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I get inspired when I look at Tom Lennon, who did 'Reno 911!' for six seasons while writing huge movies and directing and also doing other pilots; he did that FX pilot, the 'Star Trek' thing.
I got into writing to become a 'Star Trek' writer. I was a rabid fan. I had shelves and shelves and shelves of action figures in my bedroom that scared away more dates than I care to admit to.
I don't know if science and reason will ultimately help guide humanity to a better and more peaceful future, but I am certain that this belief is part of what keeps the 'Star Trek' fandom going.
We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.
Some of the storytelling we did in 'Battlestar Galactica,' to graft that onto 'Star Trek,' it would have required changing the entire format of the show and, really, a different taste of the show.
We stress humanity, and this is done at considerable cost. We can't have a lot of dramatics that other shows get away with - promiscuity, greed, jealousy. None of those have a place in 'Star Trek.'
Star Trek's insight lay in the promise of going to the stars together, with well-defined stereotypes who could supply the emotional frame for the potentially jarring truths of these distant places.
I am told that there have been over the years a number of experiments taking place in places like Massachusetts Institute of Technology that have been entirely based on concepts raised by Star Trek.
'Lost' is an entity of its own. It's still such a culture touchstone that I think it'll be something people go back to for a long time, like 'Star Trek.' I'm just so amazed by the show's popularity.
Growing up, one of the shows that the entire family ate dinner at the table was 'Star Trek: The Next Generation.' That was one of the greatest television shows ever, and then I'm a fan of 'Firefly.'
Between 'Futurama' and 'Simpsons,' I'm able to work with the voices of Michael Jackson, Dustin Hoffman, and the cast of 'Star Trek.' It's great, you know; it's great to work with such talented people.
Feminists are like the Borg from 'Star Trek.' They don't know anything about other groups beyond the fact that they need to be assimilated into a hivemind that mindlessly follows the orders of a Queen.
Well, you know, 'Spaceballs' is a weird combination, because it's a simple, sweet little fairytale, and it's crazy and out-there and making fun of and taking apart sci-fi, 'Star Wars', and 'Star Trek'.
'Star Trek' was an attempt to say humanity will reach maturity and wisdom on the day that it begins not just to tolerate but take a special delight in differences in ideas and differences in lifeforms.
I live in such a free-lance world and I've done 'Trek' so infrequently, when you really think about it, that continuity really isn't an issue to me. I live in a much more undetermined, gypsylike world.
The 'Great Walk to Beijing' was a fundraiser for my cancer center. It was a three-week trek with fellow cancer 'thrivers,' including celebrities ranging from Joan Rivers to Leeza Gibbons and Olympians.
I think I started watching 'Trek' in the mid-'70s when I was in elementary school, and I was just into space. Somewhere along the way, I started realizing there were really interesting ideas in the show.
I went to see 'Star Trek Into Darkness,' and J.J. Abrams, who's a friend of mine, made this film, and I went to see it at the premiere. Believe it or not, I was really blown away by the comic timing of it.
People tell me they laughed hard enough to wake their spouses, that they've given away numerous copies to friends, and that it's the one Trek book they'll give to people they wouldn't expect to like others.
I think within the ideology of what 'Trek' is, that it actually makes the daunting task of making something new more manageable, because it's part of 'Trek's' very design to tackle new worlds and characters.
I just feel so flattered, because the cosplayers really make sure every detail is there. I don't think I've ever cosplayed a character before, but if I were to, I'd probably go as a Klingon from 'Star Trek.'
I think many actresses want to be famous and want to be the prettiest, and that wasn't my trek. I was thinking, 'I gotta get out of here... how do I get out of here?' I like acting, but I like directing more.
'Star Wars' is a grand soap opera, and 'Star Trek' is about technology, they tried to explain the reality of it, as far-fetched as it might be. And that's why I've always liked the science behind the fiction.
The original 'Star Trek' is very much a product of the '60s - the new frontier, optimism, the idea of bringing democracy to the galaxy. It's still a timeless show, but it's very much a show made in the 1960s.
'Star Trek' put sci-fi on the map and changed television, and 'Battlestar' has changed it in another direction by making it a little more mainstream and acceptable to people who wouldn't normally watch sci-fi.
Star Trek wouldn't die. There were a whole lot of young people who were touched by the thought process of science fiction. If you watched a cop show, there wasn't anything that was going to stimulate your mind.
I'm immensely fortunate to have been involved in the 'Star Trek' universe. It has been a lot of fun, and I'm extremely grateful for the opportunity to have been part of something so important to so many people.
'Star Trek' speaks to some basic human needs: that there is a tomorrow - it's not all going to be over with a big flash and a bomb; that the human race is improving; that we have things to be proud of as humans.
I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.
'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
I've been getting a lot of science fiction scripts which contained variations on my 'Star Trek' character and I've been turning them down. I strongly feel that the next role I do, I should not be wearing spandex.
I used to love the 'Star Trek' movies, 'Wrath of Khan' and stuff like that. Loved those movies when I was a kid. And 'Star Wars' obviously was hands-down probably - I mean I had the sheets. I was a big fan of that.
I get that a lot of people love 'Star Wars' - and I could see that you can love both and they can coexist in our lives. But the DNA of 'Star Trek' is different in as far as it's human beings, it's us in the future.
I came face-to-face with a gorilla which was quite good, but it was a 10-hour trek in bad weather, up hills, covered in mud, with mosquitoes everywhere and when we got there the gorilla's just sat there doing nowt.
I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'
We have 'Doctor Who' references on 'Futurama,' but we have a lot of science fiction references that I don't get; but in the staff we have experts on 'Star Trek,' 'Star Wars,' 'Doctor Who' and 'Dungeons and Dragons.'
I am often fond of saying the Trekkers are passionate about a hobby, their hobby is 'Star Trek.' They are by and large very imaginative, very intelligent people, and they certainly have been more than generous to me.
I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.
There are several books that I have-the Physics of Star Trek, Star Trek and Business, there are manuals on command style and countless scholarly papers that have been written about the significance of Next Generation.
As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.
It's 'Star Trek!' It's as close to an American mythology as we get. To be a part of that storytelling after being a fan since I was a teenage boy who saw the pilot episode of 'Next Generation' air, it's all very surreal.
'The Next Generation' was a lot of fun for a while, and then it wasn't a lot of fun. The reason it wasn't a lot of fun was that this one was going to be a guaranteed hit. The original 'Star Trek' was never a guaranteed hit.
I think origin stories are a great way to get people reinvested in a story. I mean, we originally accepted 'Star Trek' without knowing anything about Kirk or Spock. All we needed to know was that it took place in the future.
Of course, if you're going to enter the 'Star Trek' Universe, you want to work with Spock, you want to work with Kirk, you want to work with McCoy, and Scotty, and Sulu, and Uhura. The next one for me would have been Picard.
My brothers and I would try to talk our dad into letting us stay up and watch 'Star Trek.' I remember watching it and feeling that a family is not just by blood, a family is a shared experience and that really stuck with me.
I was born too late to experience Apollo 11, though I do trek to Dad's house every time there's some space event. There's something awesome about crossing your fingers and watching a tense Mission Control room do their thing.
I've been a huge fan of virtually every incarnation and spin-off of the 'Star Trek' franchise (don't get me started on 'Voyager,' though), but there's something about the purity of the original series that really appeals to me.
At the core of 'Star Trek' is Gene Roddenberry's vision of the future. So much of science-fiction is about a dystopian society with human civilization having crumbled. He had an affirmative, shining, positive view of the future.
'Star Trek' tends to take itself a little too seriously. They were either very dramatic shows, or if we did a humorous show, it was always a little like, 'Oh, we're doing humor on 'Star Trek,'' especially on the original series.
'Star Trek' episodes always insisted that humanity is on its bumpy way to what will be a glorious future in the 23rd century, in which we will have left most of our old selfishness - and old hatreds and prejudices - far behind us.