I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.

There's a lot of people out here faking a smile on their face like they got it together but inside actually suffering from some sort of traumatic experience, a loss, depressed, fearful, envious or whatever the case may be, but I can feel it.

I went to college because my father thought that I should learn engineering, because he wanted to go into the heating business with me. There, I realized I wanted to be a physicist. I had to tell him, which was a somewhat traumatic experience.

My dad and his brothers were involved in amateur dramatics. From an early age, I was dragged along to rehearsals when they couldn't get childcare. I was watching pensioners dance around in sweatpants, which was very traumatic for a young child.

In most organizations, change comes in only two flavors: trivial and traumatic. Review the history of the average organization and you'll discover long periods of incremental fiddling punctuated by occasional bouts of frantic, crisis-driven change.

At 29, I quit films. A lot of things happened. I had personal issues, injured my spine, and felt paralysed for a while. I never thought of coming back. Personally, it was traumatic. I just took life as it came and dealt with it in a positive manner.

Post traumatic stress disorder starts out with nightmares, flashbacks and actually reliving the event. And this happens over and over and over and over in your mind. If you let it go on, it can become chronic and become hard if not impossible to treat.

Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.

I think divorce is a tragedy, traumatic and horribly painful for everybody. That's why I wrote 'Smart Women.' I want kids to read that and to think what life might be like for their parents. And I want parents to think about what life is like for their kids.

It's during dream sleep where we start to actually take the sting out of difficult, even traumatic, emotional experiences that we've been having. And sleep almost divorces that emotional, bitter rind from the memory experiences that we've had during the day.

Americans look at the Middle East as a source of trauma because of 9/11. At the same time, I could see the fear going on in the Middle East as well - which would be the next country to be invaded or sanctioned? Being around those tensions was traumatic for me.

As the National Football League and other pro sports increasingly reckon with the early dementia, mental health issues, suicides and even criminal behavior of former players, the risk of what's known as chronic traumatic encephalopathy (CTE), is becoming clear.

To me, 'Garden of Delete' is a way of describing the idea that good things can bloom out of a negative situation. All the traumatic experiences I had during puberty, ugly memories and ugly thoughts in general can yield something good, like a record or whatever.

It's kind of a mystery to me, as far as my own life experiences and what I've witnessed - why some people can just move on through traumatic experiences, in childhood particularly, and why other people are just paralyzed by it. I just don't know how and why that is.

It's so important, after a song is finished, to go to sleep and listen to the song with fresh ears the next day. It's sometimes a traumatic event. And playing it for someone else for the first time - that is the most nerve-wracking thing of all. But we learn so much.

It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.

It would be ill-advised to compare war and a sport, but I don't think the brain knows the difference. With post-traumatic stress and traumatic brain injuries in blasts with veterans, we see a very similar and somewhat unique issue with repetitive brain injuries in football.

So initially getting up on stage I was really nervous, I was like, 'wow, I'm going to be standing there and all these people are going to be looking at me?' But funnily enough it wasn't too traumatic. It felt quite natural because I felt I looked good and I knew how to do the poses.

When I was 13, I came back from summer camp - summer of '74 - and my mother had had an accident during surgery and was in an oxygen tent in a coma. It was so traumatic. My parents had been divorced for six or seven years at that point, and it was sort of the seminal event of my life.

If Obama came by his liberalism in the faculty lounge, then sure, he can see it hasn't worked, and he can modify it. But if Obama got his formative ideas when he was very young, and if they are the result of his traumatic relationship with his father, then they are built into his psyche.

In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.

I was in the orphanage in New Orleans until I was almost a year old. I don't think I ever got held by my mama, so that was completely and utterly traumatic. I think it was trauma from the first breath, and I think I've spent my whole life trying to heal from that trauma. So it shaped my brain.

I was in Puerto Rico going to school, and it was very jarring for me. 'Traumatic' is the only way that I can say it. Kids were making fun of me: 'Oh, you're a Yankee.' And I acted out a lot. A lot. But looking back, and through a little bit of therapy, everything I am has to do with that time.

I have the most openness about my art... It's total freedom and willingness to work. I'm willing really to walk on the edge, and if I haven't achieved it, that's where I want to go. But in my life - maybe because my life has been so traumatic, so absurd - there hasn't been one normal, happy thing.

I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.

You have to understand that PTSD has to be an event that you experience, a very traumatic event. And actually, there is evidence that brain chemistry changes during this event in certain individuals where it's imprinted indelibly forever and there's an emotion associated with this which triggers the condition.

It's not just professional athletes and soldiers who are at risk from traumatic brain injury. More than 1.7 million people a year sustain a traumatic brain injury, and about 50,000 of them die each year, according the Centers for Disease Control. There are both emotional and financial costs from these injuries.

As computer intelligence gets better, what will be possible when we interface our brains with computers? It might sound scary, but early evidence suggests otherwise: interfacing brains with machines can be helpful in treating traumatic brain injury, repairing spinal cord damage, and countless other applications.

I don't know if this is the kind of retrospective analysis that people are fond of applying to their work or actions, but it feels like I knew I was going to be famous and I knew that an element of that would be traumatic, so that if I could make myself something big and otherworldly, it would be a kind of defence.

I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.

I don't think people get the pressure of becoming famous and what it does for an artist. What does that for your creative self. And what that can do for your mental health. And I would say, from year two to year six or eight of 'Grey's,' it was extremely difficult and very stressful and traumatic, if I'm being honest.

It takes a lot of guts to come out to your friends and family. For most gay people, coming out is the most traumatic experience in their life because of the worry about the backlash: 'What's going to happen? Are my parents going to accept me? Are my friends going to accept me? Are my sisters and brothers going to accept me?'

Oddly, moving to L.A. had nothing to do with me wanting to be an actress. My mother had a friend who was willing to take us in for a month until we could get on our feet. So we lived on her floor. It was pretty traumatic, but I found my strength through my mother in that time because she never once made us feel like we wouldn't be OK.

It was traumatic for my children to see the British army en masse coming into our home and searching the house. I recall on one occasion, when our home was raided, my youngest son was standing at the top of the stairs - he would probably have been only three years of age - in his pyjamas. The soldiers came up the stairs, and he peed himself.

When people endure a traumatic event, they are either defeated or made stronger. On Sept. 11, I told New Yorkers, 'I want you to emerge stronger from this.' My words were partially a hope and partially an observation that people in New York City handle big things better than little things. I could not be more proud of the way my city responded.

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