if you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.

You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.

From the moment I wrote 'Leaf Storm' I realized I wanted to be a writer and that nobody could stop me and that the only thing left for me to do was to try to be the best writer in the world.

You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.

You get to a certain age and you're just glad to be there. I don't know what to add to that. It's fun. You have to be a realist, so you try to look for roles that are within the age you are.

I don't know why I get away with some things. But I'm not a misogynistic, racist person. Yet I do find those jokes funny, so I say them. And I try to say everything kind of in a good spirit.

I try to simplify things for the children. For instance, [I arrange] for them to have almost no dialogue, or to somehow give them very precise indications, because usually they ask for that.

When the play is still evolving I try to be at rehearsal as often as possible, and part of that casting process. You find new things when the language is living in different people's mouths.

I'd like to have the script in a much better place from day one of shooting, rather than trying to continue to work on it while you shoot it. I think those are lessons you learn on any film.

If you ever see the director pulling people aside, that means something's not working. Because you're trying to figure out why it's not working. But we would show up, we would talk about it.

I have discovered that I cannot ignore the infliction of suffering - especially for my convenience or pleasure! It's as if a puppy is being kicked in front of me. I must try to do something.

I've been in true love many times. I just try to avoid it as much as possible. For if there's one thing I know about true love, it is that sooner or later, it results in a hostage situation.

I think truth is a layered phenomenon. There are many truths that accumulate and build up. I am trying to peel back and explore these rich layers of truth. All truths are difficult to reach.

Try patting them on the back or shoulder and telling them everything is going to be fine. Lots of times when girls cry, they don't want you to fix the problem, they just want to be consoled.

I've resigned myself to the fact that the world needs clowns, too, and I was born to be one of them. And it is an important role in our society to play. I try to embrace the silliness of it.

I get way too sensitive when I get attached to someone. I can detect the slightest change in the tone of their voice, and suddenly I’m spending all day trying to figure out what I did wrong.

I try to not get to the point where one is making wallpaper, or simply painting money. I want to make sure that I am at least trying to weigh myself down, that there's a challenge each time.

I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is.

I don't listen to anyone else. That's why I don't have a publicist or something like that. I can't stand it if someone's trying to tell me to do something which might be a mistake sometimes.

I try to make very careful decisions about what I choose to do, and it's - I know that unfortunately one of the misperceptions about me, I think, is that I'm sort of a moth to the limelight.

I think that sometimes conservatives are way too naive to understand the zeal that liberals have in trying to destroy using Alinsky tactics the very humanity of their conservative opponents.

Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

I don't think I'm unique or that I'm trying to do something unique, but I feel it is something I would like to hear. This kind of music I would like to listen to but I can't hear very often.

My parents were in the studio when we cut 'Let Me Try' and every time I sang it they started crying, ... I finally had to ask them to leave because I couldn't sing it while they were crying.

We really try not to spend too much time thinking about what we're supposed to be a punk band, or whatever. We do the exact same thing today that we been doing for years and years and years.

I solidify his [ Riccardo Tisci] vision and what he is trying to manifest, make it a crystal or solid thing because of the relationship I have with my culture and what my music means to him.

I'm trying to be like, "Hey, dude, you're super happy, this is everything you've ever dreamed of - if you don't have somebody to hold hands with right now, everything's going to be OK, bro."

There's not one thing going wrong in this country Democrats can blame Donald Trump for, and yet they're trying to tell everybody that he is the one not qualified, that he is the one not fit.

I hunt deer because I love the entire process; the preparation, the excitement, and sustained suspense of trying to match my woods lore against the finely honed instincts of these creatures.

When I first moved to New York I had been trying to work on anything and everything I could. From extra work and commercials to short and student films so I could learn in front of a camera.

I just try to stick to clean foods, anything grilled like salmon, chicken, fish, brown rice, and veggies. I do have a really big sweet tooth, so I try to curb my cravings with fruit instead.

What is the point of trying to put down on paper emotions that are too complex, too huge, too overwhelming to be confined by an alphabet? Love isn't the only word that fails. Hate does, too.

Coping with the demands of everyday life would be exceedingly trying if one could arrive at solutions to problems only by actually performing possible options and suffering the consequences.

Most people are trying to go digital, and trying to do different things with poetry. McSweeney's is going in the opposite direction - going more classic, and retro, which is all coming back.

I'm going to try and focus on doing more theater things. I come from that background. I honestly feel so comfortable being on stage, it's really weird. It's one of those things I love to do.

Perhaps in His wisdom the Almighty is trying to show us that a leader may chart the way, may point out the road to lasting peace, but that many leaders and many peoples must do the building.

I have to face questions like, "Do I simply write the best text I possibly can? Do I specifically engage with contemporary issues? 'Do I consciously try to write something that is timeless?"

If something stinks, I say it stinks. But I try to massage it a little and not be as cutting, come behind it with a joke: Hey, I cut you deep, but now let me put a couple of stitches in you.

I'm trying to use Palestine as a microcosm of the world, but maybe the world is a microcosm of Palestine. We're living in a moment that has lost attachment to the ideology behind boundaries.

There’s no longer a superpower standoff. But there are real problems that divide countries around the world. And the UN is still the place where we can get together and try and discuss them.

I'm a competitor. No matter what I'm doing, whether I'm golfing, whether I'm playing indoor soccer with my fiancé - he's not going to get by me. I'm going to try to do whatever I can to win.

Well they're pissed off and they're hungry. I was kind of busy trying not to get my brains eaten. They seemed pretty adamant about the brain-eating thing. Then they're going to IKEA, I guess

I think perhaps the most important problem is that we are trying to understand the fundamental workings of the universe via a language devised for telling one another when the best fruit is.

Always, my mother said, "Be yourself." That is sometimes the hardest thing to do. I try to always remember that and come back to that and have strength in who you are. There is only one you.

I don't know what I was trying to get out of a tenor - but it never really satisfied me until one day I picked up my alto and I said, 'Where have you been?' and I said right here for now on!

The word 'living' has so many connotations that I'm almost reluctant to try to define it scientifically because it sounds as if I'm then downgrading all the other significances of that word.

With a terrible script you hustle and try to make it better. But with a good script it can be trouble because you rest on your laurels, so to speak, you think it's going to translate easily.

Sometimes you get really bitter about how the prettiest images don't typically end up attached to the most interesting music. But I just take that as a challenge to try to do something cool.

The refs are so confused themselves because there's so many rules. It's like, 'Oh my gosh I've never seen this many rules in my life.' And everybody's trying to govern this and justify that.

Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities in directing one's course by it, still one must try to follow its direction.

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