Tragic Quotes - Page 10

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Stand-up came naturally to me because people in Ireland talk. But that's not talking on panel shows; it is structured fun. It reminds me of some tragic aunt clapping her hands and bouncing into a room and announcing we should all play games... and if we don't we are all a rotten spoilsport.

Our children think our world will end. It's a tragic thing. Adults don't think that. They don't see that we are eating the planet. But we are. If you take all the biomass of vertebrates on the planet, 98% are men and their domestic animals. All the wild animals in the world make up only 2%.

This thing has been studied to death by Republicans and Democrats: several committees, including in Congress, that have all said, 'Yes, of course what happened was tragic, but Secretary Clinton was not in any way at fault,' and what you have here with these e-mails is basically a witch hunt.

The news media is so quick to pick up tragic stories of imperiled children that it seems like there are more terrible events today than ever before - when in fact it's quite the opposite. It is, in all manners possible to calculate, the safest time in the history of civilization to be a kid.

The characters I've played that I like the most are people that have a lot of obstacles. They have a lot of bad things going on. They're seeking to do something good amidst all the detritus around them, and they're aware of how badly they've screwed it up. That kind of self-awareness is tragic.

What could be more lonely than to be enveloped in silence, to be the last of your people to speak your native tongue, to have no way to pass on the wisdom of the elders, to anticipate the promise of the children. This tragic fate is indeed the plight of someone somewhere roughly every two weeks.

After the tragic events of Manchester, with the senseless loss of life and the fear that came from knowing my family was unsafe and that I was completely powerless to protect them, I went to a very dark place with no tools to handle the feelings that came along with the devastation of the attack.

I had - after I sang the 'Star Spangled Banner' so badly, after my tragic singing accident, after that, you know, all my stuff kind of, like, really got even more full blown and, you know, I got stage fright and, you know, I couldn't do stand-up anymore and let alone sing and all the other things.

At Harvard I was taking an African-American studies class, and we were reading about the tragic mulatto. Invariably, the tragic mulatto can't fit in either world and flings herself off a bridge. So I'm reading, and I'm like, 'Oh, my God, I think I'm in literature,' but my life was never like that.

All my life, I have been a positive thinker... I have always been able to survive by telling myself that no matter how bad things are, they will one day be better. And that out of every event - no matter how tragic - one can always find a way to survive and even, perhaps, to be a little bit happy.

When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.

It's easy to forget, given her scandal-tinged life and tragic death, how incredibly talented Whitney Houston was. She holds the world record as the most-awarded female act of all time, with over 415 major recognitions during her career. She is the only artist to chart seven consecutive number one songs.

I was active on Facebook for a while, responding to comments and thanking fans for their appreciation. But I found that the Facebook feed was numbing my emotions. I'd see an extraordinarily tragic news item, and even before I could react to it, see a hilarious meme right below it. This was confusing me.

Indeed, Russia and the U.S. were allies during the two tragic conflicts of the Second and the First World Wars, which allows us to think there's something objectively bringing us together in difficult times, and I think - I believe - it has to do with geopolitical interests and also has a moral component.

I'll never believe I'm any older than 18. I get angry when my body can't do what an 18-year-old's does. And looking in the mirror is really a tragic sight. There are many consolations to getting older, but physically, it's quite unkind. I find that I have as much mobility, but it takes longer to get pretty.

The Kennedy assassination is one of the ghostliest parts of our history. The Kennedy family - that's our royalty. It's fascinating and tragic and just strikes to the heart of our country. Here's the youngest president ever, full of hope and promise, and he made government service seem like it was dignified.

When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. Generally, we read him in modern spelling and with modern punctuation, and with notes. But any poetry that is performed - from song lyric to tragic speech - must make its point, as it were, without reference back.

Why is the public so interested in movies about the wealthy? My answer is that Shakespeare wrote about kings. That's where the action is. And it's the classic, cathartic thing. You get to indulge in a lifestyle you're not part of, a tragic error leads to a downfall, and you get to say, 'Thank God I'm not him.'

The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.

I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth.

At any given moment, we each face a barrage of obligations, often disparate and distinct from what we thought would happen when we woke up. From the tragic to the common to the extraordinary, life refuses to be divvied up into careful slices of time. No technology can manage to overcome the realities of reality.

In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.

Like a lot of people, I've often wondered what else I might have been. When I was younger, but even after I was a child, I thought Batman was the whole package. Smart, calculating, pragmatic. Depressed, but in a way women found hot. Tragic at his core and struggling with his demons while trying to save the world.

At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.

We all have to go through our own spiritual process. It is very difficult. Some people are struggling and they are in their teens. Some people are in their 50s and they're struggling. Some people go through life and die not being able to accept themselves. Tragic. But it's very individual. And it's about self-esteem.

We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.

I have mixed feelings about Jerusalem. It is fascinating, it is beautiful, it is tragic, and it is extremely attractive to all kinds of fanatics or redeemers, world reformers, self-appointed prophets or messiahs. I find this fascinating, but I don't think I would like to live in the middle of this. I need my distance.

I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.

Accidents happen, whether they're car accidents, friendly fire, drug overdoses. Accidents happen, and they're tragic. It's like a bomb that goes off and pieces of shrapnel rip into the flesh of the family. It's the families that need the compassion, because everywhere they walk, every day, someone reminds them of their loss.

Radical jihadists hate Americans for who we are. They cannot be managed. They cannot be trusted. Engaging them is a tragic fool's errand. We need to realize that they are at war with us and that we cannot control their motivations. We instead need to confront them, contain them, and ultimately defeat them before they defeat us.

Where there is no human connection, there is no compassion. Without compassion, then community, commitment, loving-kindness, human understanding, and peace all shrivel. Individuals become isolated, the isolated turn cruel, and the tragic hovers in the forms of domestic and civil violence. Art and literature are antidotes to that.

I will never forget what happened on August 14, 2003. I know the exact sequence of where I was for every moment of that evening. It was a tragic day, and it's burned into my memory. Many people might remember that date, vaguely, as the date of the infamous eastern seaboard blackout that plunged all of New York City into darkness.

Now most people do not want an ordinary life in which they do a job well, earn the respect of their collaborators and competitors, bring up a family and have friends. That's not enough any more, and I think that is absolutely tragic - and I'm not exaggerating - that people feel like a decent, ordinary, fun life is no longer enough.

The anniversary of the tragic attacks on September 11, 2001, and September 11, 2012, is a day to remember those who died and suffered. It is also an opportunity to open a new dialogue on the tactics and strategies that have been successful - and unsuccessful - in confronting, containing, and defeating the threat from radical Islam.

'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves.

I have a new theory of history, which is certain things happen because they seem like a good idea at the time. And suburbia seemed like a good idea at the time, but it was a special time and place in history, with special dynamics. And now, we're going to have to live with the consequences of that. And the consequences will be tragic.

You can't build a plot out of jokes. You need tragic relief. And you need to let people know that when a lot of frightened people are running around with edged weaponry, there are deaths. Stupid deaths, usually. I'm not writing 'The A-Team' - if there's a fight going on, people will get hurt. Not letting this happen would be a betrayal.

My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.

Man's inhumanity to man is as old as humanity itself. Some people just do evil things. Most do not. A billion people have seen 'Batman' movies over the past 20 years, and they have been entertained and inspired. One man saw it as a sick entry point for mass murder. The one is tragic. The billion are not. I choose to write for the billion.

In many parts of the world, chaining of people with mental illnesses is not uncommon, nor is seeing people walking around in clearly an unwell state, half naked, and no one takes any notice of them. It is tragic. There is a basic human right, which is not about just healthcare, but it is about the right to life with dignity, a right to citizenship.

This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.

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