walked into more variety stores than anybody in America. I am just trying to get ideas, any kind of ideas that will help our company. Most of us don't invent ideas. We take the best ideas from someone else.
I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.
I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything.
I had to wonder whether it was possible that this wasn’t already decided for me, and if maybe, just maybe, this was my one last chance to try and prove it. There was no way to know. There never is. But I reached out and took it anyway.
I try to make my things aesthetically pleasing; but, if it isn’t functional, people will ‘oo’ and ‘aah’ over it in an exhibit but they won’t buy it. … My feeling is a chair has to be functional and comfortable for tall and short alike.
Critics should help people see for themselves; they should never try to define things, or impose their own explanations, though I admit that if... a critic's explanations serve to increase the general obscurity, that's all to the good.
If an ensemble - I don't care if it's a duet or a forty-piece orchestra - the musicians, the two of them or the forty of them, are all trying to play as tight as possible, as one person. They're trying to play like they are one person.
REDEMPTION, n. Deliverance of sinners from the penalty of their sin, through their murder of the deity against whom they sinned . . . . whoso believeth in it shall not perish, but have everlasting life in which to try to understand it.
I don't like auditions. I feel like they're a very unnatural setting and it's a very unsettling experience. Because you can't help but walk in and feel like you're trying to prove yourself to people. And you should just walk in and be.
I've done a lot of roles where I'm the hero saving the planet. I love doing them, but sometimes you wanna completely try something different and create something unique and get lost in it a bit because it's completely far away from me.
As soon as I accomplish one goal, I replace it with another one. I try not to get too far ahead of myself. I just say to myself, 'All right, well, I'd like to headline a tour,' and then when I get there, we'll see what my next goal is.
I try to play the bare essence, to let everything be just what it's supposed to be in that particular spot...You have many things to pick from when you're playing, so you try to train yourself to pick out the best things that you know.
Probably Putin assumes that he's not going to be able to make a deal with me because it's politically not popular for me to make a deal. So Hillary Clinton tries a re-set. It failed. They all tried. But I'm different than those people.
In searching for a way out of my own troubles, I had found my way into the troubles of others, some long gone, and now I was trying to find my way back out, through their troubles, as if we human beings can ever learn from one another.
It sometimes becomes difficult to tell when you're even creating a buzz. You know, everything in this game, it so relies on timing that that part is really important, and it's something that everyone tries to pay a lot of attention to.
The president is out there today trying to talk about health care, and the reality is nobody cares about what he's saying on health care because this news is consuming everything. No president could tolerate that or should tolerate it.
When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.
I try to pay attention to language. I think that as a general rule, we as writers talk too much and we should listen more. I read my dialogue out loud to myself because I think that's when you catch the wrong notes and the wrong tones.
There are moments when television systems are young and haven't formed properly, and there's room for lots of original stuff. Then things become more and more top-heavy with executives who are trying to guarantee the success of things.
What I would like to see is for people to come together and say: Of course we're going to protect and defend the Second Amendment. But we're going to do it in a way that tries to save some of these 33,000 lives that we lose every year.
Humor is like a rhythm; it's like music. And you throw a couple of extra syllables in, you wreck the beat and you kill the laugh. So I try to follow the writers very carefully because I know how carefully they worked to do it that way.
Everywhere, women gathered in knots, huddled in groups on front porches, on sidewalks, even in the middle of the streets, telling each other that no news is good news, trying to comfort each other, trying to present a brave appearance.
In my personal life, I will do whatever it takes to make a situation comfortable if I sense - if I'm talking to someone [and] I sense there's a silence, I'll try to fill that gap. It makes me very anxious when things get uncomfortable.