Quotes of All Topics . Occasions . Authors
Rulers who destroy men's freedom commonly begin by trying to retain its forms. ... They cherish the illusion that they can combine the prerogatives of absolute power with the moral authority that comes from popular assent.
I'm just trying to be the me that I am and not all of this other crap. I just want to be the family man, and if somehow I can make the money to get my ranch and get the hell away from everybody else, that would be awesome.
Give up this dry discussion, this hodge-podge of philosophy. Who has been able to know God by reasoning? Even sages like Suka and Vyasa are at best like big ants trying to carry away a few grains of sugar from a large hea.
Some people are very dictatorial and it's not a good feeling, and it kind of inhibits you, because you feel like you have more to offer than what they're trying to squeeze you into, some kind of box or something like that.
When I was asked to do something good, I often say yes, I'll try, yes, I'll do my best. And part of that is believing, if God loves me, if God made everything from leaves to seals and oak trees, then what is it I can't do?
I try not to question the choices of the production. They've done such a good job up until now that I'm sure they have the right plan in place. And to be quite honest, we don't even know exactly when it will be coming out.
God Bless the grass That grows through the crack They roll the concrete over it To try and keep it back The concrete gets tired Of what it has to do It breaks and it buckles And the grass grows through. God bless the grass
Let it not be said by a future, forlorn generation that we wasted and lost our great potential because our despair was so deep we didn't even try, or because each of us thought someone else was worrying about our problems.
I don't want to be anxious on my day-to-day life. I want to try to imagine a future I'd like to live in and then write books and do things that, in my own small way, make it more likely that that future will come to exist.
Ultimately, the wisest course for anybody who's afflicted with same-gender attraction is to strive to extend one's horizon beyond just one's sexual orientation, one's gender orientation, and to try to see the whole person.
I try to do everything to say, 'OK, will my mother like this? Will she be pleased? Will she be proud of that? How do I know she's happy and she's smiling down at me from heaven?' And that's what I try to go by and walk by.
The Long Red Road is a story about alcoholism and dysfunction and tragic tale of a man who's trying to drink himself to death on an Indian reservation in Dakota. It was written for me, so it's something I would love to do.
As we speak, that is what we are doing. Projects that come to you are not written for you. We have to take a lesson from Will Smith, who develops projects he can shine in. We're trying to develop things from the ground up.
We've got another nominee coming up, well qualified, Texas Supreme Court Justice Priscilla Owens has a tremendous reputation, tremendous record, but they are already marshalling their forces to try to stop that nomination.
My novels are very much the same, as I think many people's novels are. No matter how hard I try to do otherwise, the books always wind up being "a group of strangers are thrown together by circumstance and form a society."
I think the environmental movement has failed in that it's used the stick too much; it's used the apocalyptic tone too much; it hasn't sold the positive aspects of being environmentally concerned and trying to pull us out.
When I do have choice I try to be very picky about... or shall I say choosey about when I choose. I don't automatically decide that I must be the one to choose or that it's important for me to make every choice in my life.
I didn't set out to do something different so much as do something that interested me. I wasn't trying to be avant-garde - that's being fashionable. You don't set out to revolutionize art, you make statements for yourself.
I want people to learn from me, see I'm human, and understand that I make mistakes just like they do, but it doesn't have to consume you. You've got to walk through the raindrops, and that's totally what I am trying to do.
In Anger Management,' he said,'we had to do all this role-playing stuff. You know, to get used to handling things in a less volatile way.' 'You role-played,' I said, trying to picture this. 'I had to. It was court-ordered.
American television constantly tries to co-op British comedy and create their own version of it. Most of the time it doesn't work; obviously, in the case of 'The Office,' it did. But a lot of times, it doesn't really work.
If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
When you're not playing your head can drop, and you can get a bit negative. I try to tell them that there are a lot of things they can't control, selection being one of them, and that they should just try to stay positive.
I think the [fan] access is complicated, because it brings wonderful things into my life, and it brings really negative things into my life. I just try to keep the negative stuff at arm's length. Laugh at it and walk away.
I try to be available for life to happen to me. We're in this life, and if you're not available, the sort of ordinary time goes past and you didn’t live it. But if you're available, life gets huge. You're really living it.
Now, you integration-minded Negroes are trying to force yourselves on your former slave master, trying to make him accept you in his drawing room; you want to hang out with his women rather than the women of your own kind.
I did things I did not understand for reasons I could not begin to explain just to be in motion, to be trying to do something, change something in a world I wanted desperately to make over but could not imagine for myself.
Most Americans are skipping meals and when they do eat, they're starving and they're eating an excess of sugar and calories. Really it's about eating breakfast, snack, lunch, snack, and dinner, and trying to feed yourself.
Many seek and never see, anyone can tell them why. O they weep and O they cry and never take until they try unless they try it in their sleep and never some until they die. I ask many, they ask me. This is a great mystery.
I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud.
Everyone is always trying to figure out the future of film distribution. I try and not spend too much time worrying about things like this and just try to focus on making the best work I can to entertain me and my friends.
I got into journalism not to be a journalist but to try to change American foreign policy. I'm a corny person. I was a dreamer predating my journalistic life, so I got into journalism as a means to try to change the world.
One thing that I have been trying to do is bring together in places like Bosnia technologists who create ever-more destructive land mines [and convince them not to build more dangerous mines]. And that has actually worked.
I still believe pattern fascinates on its own. And three-sevenths of a pattern, or even a smaller fragment, can fascinate still more--get us really hunkering down, trying to tease out the whole of the figure in the carpet.
Pressure is working down the pit. Pressure is having no work at all. Pressure is trying to escape relegation on 50 shillings a week. Pressure is not the European Cup or the Championship or the Cup Final. That's the reward.
Animal knowledge is metaphysically constituted by apt belief, by belief whose correctness manifests the believer's epistemic competence, a relevant disposition to get it right on the matter at hand when one tries to do so.
You know, I did records by myself and I always will say the Isley Brothers, and featuring Ronald. I won't, you know, just, I won't try to deviate from the Isley Brothers, because that's what the family dream was all about.
Everytime you feed the flesh, you strenghten it. This is good if you are trying to build a good habit, but detrimental if you are trying to stop a bad habit. The way to "kill the flesh" is to starve it; to stop feeding it.
Somewhere around the fifth or seventh grade I figured out that I could ingratiate myself to people by making them laugh. Essentially, I was just trying to make them like me. But after a while it became part of my identity.
I was trying to focus on Margaret's trajectory as an artist, as a woman and an artist. Hopefully Cavendish experts won't be angry at me for anything I've left out. I feel like all the major movements of her life are there.
I was lost before I found her in my dreams, and she found me that day in the rain. I knew it seemed like I was always the one trying to save Lena, but the truth was she had saved me, and I wasn't ready for her to stop now.
If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away.
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
They try to paint the picture that I was this downtrodden, ugly girl who was unpopular in school and in life, and then I got this role and now I’m awesome. But the truth is that I’ve been awesome, and then I got this role.
Murderers will try to recall the sequence of events, they will remember exactly what they did just before and just after. But they can never remember the actual moment of killing. This is why they will always leave a clue.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
Painters hate having to explain what their work is about. They always say, 'It's whatever you want it to be' - because I think that's their intention, to connect with each person's subconscious, and not to try and dictate.
One of the things my friends would tell you is that I hang out with a lot of non-writers - just regular people like bankers and teachers, and I actually try to steer our talk away from my work when I get together with them.
It's a constant process for me to learn to take the time to really understand what hurt me and how best to address it or respond. I tend to be reactionary, and that doesn't help me or others. I do try to keep my heart open.