Tragedy Quotes - Page 31

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There are a lot of people who are moving from unemployment to disability rolls, and there are a lot of people who have been out of work for a long time who are unable to get jobs. And I think that from a long-term perspective, this is not just a human tragedy, but it's going to be a potentially big hit on the economy in the future.

Sicily is a blessed land. First, because of its geographic position in the Mediterranean. Second, for its history and all the different peoples who have settled there: Arabs, Greeks, Normans, the Swedes. That has made us different from others. We exaggerate, we overdo. We love Greek tragedy. We cry, we fight, sometimes for nothing.

It's true that a human being cannot control what happens to him. However, what we can control is how we respond to what happens to us, what we do with what happens to us. Even if the range of choice is minimal, there is always a choice. From that point of view, destiny is our battlefield. It's not a tragedy; it is what we do with it.

Sometimes, in the midst of a tragedy like the Newton massacre, we witness incredible acts of valor, tenderness, grace, and decency. We saw it from Sandy Hook Elementary School's teachers, students, and parents, as well as from their community and country. The outpouring of sympathy and help has been touching and, at times, inspiring.

I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.

All over the Middle East, we face difficult challenges: the ongoing tragedy in Syria, the instability in Iraq, and the jihadist terrorism which dares to speak in the name of Islam, brings so many to seek refuge. The Hashemite Kingdom is facing all these challenges with honor, with dignity, and with great national and human solidarity.

We all come to the theater with baggage; The baggage of our daily lives, the baggage of our problems, the baggage of our tragedies, the baggage of being tired. It doesn't matter what age you are. But if our hearts get opened and released - well, that's what theater can do, and does sometimes, and everyone is thankful when that happens.

As an actor, I always think that if someone does pick up a phone during a performance, something dire must be happening in their lives that is more important than theatre - some kind of tragedy they were attending to, or something. It's very uncomfortable if you don't know why they would pick up a phone and talk in the middle of a show.

Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.

It seems that almost every time a valuable natural resource is discovered in the world-whether it be diamonds, rubber, gold, oil, whatever-often what results is a tragedy for the country in which they are found. Making matters worse, the resulting riches from these resources rarely benefit the people of the country from which they come.

There are only three things to say about cocaine. One, there is no such thing as enough. Two, it will never be as good as the first time. Three, those first two facts constitute a tragedy of expense in ways that can't be experienced unless you've had cocaine. ... Your brain will settle into a puddle around your sinuses and you will die.

I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'

'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.

I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.

Like Nemesis of Greek tragedy, the central problem of America after the Civil War, as before, was the black man: those four million souls whom the nation had used and degraded, and on whom the South had built an oligarchy similar to the colonial imperialism of today, erected on cheap colored labor and raising raw material for manufacture.

Abraham Lincoln comes from nothing, has no education, no money, lives in the middle of nowhere on the frontier. And despite the fact that he suffers one tragedy and one setback after another, through sheer force of will, he becomes something extraordinary: not only the president but the person who almost single-handedly united the country.

As I obsess about my ancient problems, I feel more like I'm sinking in quicksand than lighting a torch. I'm creating neither heat nor light, just the icky, perversely pleasurable squish of self-pity between my toes. My only defense is that I'm not the only one down here in the muck - our whole culture is doting on tales of personal tragedy.

In all disputes, a point is arrived at where no party, no matter how right or wrong it might have been at the start of that dispute, will any longer be totally in the right or totally in the wrong. Such a point I believe, has been reached in this debate... Let us not equivocate. A tragedy of unprecedented proportions is unfolding in Africa.

It's my belief that history is a wheel. 'Inconstancy is my very essence,'? says the wheel. Rise up on my spokes if you like but don't complain when you're cast back down into the depths. Good times pass away, but then so do the bad. Mutability is our tragedy, but it's also our hope. The worst of times, like the best, are always passing away.

Nothing is more common than for men to make partial and absurd distinctions between vices of equal enormity, and to observe some of the divine commands with great scrupulousness, while they violate others, equally important, without any concern, or the least apparent conciousness of guilt. Alas, it is only wisdom which perceives this tragedy.

Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.

There is an obsession with black tragedy. If you see a black movie, it's typically historical, and it tends to deal with our pain. And listen, there have been some excellent films made in that vein, and there are some painful parts of black history that should be explored, but it is kind of weird that only those films bubble up to the surface.

I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.

I can pinpoint the exact moment when I first began to think about what profession I should go into. It was 1978. I was seven and had just been handed over by the women of my family to the earnest and self-important gatherings of the men. I was no longer the responsibility of my aunts and older female cousins. I was now a man. This was a tragedy.

People know your tragedies and they treat you like you’re not human. Like you’re a three-headed goat. A monster from some other planet. They keep reminding you of your pain. You see how they look at me? They’re stuck on that person I used to be. They can’t see that old life as just a moment in time that I’ve moved on from. It was a horrible life.

Tragedy dramatizes human life as potentiality and fulfillment. Its virtual future, or Destiny, is therefore quite different from that created in comedy. Comic Destiny is Fortune - what the world will bring, and the man will take or miss, encounter or escape; tragic Destiny is what the man brings, and the world will demand of him. That is his Fate.

...she merely wished to find a way out of the maze. She knew that she had become a burden to him: she took things too seriously, turning everything into a tragedy, and failed to grasp the lightness and amusing insignificance of physical love. How she wished she could learn lightness! She yearned for someone to help her out of her anachronistic shell.

You can go back to tulip bulbs in Holland 400 years ago. The human beings going through combinations of fear and greed and all of that sort of thing, their behavior can lead to bubbles. And it may have had and Internet bubble at one time, you've had a farm bubble, farmland bubble in the Midwest which resulted in all kinds of tragedy in the early '80s.

But that night as I drove back to Montreal, I at least discovered this: that there is no simple explanation for anything important any of us do, and that the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.

Progressives must not portray all abortions as tragedies. . . Senator Hillary Clinton, in a 2005 speech commendable for setting forth a prochoice, pro-prevention, pro-family agenda, took the aspiration a step in the wrong direction when she called for policy changes so that abortion 'does not ever have to be exercised or only in very rare circumstances.

The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. ... they're acutely aware of the consequences of a lapse in their own behavior.

It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.

The institutions at the centre of capitalism are bigger than they've ever been, the pay is much greater, the ability of society to get its arms around it is much less. The political clout of the financial class is unbelievable. I'd say the story is darker than when I was there. When I was there it felt like a comedy - and now it feels more like a tragedy.

When I was sixteen, I danced before an audience without music. At the end someone suddenly cried 'its Death and the Maiden'. But that was not my intention; I was only endeavoring to express my first knowledge of the underlying tragedy in all seemingly joyous manifestation. The dance according with my comprehension, should have been called 'Life and the Maiden'.

To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that you are a sinking man. A writer's love for another writer is never quite free of malice. He may enjoy discussing your failures even more than you do. He probably sees you as tragic, like his characters - or unworthy of tragedy, which is worse.

It is restful, tragedy, because one knows that there is no more lousy hope left. You know you're caught, caught at last like a rat with all the world on its back. And the only thing left to do is shout - not moan, or complain, but yell out at the top of your voice whatever it was you had to say. What you've never said before. What perhaps you don't even know till now.

He [Aristotle] pointed out that people who had become initiates in the various mystery religions were not required to learn any facts 'but to experience certain emotions and to be put in a certain disposition.' Hence his famous literary theory that tragedy effected a purification (katharsis) of the emotions of terror and pity that amounted to an experience of rebirth.

The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. ... [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.

I think whenever you go through something of that nature, you get to see who's really on your side and who's really there for you. That happened in my case. And it really let me understand that no matter how small of a decision you make, it's going to have a subsequent action or reaction, and something that started out very innocent turned into the tragedy that it was.

The greatest tragedy in mankind's entire history may be the hijacking of morality by religion. However valuable-even necessary-that may have been in enforcing good behavior on primitive peoples, their association is now counterproductive. Yet at the very moment when they should be decoupled, sanctimonious nitwits are calling for a return to morals based on superstition.

However good we are, however correctly we seek to lead our lives, tragedies do occur. We can blame others, look for justification, imagine how our lives would have been different without them. But none of that matters: they have happened, and that is that. From this point on, it is necessary that we review our own lives, overcome fear, and begin the process of reconstruction.

If you become so frightened of realities that are not your own, if you take upon yourselves tragedies that do not exist in your reality, in your moment, then you weaken your position and weaken the position, of those you think you are helping. You look about you and you see only hopelessness and helplessness. You organize your reality according to the tragedies of the newspapers!

What this ideology, what this myth about savagery did was really excuse America for the disappearance of the Indian. It wasn't our fault. They were just an inferior race. And so John Marshall adopts that. And the tragedy and the present-day circumstances of that decision are that those racial attitudes are so deeply embedded in these foundational principles of American Indian law.

Did you see, after this horrific tragedy in Boston, that [Barack] Obama cannot utter the word 'terrorist.' It's not politically correct. He even called the Fort Hood murderer 'workplace violence.' Because it's politically incorrect to talk about 'jihad,' or to talk about 'terrorist,' or to talk about 'the war on terror.' He won't say those words, because they're politically incorrect.

He didn't want her; he wanted me. Well, you know how it is." Dalgliesh did know. This, after all, was the commonest, the most banal of personal tragedies. You loved someone. They didn't love you. Worse still, in defiance of their own best interests and to the destruction of your peace, they loved another. What would half the world's poets and novelists do without this universal tragicomedy?

I have been through a lot and have suffered a great deal. But I have had lots of happy moments, as well. Every moment one lives is different from the other. The good, the bad, hardship, the joy, the tragedy, love, and happiness are all interwoven into one single, indescribable whole that is called life. You cannot separate the good from the bad. And perhaps there is no need to do so, either.

Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera.

And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth? Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.

Phury knelt beside him and stroked his face. "I've only ever had you to live for. If you die I have nothing. I'm utterly lost. And you are needed here." Zsadist tried to reach out, but couldn't lift his arms as Phury stood up. "God, Z, I keep thinking this tragedy of ours is going to be over. But it just keeps going, doesn't it?" Zsadist blacked out to the sound of his twin's boots heading from the room.

It is a tragedy of the first magnitude that millions of people have ceased to use their hands as hands. Nature has bestowed upon us this great gift which is our hands. If the craze for machinery method continues, it is highly likely that a time will come when we shall be so incapacitated and weak that we shall begin to curse ourselves for having forgotten the use of the living machines given to us by God.

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