Quotes of All Topics . Occasions . Authors
Often, when people don't do so well in a monologue at UCB, it's because they're racking their brain so hard to be funny that they're just not honest and don't just tell a true story, which is what we want.
It was, when I read it, I thought, such a beautiful script. I loved the story. I thought it was well handled. I thought it was even more moving because it was a true story and that made it even more poignant.
For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is.
My son the other day was looking and found a grey hair and started crying because he thought I was going to die. That's a true story. So I had to assure him that a couple grey hairs doesn't mean I'm going to die.
I think it's unfortunate when people say that there is just one true story of science. For one thing, there are many different sciences, and historians will tell different stories corresponding to different things.
In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.
I read almost exclusively nonfiction when I read, because even though it's harder to find a great true story, when you find one, the idea that it actually happened is immensely powerful.That's what moves me the most.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
'Queen of Katwe' is an absolutely true story. And it's wonderful. But it's not about saviors. Your only savior is yourself - but yourself with your community. It's never alone. You have to have someone who believes in you.
The true story of how my husband, Stephen, and I exchanged our first 'I love you's' - chronicled in my 2012 memoir 'Brain on Fire' - occurred deep in a hallucinatory psychotic episode outside a crowded Maplewood, NJ, restaurant.
I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
True story: In the spring, my first in K.C., I'd written a series of columns in the Star demanding the Royals front office give fans discounted prices at concession stands as an apology for the 1994 strike. The Royals acquiesced.
I went to an auction in the late '70s and bought a small Renoir. People said, "Why did you buy a Renoir that size?" I said, "I can put it in the safe with my diamonds." And that was a true story. I bought it to put it in the safe.
'First Light' is nonfiction, a true story about astronomers who are looking for light coming from the edge of the universe. It tells how science is really done - and science is a lot weirder and more human than most people realize.
When I saw 'Bully' and I was 11 or 12 years old I thought I could do this; I could make movies. Larry Clark's cinematography is very raw. It's also based on a true story. I think a lot of the movies I like are based on true stories.
My first western was 'Death Hunt' with Charles Bronson and Lee Marvin; that was where I learned to ride. The movie was based on a true story about a guy that eluded the Mounties in Canada. We were in Canada for six weeks riding horses.
One movie I think is just terrific is 'Bernie,' with Jack Black and Shirley MacLaine. That was a great surprise to me - so witty, so entertaining, a true story, and I'm not a great Jack Black fan, but he's great in it. I think it's a gem.
You could play the blues like it was a lonesome thing - it was a feeling. The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
Though 'Shahid' was the only true story, what happened in 'Trapped' can happen to anyone. And I am sure there are people like Newton, and there are boys who are naive, sweet, and rowdy, like my part in 'Bareilly'... The humanness is something I loved.
True story - I had index cards; I would write things on them and post them on the mirror in the bathroom. And I would speak it. Because you have to speak life. You have to speak what you want. You have to watch what you say because it's power in your tongue.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.
Over the years, I would go to my agents, my manager, and I would say, 'Hey, there's this amazing true story about this gay English mathematician who committed suicide in the 1950s.' And they would be like, 'Please don't ever write that script. That is an unmakeable film.'
True story - When 'Candyman' first came out, my daughter and I were Christmas shopping, and people were harassing us. Finally my daughter puts down her shopping bag and said 'That's not Candyman! That's my dad!' I will never forget that, because that's when we really bonded.
I was pretty certain I'd stay in TV rather than returning to the feature world because the material just seems so much better in TV, especially in drama, but then 'Crossface' came my way. A heartbreaking, true story about the dark side of wrestling... I couldn't say no to that.
I think we've always been fascinated with the idea of the romantic outlaw. John Gotti could be in one instance a charismatic, kind and loving family man, and in another, deadly to his enemies. The opportunity to tell the true story of Gotti with John Travolta is a director's dream.
I was in Las Vegas when the Nogueira brothers first touched down in America. There was a bus - this is a true story. There was a bus that pulled up to a red light, and Little Nog tried to feed it a carrot while Big Nog was petting it. He thought it was a horse. This really happened.
'Three Billboards,' which is not based on a true story but does have some reality flavoring, must appear worthy of elected office in some way. This was, at first, the illusion presented by the people running the campaigns and, in turn, over the years, has become the custom for lots of us.
Mine is a story about a teenage single mother who struggled to keep her young family afloat. It's a story about a young woman who was given a precious opportunity to work her way up in the world. It's a story about resiliency, and sacrifice, and perseverance. And you're damn right it's a true story.
The 'Vampire of Ropraz' claims to be based on a true story, but the name of Rosa's father matches that of a notable Swiss artist and restorer. The eventual suspect has the overlong teeth and shambling menace of a would-be vampire, but Chessex leaves the real possibility of his guilt an open question.
There was a docudrama that was made, called 'The Death Of A Princess,' which was about a true story in Saudi Arabia. It was about a public execution for adultery. And when the movie was aired on British television, the Saudi government threatened to cut off oil exports and to cut off diplomatic relations.
Creative non-fiction is such a liberating genre because it allows the non-fiction writer, whether he or she be journalist or essayist, to use all of the techniques of the fiction writer and all of the ideas, creative approaches, that fiction writers get a chance to use, but they have to use it in a true story.
If you're a believer, God is not a thought-experiment requiring a special sub-creation to be tried out in. He's an actual, er, actuality already, embedded in a necessary and true story about guilt, hope, and liberty. I don't want C. S. Lewis doing his resourceful best to render Him as a fabulous special effect.
Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.
You know, 'Top Gun' was the movie I saw in high school that made me want to be a filmmaker. I remember very specifically coming out of the Century 21 Theater in Colorado from seeing it, and my friend saying, 'What did you think of the movie?' And I said, 'I think I know what I want to do for a living.' That's a true story.
'Heaven's Gate' was based on a true story about the cattle people: the people who had the money turned on the settlers who were in the area. And it was mainly a defense of their behavior. And the cattlemen's association had just about declared war on these people who were poaching cattle, and because they were mainly immigrants.
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
With my friends, it was always essentially true stories. That's how I always felt about doing King-Cat. This is something that really happened, whether it makes me look good or bad, or someone else look good or bad. This is what happened, and it's my job in life to write it down. Nowadays, I'm a lot more conscientious about it. I'm not out to attack somebody in print.