Trailer Quotes - Page 4

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Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.

I'm not a big prank guy, because I don't like them done to me. I've been on movies sets where one guys goes into his trailer, and then people move the stairs, and he comes out of his trailer, and there's no stairs. That's not funny! I don't want to be that guy!

Keri Russell is one of the prettiest girls I've ever seen in my life. She's one of those girls that doesn't have that thing when you walk into the trailer in the morning, and your face is all bashed in - like a lot of actors, even the beautiful and handsome ones.

Making films can be absolutely fantastic, but it can also be incredibly dull. You spend the whole day sitting by yourself in your trailer and then you get called to deliver one sentence - then you're told to come back and do it again at 5:30 the following morning.

I own four copies of Robin WIlliams's Live on Broadway comedy special for HBO. One in Wilmington, one in L.A., one in my trailer, and one at my parents' house. I can watch it over and over again and it never gets old. He is the funniest, wittiest man on the planet!

I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.

If E.B. White were writing in 2013, would there be a 'Charlotte's Web' trailer and an @SomePig Twitter account? I doubt it. Yet, in a way, he'd be missing out because I'm beginning to think that some of this noise is worth making - and some of it is worth hearing, too.

I actually gained a lot of weight when I started to do 'Grey's Anatomy.' Doing eight theater shows a week, girl, is such a workout. But with TV, you're, like, sitting in your trailer waiting to go to the set. And there's catering and craft service every place you look.

Generally, when I'm going to a new project, I take my own makeup. I'll explain to them what it is that I would like. If they are receptive, we figure it out together. If they're not, I'll be going to back to my trailer and doing my own makeup. And that's the same for hair.

I love my play 'The Trials and Tribulations Of A Trailer Trash Housewife' because I get these letters from all of these women who literally have left their spouses who were abusing them. You know, I'm just breaking up marriages right and left. But, that need to be broken up.

In 1938, when I had decided that the only way to see the country was in a trailer, and I built the trailer which I still have and lived in it for eighteen months, and learned America from San Diego to the Canadian border, from Miami to New Jersey, and east to west in between.

It's a risk casting anyone against type or what they're known to do. But there's one thing better than having a great actor, which is having a great actor who's never done what you're asking him to do. He's hungry to get out of the trailer every day and hungry to test himself.

If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.

I think you learn something from everybody that you've worked with. I really learned how to behave on set through the people that I worked with, like the importance of being on time and the importance of being professional. I don't bring my cell phone on set; I leave it in my trailer.

Whenever I read stories of people doing huge pranks on set, all I think is, 'These people have too much time on their hands.' Besides, I don't want to make some poor assistant clean up someone's trailer after I've filled it with, say, Cadbury eggs. See? I can't even think of a good prank.

When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'

I don't even think I was quite a year old. My mother was maybe seven months pregnant with my little brother. I was sucked out of her arms, and she landed 75 yards away from our trailer and had a ruptured disc. The tornado set me down on top of this pile of corrugated lumber and scrap metal.

The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.

Working on 'Raising Hope' is a very hurry-up-and-wait activity, and I just always liked the idea of being as productive as I can be. I write because I don't just want that time to dissolve, where I'm sitting in a trailer staring blankly at the paintings of moccasins that came with the trailer.

When I'm in a movie, what I always do, instead of sitting in a trailer or watching a DVD, is I go on the set and watch the director work and the actors work, and sometimes I'll hang out with B camera and watch what they're up to and ask questions because there's so much to learn about the medium.

My worst job ever, this was when I was a kid, was picking potatoes on the back of a trailer in March. It was freezing, absolutely freezing. We had to sort the good ones from the bad ones. Once you do that for a day in March in the north of England, it makes you think there must be better jobs than this!

I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.

A car produces about one pound of CO2 per mile. There is no problem with collecting the CO2 in the tailpipe, but one might easily end up with a trailer hitched to the car for carrying all this CO2 back to the filling station. The gas burned from a 15-gallon tank would fill up five 60-inch-tall gas bottles.

I was maybe halfway through my career, and I was shooting a Nike commercial, and the director came to the trailer and said, 'Hey man, you're really gifted at this. I get a lot of athletes that come in, but you were prepared, and you made everything seem very natural. I really think you should look into this.'

My family traveled a lot. For a while we even lived in a trailer and traveled from campground to campground. If we got to eat at the Cheesecake Factory, it was the highlight of our whole year! But I don't miss having to share a bathroom with seven people or having powdered milk with my cereal. It was so nasty.

When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'

Actors are not a great breed of people, I don't think. I count myself as something of an exception. I grew up in the theater, and my values were about the work, and not being a star or anything like that. I'm not spoiled in that way, and if I fight for something, it's about the work, not about how big my trailer is.

I mean, if you are director like Lars Von Trier who is able to get actors on a table like Lauren Bacall, Ben Gazzara, James Caan, Nicole Kidman, Chloe Sevigny, Stellan Skarsgard, Udo Kier, all in the self-service situation in the same room, the same trailer, no money, then you must have something that everybody accepts.

When I was younger, it's like, 'Mom works. Normal adult stuff.' But you mature and start to look at it differently. I watched my mom struggle. She comes home tired. She doesn't want to do anything. As I got older, I started thinking, 'My mom doesn't deserve this.' My whole devotion became to get my mom out of that trailer.

Yoga stretches out your body and releases lactic acid. I do it four times a week, and my skin feels fantastic afterwards. When I'm doing a film, I do it every day - I keep a yoga mat in my trailer. Sometimes I do it in front of the TV. The stretching makes me feel so good. It gets my heart going and helps me breathe deeply.

For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.

The truth is that at age 19, I was a teenage mother living alone with my daughter in a trailer and struggling to keep us afloat on my way to a divorce. And I knew then that I was going to have to work my way up and out of that life if I was going to give my daughter a better life and a better future, and that's what I've done.

My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.

When I was in Toronto shooting 'Hemlock Grove,' I'd spend a couple of hours in the makeup trailer every day because my character had all these tattoos. I was telling one of the artists how bored I was - I didn't really know anybody - and he said, 'Pick up a ukulele and start playing. They're 30 bucks for a cheap one.' And I did!

My exercise regime for the film was really intense. I'd work out with a trainer six days a week, and then I had a stunt rehearsal team that would do boxing, stretching, and a little bit of parkour. And yet, people don't get to see me shirtless in this movie. I don't know if you've seen the trailer, but this Aladdin wears a shirt.

I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.

I was talking on the phone in my trailer, and I looked in the mirror and I saw the badge clipped to my belt, a gun with a holster, and the suit and the tie with the jacket off, and it was just deja vu. I remember that image so clearly from growing up. My dad would come home for lunch, take off his jacket, have the gun and the badge.

I was injured at the end of 'Kill Bill.' I hit the ground, instead of hitting the mat, pretty hard and busted my ribs and had to have surgery. I was being blown out of a trailer in a harness and actually landed on my coordinator instead - who broke my fall a little! My arm smacked into the ground and obliterated one of the ligaments.

What people don't always understand is that I established a certain lifestyle for my family back in the days of 'Species' and 'Mulholland Falls' and 'The Getaway.' I wasn't about to move my six kids into a trailer park. So when people offered me work, it wasn't always the best, but I had to buy groceries, and I had to put gas in the car.

I met Porter Robinson in, like, 2016 at Shaky Beats after one of his sets. Me and my friends ran backstage really quickly to try and get him as he was going to his trailer. We said 'Hi' really quick, and it was the best 30 seconds of my life; it was amazing. Getting to meet artists like that that have changed my life is super, super cool.

Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.

One day, I got a call from Mani Ratnam sir's assistant, who said that the ace director was impressed after watching 'Naan' trailer and wanted me to do a cameo in 'Kadal.' I was on cloud nine and my joy knew no bounds. However, I had no other option than to say no since the date required by Mani Ratnam was exactly the release date of 'Naan.'

For the women in California, they're just downtrodden because they're so gorgeous here. Every hot cheerleader comes to California to make it. The men don't want to get married, they're lazy lions. Matthew McConaughey is their poster boy so they can procreate and live on the beach in the trailer and have kids and have money and be hedonistic.

For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.

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