"No" is a word that must never be negotiated, because the person who chooses not to hear it is trying to control you... Declining to hear "no" is a signal that someone is either seeking control or refusing to relinquish it.

The more you are like yourself, the less you are like anyone else which makes you unique. The problem with most people is that they spend their lives trying to emulate others and so we have lots of copies but few originals.

Without trying to clear up the degree of correctness of a qualification which no one, one must hope, will be asked to understand exactly, I will limit myself to a few words of explanation to cut short any misunderstandings.

With every decision you make in your life, you're going to have some regrets about the way it goes. You just have to chose which set of regrets you can live with the best, and try to minimize the amount of regrets you have.

The South Vietnamese were perhaps a little bit slow in doing things, they jump on, on the problem and they try to do themselves everything. Or, they try to have some short cuts with the, those people they were dealing with.

Everything rational and sensible abandons me when I try to throw out photographs. Time and time again, I hold one over a wastebasket, and then find it impossible to release my fingers and let the picture drop and disappear.

A woman asking 'Am I good? Am I satisfied?' is extremely selfish. The less women fuss about themselves, the less they talk to other women, the more they try to please their husbands, the happier the marriage is going to be.

You have to minimize your losses and try to preserve capital for those very few instances where you can make a lot in a very short period of time. What you can't afford to do is throw away your capital on suboptimal trades.

I have to live for the day, and not worry about or try to know what tomorrow brings.... if I've learned one thing from all that'shappened to me, it's that if you would know what tomorrow brings, you may not want to live it.

An automobile goes nowhere efficiently unless it has a quick, hot spark to ignite things, to set the cogs of the machine in motion. So I try to make every player on my team feel he's the spark keeping our machine in motion.

I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.

I don't know how we can fix a world where people have been so convinced that they are doing the right thing out of compassion and love and trying to help people when it is absolute poison. When it is absolutely destructive.

I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.

Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.

Since Dominic's been sleeping with me, the mice have been trying various labels on him, looking for one that fits. My personal favorite was the week they spent calling him "the God of Absolutely Never Smiling, No, Not Ever.

In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.

The principle I adhere to when directing, is that I make good use of everything my staff creates. Even if they make foregrounds that don't quite fit with my backgrounds, I never waste it and try to find the best use for it.

I'm not against paying at all. What I'm against is the complexity of paying. And you very often go to a website and you try to click on something and sometimes it will even say it's free, but you have to fill out this form.

I want everybody to worship the God of love instead of worshipping the God of hate and torture. But in the meantime we don't want to force Jesus Christ on anybody and look that we are trying to force our beliefs onto other.

An author should never conceive himself as bringing into existence beauty or wisdom which did not exist before, but simply and solely as trying to embody in terms of his own art some reflection of eternal Beauty and Wisdom.

I'm trying to get at this. That is, a man may know that he belongs to, say, a group - this group or that group - but he feels himself lost within that group, trapped within his own deficiencies and without personal purpose.

I'm one of the only members of the U.S. Senate who isn't a millionaire. And there's absolutely nothing wrong with being a millionaire. But there ought to be a little economic diversity in the Senate and I try to provide it.

Don't put needless expense into painting a head! Don't try to match tints! Rose and pearly colours blend into each other so that no one can unite them if painted separately. Keep the impression of your subject as one thing!

If you feel just one thing in your life-that life is nothing but the gift of God-you are divine and the most courageous person. Try it! Try it as a thought. The moment you feel that life is a gift, you'll become prosperous.

While I was in school, trying to figure out how to write an essay that could both satisfy my nonfiction workshops and still pass as something hybrid-y enough for my poetry workshops, I was looking for models, for forebears.

There are so many emotions that you're feeling, you can get stifled by them if you're feeling them all at once. What I try to do is take one moment - one simple, simple feeling - and expand it into three-and-a-half minutes.

I feel like I've reached an age where I can relax a little bit with the knowledge of what I've been through, take all that experience and use it. I love the challenge of trying to get back to where I've been, and beyond it.

Watching people reach a higher level of consciousness. A fixation. For a few moments in their lives, they transcend and become lost in the fantasy of it all. As a DJ, I'm trying to create the opportunity for this to happen.

You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."

My mother always said that I was born out of a bottle of vinegar instead of born from a womb and that she and my father bathed me in sugar for three days to wash it off. I try to behave, but I always go back to the vinegar.

When I was producing on my own, I was doing it in order to - in a very patriarchal entertainment industry, let alone planet - very much hell-bent on trying to prove to myself, if nothing else, that I could do it as a woman.

I am not a joiner. Somewhere I once said that people join clubs now for the very reason they once carried them, a need for security. Maybe I'm alone more often than I should be, because I try to find security within myself.

I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.

The risk is that you furnish the project with new suggestions to try and freshen it up; it's not always beneficial. You risk betraying the original intention with the story, forgetting what it is you really want to portray.

If there is a God, he or she or it or whatever higher power there is is behind us so long as we're using our music in an inspirational way. I'm here for a reason, and I was given a talent, so I'll continue to try to use it.

It's important for me to try my hand at philanthropy because I want to leave behind a record of someone who did more than just gobble up stuff for themselves. I realized that a life lived for yourself is not much of a life.

I try to keep my life as private as I can, but I definitely don't do what I do for the attention because if I knew coming into that I would have all those people outside my house, I might have given myself a second thought.

I also try to discipline myself when I get into a situation... and I'm trying to think of an answer, instead of being verbose, which is a tendency that I have, to be concise. Verbosity leads to unclear, inarticulate things.

If an artist has the possibility to contact an infinitely larger public through the pages of a publication, he should try to invest more rather than less and go as far in his effort to communicate his inner image as he can.

I just want people to understand that life is very short. Never judge someone. I was judged in the court of public opinion. And I'm really just on earth to make things better. I goof around, but I always try pay it forward.

Social media is really the heart of keeping in touch with your fans. I love it. You can try out new music on your fans, get immediate responses, spread the word about anything. It's really great. To reach me is to tweet me.

I decided to try to make a show of my own where I could invite an audience to obsess about race the way I sometimes do. So it was an attempt to dig into the race and history in America, and to make it personal and dramatic.

I was popular at some times and not so popular at other times. But what mattered was trying to solve problems and deal with circumstances. Some of which I was able to anticipate. Some of which caught us totally by surprise.

When I first started, they were trying to get me into sitcoms - I think because I had that kind of Wonder Bread look and my hair always went into place. I kept saying, 'I'm not good at sitcoms. I don't know how to do that.'

Since nostaglia is fueled by inflation, could it be that inflation is the result of a conspiracy by the people who are trying to palm off McGovern buttons and Howdy Doody puppets and their Aunt Thelma's toaster as antiques.

If you see somebody really pulling for your sympathy while at the same time hurting you intermittently, you should start to wonder. If somebody plays to your pity and really tries to draw that out of you, that's not normal.

Don't always try to be popular. It isn't possible for everyone to like you. It's far more important for you to like yourself. And when you respect yourself, strangely, you get more respect than when you court it from others.

I haven't any language weak enough to depict the weakness of my spiritual life. If I weakened it enough it would cease to be language at all. As when you try to turn the gas-ring a little lower still, and it merely goes out.

As a kid, as a young actor, I really wanted to pop. I wanted to create something different. I wanted to be Sean Penn, but I didn't have all the words to be Sean Penn. But I was trying to do something different in every role.

There have been times I wanted to cry on interview, but it hasn't been because that's what they're trying to conjure. No. I think you have to graduate to some higher level of TV IQ for people to actually want to see you cry.

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