Quotes of All Topics . Occasions . Authors
A thing which I regret, and which I will try to remedy some time, is that I have never in my life planted a walnut. Nobody does plant them nowadays-when you see a walnut it is almost invariably an old tree. If you plant a walnut you are planting it for your grandchildren, and who cares a damn for his grandchildren?
I think about death a lot, I really do, because I can't believe I won't exist. It's the ego isn't it? I feel that I should retreat into a better form of Zen Buddhism than this kind of ego-dominated thing. But I don't know, I mean, I want to come back as a tree but I suspect that it's just not going to happen, is it?
The battle we have fought, and are still fighting for the forests is a part of the eternal conflict between right and wrong, and we cannot expect to see the end of it. …So we must count on watching and striving for these trees, and should always be glad to find anything so surely good and noble to strive for.
When you get up into the crown of a redwood tree, you lose sight of the ground entirely. You also lose sight of the sky. And you're in a lost world. You're in an undiscovered, unexplored ecosystem, somewhere between Heaven and Earth, filled with forms of life, not all of which have been given names by scientists yet.
My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.
My mother, unlike yours, never exchanged sexual favors for a piece of silver," he said, addressing the first insult by banging the boy's head against the trunk of the tree. "And," he said with another resounding thump, "although I'm very familiar with that part of the female body, I take offense at being labeled one.
I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity; that, at least one may replace the parent.
Very close cousins like humans and chimps have almost all their genes in common. Slightly less close cousins like humans and monkeys still have recognizably the same genes. You could carry on right on down to humans and bacteria, and you will find continuous compelling evidence for the hierarchical tree of cousinship.
Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.
If you look at any leaf on any tree branch, it's similar to but not exactly a repetition of the previous branch. So the new science of complexity or showing how an architecture can be produced just as quickly, cheaply and efficiently by using computer production methods to get the slight variation, the self-similarity.
Death is the gate of life. Ingratitude is the soul's enemy... Ingratitude is a burning wind that dries up the source of love, the dew of mercy, the streams of grace. You will find something far greater in the woods than you will find in books. Stones and trees will teach you that which you will never learn from masters.
I don't know how I didn't kill any one of my sisters. For this one horror film we were making, I made my own harness for my sister. I wrapped her in all these ropes, but then also put a noose around her neck and hung her from a tree. Now I think, 'What if my harness didn't work?' I'm so lucky that nothing ever happened.
In most cases, the best strategy for a job interview is to be fairly honest, because the worst thing that can happen is that you won't get the job and will spend the rest of your life foraging for food in the wilderness and seeking shelter underneath a tree or the awning of a bowling alley that has gone out of business.
Just Me, Just Me Sweet Marie, she loves just me (She also loves Maurice McGhee). No she don't, she loves just me (She also loves Louise Dupree). No she don't, she loves just me (She also loves the willow tree). No she don't, she loves just me! (Poor, poor fool, why can't you see She can love others and still love thee.)
In railway halls, on pavements near the traffic, They beg, their eyes made big by empty staring And only measuring Time , like the blank clock. No, I shall weave no tracery of pen-ornament To make them birds upon my singing tree: Time merely drives these lives which do not live As tides push rotten stuff along the shore.
The short conversation that follows eventually led to a tree religion. Its tenet of faith was this: a tree that was a good tree and led a clean decent and upstanding life could be assured of a future life after death. If it was very good indeed it would eventually be reincarnated as five thousand rolls of lavatory paper.
The one thing that I cannot live without when I'm traveling is a small container of tea tree oil. It's not the most glamorous thing, but if you get a cut, a mosquito bite, a small breakout, no matter what it is, it's my little cure-all. It's inexpensive, it's small enough to carry on, and I bring it with me all the time.
And as hearbes and trees are bettered and fortified by being transplanted, so formes of speach are embellished and graced by variation.... As in our ordinary language, we shall sometimes meete with excellent phrases, and quaint metaphors, whose blithnesse fadeth through age, and colour is tarnish by to common using them.
The evocative power of the drum can be compared to the Trinity. The drum's frame comes from the trunk of a tree, and that tree has a spirit. It is not dead wood. There is also spirit in the animal skin. If there wasn't, it would not produce sound. Those, plus the spirit of the person playing become an irresistible force.
There is a part of me that will forever want to be walking under autumn leaves, carrying a briefcase containing the works of Shakespeare and Yeats and a portable chess set. I will pass an old tree under which once on a summer night I lay on the grass with a fragrant young woman and we quoted e.e. cummings back and forth.
In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it... Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.
Ordinarily, I go to the woods alone, with not a single friend, for they are all smilers and talkers and therefore unsuitable. I don't really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my way of praying, as you no doubt have yours. Besides, when I am alone I can become invisible.
And yet the real success goes to those who obsess. The focus that leads you through the Dip to the other side is rewarded by a marketplace in search of the best in the world. A woodpecker can tap twenty times on a thousand trees and get nowhere, but stay busy. Or he can tap twenty-thousand times on one tree and get dinner.
What is art? A violet. Is that all? An artistic style is a living entity, a continuous process of invention. It can never be imposed from without; born of the profoundest tendencies within a society, its direction is to a certain extent unpredictable, in much the same way as the eventual configuration of a tree's branches.
I'd have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didn't have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
More and more, as civilization develops, we find the primitive to be essential to us. We root into the primitive as a tree roots into the earth. If we cut off the roots, we lose the sap without which we can't progress or even survive. I don't believe our civilization can continue very long out of contact with the primitive.
They never exhale, the trees; on a very windy day, they rustle and inhale, and then the leaves and the branches all tremble as though something means to strangle the life from them. The sky watches on. The world is filled with anticipation, as if to wonder if this day will be a great day, or a horrible day, or the last day.
After church on the Sunday after Thanksgiving, my family would go chop down our Christmas tree. Once it was home and placed in its stand, Mom and I would painstakingly decorate our tree. It took hours to place the tinsel, string the lights, find the perfect spot for my favorite macaroni and felt ornaments from kindergarten.
My friend Jonathan had a great tree house. It was awesome. It was like a big fort up in this tall magnolia tree That's where we would conduct our very important business, I'm sure, with all our bikes leaning up against a tree and no girls allowed, handling all sorts of important things you handle when you're seven or eight.
Like many kids, I used to pretend all sorts of things. I would climb into a tree and imagine that I was on an island, that the grass below we was an ocean, that the leaves were the fins of sharks. Perhaps unlike many people, I never really stopped. I still have a childlike predisposition to fantasise and share my fantasies.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
We might imagine that Jesus had many human faults. He failed most humanly, in my reckoning, when he killed the fig tree just because it didn't bear any figs for his breakfast; that was a disgraceful, bad-tempered thing to do, and to try and make a virtue of it by saying it was a demonstration of faith only made things worse.
I once fell 20 feet from a tree, was knocked unconscious, and when I picked myself up and straggled home, my parents thought I was making it up. However, when my brother and I fabricated a story about an encounter with a bear, they believed that! So maybe I learned very early on that fiction was more interesting to listeners!
The appearance of strength is all about you. It would seem to last forever. However... the rotten tree-trunk, until the very moment when the storm-blast breaks it in two, has all the appearance of might it ever had. The storm-blast whistles through the branches of the Empire even now. Listen... and you will hear the creaking.
I was astonished to find that the positions my grandfather had defended were now overgrown and entangled with trees and thorns. I suppose I had developed a sense of reverence for the locations he described in his memoirs and letters - the forts and the high emplacements. I had expected them to have been preserved in some way.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
As I look back on my fondness for the outdoors, and specifically the elements in nature that I find visually stimulating, I am surprised at how often the theme of dead trees arise. I guess it's that each one seems to have a story of its own, representing many years of living through everything that nature could throw at them.
My friend Jonathan had a great tree house. It was awesome. It was like a big fort up in this tall magnolia tree... That's where we would conduct our very important business, I'm sure, with all our bikes leaning up against a tree and no girls allowed, handling all sorts of important things you handle when you're seven or eight.
When I was 10 years old, I loved - I loved books, and I used to haunt the secondhand bookshop. And I found a little book I could just afford, and I bought it, and I took it home. And I climbed up my favorite tree, and I read that book from cover to cover. And that was Tarzan of the Apes. I immediately fell in love with Tarzan.
I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.
The truths of nature are one eternal change, one infinite variety. There is no bush on the face of the globe exactly like another bush; there are no two trees in the forest whose boughs bend into the same network, nor two leaves on the same tree which could not be told one from the other, nor two waves in the sea exactly alike.
'Botanicula' tells the story of a group of twigs, nuts, and leaves trying to escape with the life essence of a tree in tow before nasties from another world destroy them and everything else in their path. Yes, it's a point-and-click adventure game, but behind every click, there's a bit of joy to be found. Bugs sing. Bees dance.
My curiosity to see the melancholy spectacle of the executions was so strong that I could not resist it, although I was sensible that I would suffer much from it.... I got upon a scaffold near the fatal tree so that I could clearly see all the dismal scene.... I was most terribly shocked, and thrown into a very deep melancholy.
I was born in the summer of 1970, the last of five boys stretched over eight years. My parents were a struggling young couple who had been married one afternoon under a shade tree by a preacher without a church. No guests or fancy dress, just the two of them, lost in love, and the preacher taking a break from working on a house.
People idealise their animals, and at the same time they patronisingly overlook a dog's natural life - biting fleas, burying bones, rolling in garbage, barking up an empty tree all night... But what do they do themselves? Bury stuff that will rot in secret and then dig it up and bury it again and rant and rave under empty trees!
When you look for the environment, you find things that are in it: a hammer, a smartphone, some rusty nails, a shed, a spider, some grass, a tree. So there is a big difference between environmentality and Nature. Nature is definitely something you can point to: it is 'over yonder' in the mountains, in my DNA, under the pavement.
The desire to look strong and decisive, instead of looking human, is the fatal flaw of so many politicians, and I will never understand why the favoured path of the political class is akin to a child with chocolate smeared on their face insisting that they didn't eat the edible Christmas tree ornaments while their parents slept.
In the United Kingdom, for example, the sheer overwhelming dominance of London makes it extremely for provincial cities to develop more than a very restricted financial function. London, in that sense, is akin to the notorious upas tree, a fabulous Javanese tree so poisonous that it destroys all life for many miles around itself.