Tagore once said - art has to be beautiful, but, before that, it has to be truthful. Now, what is truth? There is no eternal truth. Every artist has to learn private truth though a painful private process. And that is what he has to convey.

To start telling people that you're beautiful, or just feel beautiful, just start acting like you are the most beautiful woman in the world. And it really improves everything! Because your sort of psyche responds to it - like this is truthful!

From last century's 'The Birth of a Nation' to this century's 'Gods and Generals,' Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War and, thus, modern America's very origins.

I would like to say, and I think I am truthful, and I think I am honest when I say that I love doing Ghost. And if I didn't feel as passionate as I am and have been, about it, wanting to focus, basically, all my time on it, I don't wanna do it.

If I were to do some outlandish role, I always made sure I'd be on Johnny Carson to show that I wasn't that person that I played. I'd be myself. And so people got to know me, I think, and I think they know that I'm honest and truthful and real.

In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.

One of the attractions of translating 'Heroes' is that it's not the kind of play that I write. If it had been, I probably wouldn't have wanted to translate it. There are no one-liners. It's much more a truthful comedy than a play of dazzling wit.

I like to investigate all different kinds of people, I guess, and find out what makes them who they are, and try to be honest in the portrayal, and truthful, and find out how to understand that person, how to communicate that person's experience.

I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.

I think there's a responsibility more as an artist to try and push in the direction you think comedy should go... The biggest thing I could do for the art that I love was keeping it art: keeping it special, keeping it honest, keeping it truthful.

What a magical thing is the bed, and what a vulnerable, innocent creature is the sleeping human - the human who never looks more truthful or pitiful or benign; the curled-up, childlike dreaming soul who has for a few hours become an angel adrift.

I had the question asked of me before, 'What do you like better: singing or playing guitar?' If I'm gonna be totally truthful, if that microphone's in my hand, I'm loving it. When the guitar's in my hand, I'm a little nervous, but I'm still loving it.

I love being uncomfortable. I love feeling very revealed. And when I watch a piece of work that I've done, I'm actually looking for that. How naked is this character? How truthful is this character? If it's truthful, there's automatically a separation.

Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.

The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that, and then I put it out there and say to you, 'What do you think?' I hope that you think well of it, obviously.

I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human being.

I think there are a lot of people who are afraid to be who they are, and if I have to sacrifice a little bit of fame and a little bit of success because I'm being 100 percent truthful with who I am, hopefully that will create a paved way for someone else.

The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.

It's really hard to make a good film; it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.

I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.

I want to be a man who is truthful and who won't let pride get in the way of my ripping myself open to my partner and saying, 'Here I am. This is me.' I feel there's something powerful when a man reaches a point in his life when he can be completely vulnerable.

I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.

At first, I did have that thought, like, 'Oh crap, what are we going to do after?' Then I realized 'Girl in a Country Song' was an honest, truthful song, and we were telling our truth, and that's all we have to do - write songs that are true and tell our stories.

I think the currency of leadership is transparency. You've got to be truthful. I don't think you should be vulnerable every day, but there are moments where you've got to share your soul and conscience with people and show them who you are, and not be afraid of it.

I believe politicians should aim to be accurate and truthful in what they say at all times. You can be truthful and inaccurate but what you shouldn't be doing at any time is saying things that are untrue or making commitments that you have no intention of honouring.

What I've found - and the older I get, the more I understand this and stand behind it - is, my whole life has been an exploration of telling the truth. It's scary to be truthful, and it's scary to reveal yourself, and I'm very attracted to doing things that scare me.

Day to day and doing the work and getting to that honest point - that, for me, is always about - and always will be as long as I do this - refining and refining and refining and refining the truth... constantly being as truthful and honest and raw and real as you can be.

Life ain't a drama. And life isn't just a comedy. Life is sometimes horrifying. Life is science-fiction. There are all elements and faculties that we navigate, so I just expect a script to reflect that. As long as it's truthful. I think genre-bending is just being honest.

You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

We're allowed to say wonderful things about the Royal Family in the House of Commons. What you're not allowed to say is: anything that might be truthful, but that might upset them. So from time to time I've been pulled up because I've said things which I think are important.

It's important for an actor to feel like they're really being watched and to receive feedback and encouragement about the aspects of what they're doing that feels truthful - and also to raise awareness when they might be resorting to habits and tricks, which every actor has.

If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling.

We, hijras, are not hypocrites. We live our sexuality openly, being truthful to our souls and our bodies. Science and doctors assigned something else to us when we were born - which they didn't have the authority to - but we choose what we are and we are very truthful about it.

A lot of times, people need to vent to people and know that what they're telling you is not going to be shared with anyone else. Or they know you're going to give them 'the real.' Just being truthful to them when they're right, they're right, and when they're wrong, they're wrong.

The fact of the matter is I always have a really high sense of responsibility to the reader, whether it's a few readers that I get or a lot of readers, which I was lucky enough to get with 'Olive.' I feel responsible to them, to deliver something as truthful and straight as I can.

A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.

I've always loved Victorian melodrama. And I've always liked larger-than-life theater, providing it's truthful and honest. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions. Shakespeare did that.

My photographs tried to find the politicians at their most wary, most vulnerable, and perhaps most truthful moments. I wanted the photographs to reveal the person through stance and stare, when he or she was most reflective or off guard, in order to measure the person and event unfolding.

Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.

Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.

I just like talking, and I'm really truthful. Sometimes things come out of my mouth, and I think, 'Maybe I shouldn't have said that,' but at the end of the day, I am who I am! When I'm not acting, I'm going to be fully Hayley Hasselhoff, and that's what you're going to get. And I enjoy that.

I actually do bits of my writing in sort of incidental spaces - when I'm traveling on the Tube or on a bus. More often than not, it's a reaction to how you feel about something, and if you're sitting down and concentrating on, 'I must write something,' then you can't have a truthful reaction.

You write about what you know. It makes everything easier, and also more truthful. In this case, I grew up in Oklahoma, and I grew up in the Cherokee Nation and I'm a member of the Cherokee Tribe. Oddly enough, I know a lot about robots and Oklahoma, and so that's what comes out in my writing.

To be honest, I'm not even thinking about America. If I was to start thinking about the enormity of 'Downton' and the size of the project, then I wouldn't be able to be very truthful to the work. I would start to watch myself too much. I'm not even thinking about it. Who knows what will happen.

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life?

The NFL goes to great lengths to protect what it calls 'the integrity of the game.' The same should be said for us as individuals. Integrity, the truthful interaction of word and deed, not only creates leaders in the locker room who are worthy of being followed; it is also vital for success at home.

I began making pictures because I wanted to record what supports hope: the untranslatable mystery and beauty of the world. Along the way, however, the camera also caught evidence against hope, and I eventually concluded that this, too, belonged in pictures if they were to be truthful and thus useful.

It seems to me a worthy goal: try to create a representation of consciousness that's durable and truthful, i.e., that accounts, somewhat, for all the strange, tiny, hard-to-articulate, instantaneous, unwilled things that actually go on in our minds in the course of a given day, or even a given moment.

A youth, when at home, should be filial and, abroad, respectful to his elders. He should be earnest and truthful. He should overflow in love to all and cultivate the friendship of the good. When he has time and opportunity, after the performance of these things, he should employ them in polite studies.

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