Quotes of All Topics . Occasions . Authors
The truth is that killing innocent people is always wrong - and no argument or excuse, no matter how deeply believed, can ever make it right. No religion on earth condones the killing of innocent people; no faith tradition tolerates the random killing of our brothers and sisters on this earth.
The novel tradition is the closest thing I have to a religion, and being a part of that tradition means a lot to me. I don't really see - I never have seen - why I should have to forfeit that feeling, or hope, of belonging, just because the stories I want to tell are close to my own experience.
St. Louis has a lot of weird food customs that you don't see other places - and a lot of great ethnic neighborhoods. There's a German neighborhood. A great old school Italian neighborhood, with toasted ravioli, which seems to be a St. Louis tradition. And they love provolone cheese in St. Louis.
In my own spiritual journey, I became a swami on the Hindu path of Bhakti. In the Hindu tradition, a swami is a monk who forgoes regular family life for the purpose of making the whole world his family and channels his full energy into spiritual practice, devotion to God and service to humanity.
A constitutional tradition that works is one that is in a constant state of dynamic evolution. You have a written constitution that says 'x,' but no constitutional system works if it just follows what's in that written constitution and never changes. Interpretation gives it the freedom to change.
'Codename Baboushka' is an action-packed modern pulp spy thriller, in the sort of British tradition of 'Modesty Blaise', New Avengers and of course James Bond. It's a book about Contessa Annika Malikova, the last of a noble Russian line and an enigmatic, mysterious figure in New York high society.
Successfully functioning in a society with diverse values, traditions and lifestyles requires us to have a relationship to our own reactions rather than be captive of them. To resist our tendencies to make right or true, that which is nearly familiar, and wrong or false, that which is only strange.
One moment it's a cathedral, at another time there is no words to describe it when it ceases, for short periods of time, to have any regard for the proprieties that constitute not only Parliament, but its tradition. I've seen it in all its greatness. I have inwardly wept over it when it is degraded.
The U.S. has long characterized Haitian immigrants as criminals. This tradition began in 1963 when the first boat of Haitians seeking political asylum was summarily rejected by U.S. immigration officials, while at the same time the U.S. admitted thousands of Cubans as refugees and political asylees.
There's this long tradition of... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning.
What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke. Liz Taylor drinks Coke, and just think, you can drink Coke, too.
When Zionism becomes co-extensive with Jewishness, Jewishness is pitted against the diversity that defines democracy, and if I may say so, betrays one of the most important ethical dimensions of the diasporic Jewish tradition: namely, the obligation of co-habitation with those different from ourselves.
I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means.
Hating Wall Street is an American tradition that dates back even to the days when Thomas Jefferson cursed that money lover Alexander Hamilton. And for centuries, the complaints about it have largely stayed the same: 'It does nothing! It creates chaos! It's a parasite that sucks hardworking Americans dry!'
It is really very important while you are young to live in an environment in which there is no fear. Most of us, as we grow older, become frightened; we are afraid of living, afraid of losing a job, afraid of tradition, afraid of what the neighbours, or what the wife or husband would say, afraid of death.
Covering the civil-rights movement was a mind- and eye-opener for me. Houston was a segregated society, as was Texas as a whole - some of it by law, a lot of it by fear and tradition. But there was no violence where I lived, and if there was hate, it was either concealed from me or I just didn't recognize it.
To have the opportunity to lead the Solicitor General's office is the honor of a lifetime. As you know, this is an office with a long and rich tradition, not only of extraordinary legal skill but also of extraordinary professionalism and integrity. That is due, in large measure, to the people who have led it.
Our intention is to develop more subtlety in contemporary electronic sounds. We don't like nostalgic projects. We have disparate interests and many philosophical concerns. In the past 10 years, I have realized music in the classical tradition - I have composed for strings, brass, and electronic, and alp-horn!
I want to speak in the tradition of rhythm and blues and soul music, but also push how it's dressed and how it's delivered to the audience. And hopefully that gets embraced by as many people as possible, but the goal isn't necessarily to speak to everyone. The goal is to get it out as exact as it is in my head.
I consider myself an atheist. My wife is Jewish. And I'm fine with my son being raised as a Jew. He's learning Hebrew and is really into it. I will talk to my own son about my atheism when the time is right. But there's a great tradition of Jewish atheism, there are no better atheists in the world than the Jews.
I've always been interested in photographing traditions and customs - especially in America. The prom is an American tradition, a rite of passage that has always been one of the most important rituals of American youth. It is a day in our lives that we never forget - a day full of hopes and dreams for our future.
Every day, women and girls are finding incredible confidence and taking risks. When they change one mind, pretty soon, they have changed one tradition. That changed tradition has changed a village. That one village has changed a country. That new reality means new opportunities for themselves and their daughters.
There's been resistance to every new technology that's ever been introduced. When books came out hundreds of years ago, there were complaints that it would destroy the oral tradition. Some of those fears were justified, but it didn't stop the rise of the written word. And books have proven to be incredibly useful.
In this constant battle which we call living, we try to set a code of conduct according to the society in which we are brought up, whether it be a Communist society or a so-called free society; we accept a standard of behaviour as part of our tradition as Hindus or Muslims or Christians or whatever we happen to be.
Once again it is peaceful at Augusta National Golf Club, after some rather ugly stand-offs in recent years, when the club balked at changing its all-white, all-male membership tradition. African-Americans and female Americans are on the club manifest now along with other golf-Americans, and all is serene once again.
The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.
We often forget that Iran has a long tradition and history with the United States. Iranians have been coming to the United States as students for decades. American businessmen were in Iran developing the oil fields. ...There was an American financial advisor to the Iranian government in the early part of the century.
I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man... there is a tradition in the most simplistic of action movies for there to be some horrible villain.
On the evidence we have, the meritocratic ideal ends up being just as undemocratic as the old emphasis on inheritance and tradition, and it forges an elite that has an aristocracy's vices (privilege, insularity, arrogance) without the sense of duty, self-restraint and noblesse oblige that WASPs at their best displayed.
Americans, Poles, and the nations of Europe value individual freedom and sovereignty. We must work together to confront forces, whether they come from inside or out, from the South or the East, that threaten over time to undermine the values and to erase the bonds of culture, faith and tradition that make us who we are.
Religious ideas about good and evil tend to focus on how to achieve well-being in the next life, and this makes them terrible guides to securing it in this one. Of course, there are a few gems to be found in every religious tradition, but insofar as these precepts are wise and useful they are not, in principle, religious.
India is a very, very old country with a history, culture and tradition like Italy. And we can use the English language to be in touch. Then India's industrial situation is similar to us. Both have big companies but are dominated by small and medium-sized companies. It is extremely important for both to do joint ventures.
In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
All European tradition, Marxism included, has conspired to defy the natural order of all things. Mother Earth has been abused, the powers have been abused, and this cannot go on forever. No theory can alter that simple fact. Mother Earth will retaliate, the whole environment will retaliate, and the abusers will be eliminated.
Many scientists have been drawn to Buddhism out of a sense that the Western tradition has delivered an impoverished conception of basic, human sanity. In the West, if you speak to yourself out loud all day long, you are considered crazy. But speaking to yourself silently - thinking incessantly - is considered perfectly normal.
Some of my educated Filipino friends were aspiring poets, but their aspirations were all in the direction of the United States. They had no desire to learn from the bardic tradition that continued in the barrios. Their ideal would have been to write something that would get them to Iowa, where they would study creative writing.
Yeats regarded his work as the close of an epoch, and the least of his later lyrics brings the sense of a great occasion. English critics have tried to claim him for their tradition, but, heard closely, his later music has that tremulous lyrical undertone which can be found in the Anglo-Irish eloquence of the eighteenth century.
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
I'm always about trying to fill a need with what I do in my artistry. There is definitely a need in the performing arts world for a movement to come along that seriously connects with a next generation audience while still maintaining the timeless artistic objectives present throughout the history of the American music tradition.
Who wrote the Bible? Current scholarship, to my knowledge, assumes that the material that constitutes the Old Testament was put together from various oral and folk traditions (many of them going far back) in the Hellenistic period. That was one of several currents, of which the collection that formed the New Testament was another.
I have really fond memories of growing up in Chicago, and I always love going back. I still have a lot of really good friends from high school that I go to dinner with. It's kind of become a tradition when I go out there to do a show to give a few friends a call, tell some funny stories about high school and walk down memory lane.
Both my parents were agnostic. My mother was kind of a Buddhist. She had some spiritual tendencies, but they were kind of flaky - New Agey, you know? Which is partly why I'm suspicious of that sort of thing. I'm skeptical of any spiritual practice that doesn't involve other people and doesn't involve some sort of consistent tradition.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
The scientists I looked up to at the beginning were not Latino. They were famous scientists of many years ago, like Madame Curie. Later, I realized that there were also, but a very few, Latino scientists. There were good ones, but very few, because there wasn't as much a tradition to be a scientist in our culture. But this is changing.
In places like Glasgow and Newcastle, audiences have a tradition of being amusingly combative. But they're not trying to ruin the act, they're trying to give you a challenge. It's like a cat playing with a mouse - the cat doesn't want the mouse to die, it wants to keep it alive for its own amusement and to be entertained by its struggle.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
I'm a product of a Notre Dame education; those professors taught me a lot about how you separate the city of God from the state. I'm also a reverent follower of the tradition of Thomas Jefferson. My years of public life have simply confirmed the intensity of my belief that what I have learned from Joe Evans and Thomas Jefferson was correct.
Those who say we should dismantle the role of Poet Laureate altogether, the trick they miss is that being called this thing, with the weight of tradition behind it, and with the association of the Royal family, does allow you to have conversations and to open doors, and wallets, for the good of poetry in a way that nothing else would allow.